The Cecil Touchon Asemic Reader

The Cecil Touchon Asemic Reader PDF Author: Cecil Touchon
Publisher: Post-Asemic Press
ISBN: 9781732878891
Category : Art
Languages : en
Pages : 126

Get Book Here

Book Description
The current permutation of The Reader, originally envisioned as a black and white book, expanded in size and breadth to its current full color version to take into account the range of expression in Touchon's asemic explorations spanning forty years of works on paper including images from Touchon's unpublished sketchbooks. The first section of the book primarily contains palimpsest based asemic writing originally intended for mail art correspondence in which Touchon overwrites texts as found in 19th and early 20th century antique poetry books, a book of sermons, farm journal pages, a postcard, a grade school autograph book page, a sheet of music, a page from a vintage high school chemistry workbook and old invoices. Using these found papers collected for possible collage material, Touchon retains and uses the structure on the page and the patinated paper as inspiration for these asemic works often overwritten with india ink and quill pen. Following these are selected typographic abstraction works from the Fusion Series, Touchon diary-like ongoing series of collage works begun in 1983 and continuing to the present. In these works Touchon uses a wide ranging body of materials, approaches and techniques to produce these poetic works that explore figure and ground relationships and a variety of compositional strategies. These collages become studies for Touchon's paintings. In the midst of this group are a series of asemic 'songs' on torn brown paper using colored pens, pencil shading and white pencil highlighting that express the idea of visual musicality. At the end of the typographic collage works there is the image of a labyrinthian network of overlapping white lines over a black void that seem to float on multiple levels. This opens the way to a set of works of brush and ink from 2009 on the pages of a single antique journal where the markings are painted onto the leaves of paper and after a few moments the pages were held under running water in the kitchen sink. Whatever ink had dried remained on the page leaving gray ghost marks where the ink had been washed away. The book concludes with a variety of works from the late 1970's examining Touchon's early mark making based on language or visual musicality. Taken as a whole, this sampling of works across forty years of Touchon's oeuvre reminds one of a quote from the 1949 'Lecture on Nothing' by John Cage: "I have nothing to say and I am saying it..." but in Touchon's case he possibly is saying nothing about Something; perhaps a something so transcendent that common words cannot speak of it, something so vast that words crumble into gibberish and collapse into an unutterable silence. Some of the titles of previous exhibitions of Touchon's work suggest this such as: 'Beyond Words', 'Reduced to Silence' or 'The Unspoken Remains'. Yet Touchon's works are not nihilistic in nature. They could be said to be meaningless though clearly not purposeless. Touchon has said that his interest is in expressing 'the underlying universal harmony of all things'. One has the impression when studying these works that literary meaning has been removed or obfuscated but in Touchon's view he sees his work as liberating language from its work as bearer of meaning and by extension liberating the reader from the work of deciphering meaning and from the obligation of being literate when enjoying the works purely for their aesthetic value. In a world whose population is engulfed in a deluge of information that we must continually navigate, these works offer a small oasis in which one might be refreshed along the seemingly endless journey over the shifting sands of data on the horizons of which can only be seen mirage and simulacrum.

The Cecil Touchon Asemic Reader

The Cecil Touchon Asemic Reader PDF Author: Cecil Touchon
Publisher: Post-Asemic Press
ISBN: 9781732878891
Category : Art
Languages : en
Pages : 126

Get Book Here

Book Description
The current permutation of The Reader, originally envisioned as a black and white book, expanded in size and breadth to its current full color version to take into account the range of expression in Touchon's asemic explorations spanning forty years of works on paper including images from Touchon's unpublished sketchbooks. The first section of the book primarily contains palimpsest based asemic writing originally intended for mail art correspondence in which Touchon overwrites texts as found in 19th and early 20th century antique poetry books, a book of sermons, farm journal pages, a postcard, a grade school autograph book page, a sheet of music, a page from a vintage high school chemistry workbook and old invoices. Using these found papers collected for possible collage material, Touchon retains and uses the structure on the page and the patinated paper as inspiration for these asemic works often overwritten with india ink and quill pen. Following these are selected typographic abstraction works from the Fusion Series, Touchon diary-like ongoing series of collage works begun in 1983 and continuing to the present. In these works Touchon uses a wide ranging body of materials, approaches and techniques to produce these poetic works that explore figure and ground relationships and a variety of compositional strategies. These collages become studies for Touchon's paintings. In the midst of this group are a series of asemic 'songs' on torn brown paper using colored pens, pencil shading and white pencil highlighting that express the idea of visual musicality. At the end of the typographic collage works there is the image of a labyrinthian network of overlapping white lines over a black void that seem to float on multiple levels. This opens the way to a set of works of brush and ink from 2009 on the pages of a single antique journal where the markings are painted onto the leaves of paper and after a few moments the pages were held under running water in the kitchen sink. Whatever ink had dried remained on the page leaving gray ghost marks where the ink had been washed away. The book concludes with a variety of works from the late 1970's examining Touchon's early mark making based on language or visual musicality. Taken as a whole, this sampling of works across forty years of Touchon's oeuvre reminds one of a quote from the 1949 'Lecture on Nothing' by John Cage: "I have nothing to say and I am saying it..." but in Touchon's case he possibly is saying nothing about Something; perhaps a something so transcendent that common words cannot speak of it, something so vast that words crumble into gibberish and collapse into an unutterable silence. Some of the titles of previous exhibitions of Touchon's work suggest this such as: 'Beyond Words', 'Reduced to Silence' or 'The Unspoken Remains'. Yet Touchon's works are not nihilistic in nature. They could be said to be meaningless though clearly not purposeless. Touchon has said that his interest is in expressing 'the underlying universal harmony of all things'. One has the impression when studying these works that literary meaning has been removed or obfuscated but in Touchon's view he sees his work as liberating language from its work as bearer of meaning and by extension liberating the reader from the work of deciphering meaning and from the obligation of being literate when enjoying the works purely for their aesthetic value. In a world whose population is engulfed in a deluge of information that we must continually navigate, these works offer a small oasis in which one might be refreshed along the seemingly endless journey over the shifting sands of data on the horizons of which can only be seen mirage and simulacrum.

Asemic

Asemic PDF Author: Peter Schwenger
Publisher: U of Minnesota Press
ISBN: 1452961077
Category : Language Arts & Disciplines
Languages : en
Pages : 225

Get Book Here

Book Description
The first critical study of writing without language In recent years, asemic writing—writing without language—has exploded in popularity, with anthologies, a large-scale art exhibition, and flourishing interest on sites like tumblr, YouTube, Pinterest, and Instagram. Yet this burgeoning, fascinating field has never received a dedicated critical study. Asemic fills that gap, proposing new ways of rethinking the nature of writing. Pioneered in the work of creators such as Henri Michaux, Roland Barthes, and Cy Twombly, asemic writing consolidated as a movement in the 1990s. Author Peter Schwenger first covers these “asemic ancestors” before moving to current practitioners such as Michael Jacobson, Rosaire Appel, and Christopher Skinner, exploring how asemic writing has evolved and gained importance in the contemporary era. Asemic includes intriguing revelations about the relation of asemic writing to Chinese characters, the possibility of asemic writing in nature, and explanations of how we can read without language. Written in a lively style, this book will engage scholars of contemporary art and literary theory, as well as anyone interested in what writing was and what it is now in the process of becoming.

Writing by Drawing

Writing by Drawing PDF Author: Andrea Bellini
Publisher: Skira
ISBN: 9788857243504
Category : Art
Languages : en
Pages : 288

Get Book Here

Book Description
A book about the shadow side of writing, with asemic art by Mirtha Dermisache, Jean Dubuffet, Brion Gysin, Susan Hiller, Henri Michaux and more Looking at the rich tradition of art, from the early 20th century to the present, in which writing sheds its communicative function and pursues the inarticulable, Writing by Drawingexplores the fertile tension between the semantic and the uncharted territory of automatism, mark-making and scribbles--the "asemic." Artists include: Douglas Abdell, Vincenzo Accame, Rosaire Appel, Tchello d'Barros, Gianfranco Baruchello, Tomaso Binga, Irma Blank, Nick Blinko, Alighiero Boetti, Marcia Brauer, Frédéric Bruly Bouabré, Elijah Burgher, Axel Calatayud, Gaston Chaissac, Laura Cingolani, Guy de Cointet, Aloïse Corbaz, Dadamaino, Betty Danon, Hanne Darboven, Michel Dave, Michael Dean, Mirtha Dermisache, Emmanuel Derriennic, Jean Dubuffet, Giordano Falzoni, León Ferrari, Chiara Fumai, Pepe Gaitán, Jill Galliéni, Ryan Gander, Anne-Marie Gbindoun, Marco Giovenale, Rafael González, Giorgio Griffa, Mariangela Guatteri, Gustav, Elisabetta Gut, Brion Gysin, Ana Hatherly, Emma Hauck, Takanori Herai, Joseph Heuer, Susan Hiller, Steffani Jemison, Carlo Keshishian, Henri Michaux, Miriam Midley, Bruno Munari and more.

An Anthology of Asemic Handwriting

An Anthology of Asemic Handwriting PDF Author: Tim Gaze
Publisher: punctum books
ISBN: 9081709178
Category : Literature (General)
Languages : en
Pages : 218

Get Book Here

Book Description
An Anthology of Asemic Handwriting is the first book-length publication to collect the work of a community of writers on the edges of illegibility. Asemic writing is a galaxy-sized style of writing, which is everywhere yet remains largely unknown. For human observers, asemic writing may appear as lightning from a storm, a crack in the sidewalk, or the tail of a comet. But despite these observations, asemic writing is not everything: it is just an essential component, a newborn supernova dropped from a calligrapher's hand. Asemic writing is simultaneously communicating with the past and the future of writing, from the earliest undeciphered writing systems to the xenolinguistics of the stars; it follows a peregrination from the preliterate, beyond the verbal, finally ending in a postliterate condition in which visual language has superseded words. An Anthology of Asemic Handwriting is compiled and edited by Tim Gaze from Asemic magazine and Michael Jacobson from The New Post-Literate blog. Contributors include: Reed Altemus, mIEKAL aND, Rosaire Appel, Francesco Aprile, Roy Arenella, Derek Beaulieu, Pat Bell, John M. Bennett, Francesca Biasetton, Volodymyr Bilyk, Tony Burhouse & Rob Glew, Nancy Burr, Riccardo Cavallo, Mauro Césari, Peter Ciccariello, Andrew Clark, Carlfriedrich Claus, Bob Cobbing, Patrick Collier, Robert Corydon, Jeff Crouch, Marilyn Dammann, Donna Maria Decreeft, Alessandro De Francesco, Monica Dengo, Mirtha Dermisache, Bill Dimichele, Christian Dotremont, Jean Dubuffet, Max Ernst, Mark Firth, Eckhard Gerdes, Mike Getsiv, Jean-Christophe Giacottino, Marco Giovenale, Meg Green, Brion Gysin, Jefferson Hansen, Huai Su, Geof Huth, Isidore Isou, Michael Jacobson, Satu Kaikkonen, Jukka-Pekka Kervinen, Rashid Koraishi, Irene Koronas, Edward Kulemin, Le Quoc Viet & Tran Tr?ng Duong, Jim Leftwich, Misha Magazinnik, Matt Margo, André Masson, Nuno de Matos, Willi Melnikov, Morita Shiryu, Sheila E. Murphy, Nguyen Duc Dung, Nguyen Quang Thang, Pham Van Tuan, François Poyet, Kerri Pullo, Lars Px, Marilyn R. Rosenberg, Roland Sabatier, Ekaterina Samigulina & Yuli Ilyshchanska, Alain Satié, Karen L. Schiff, Spencer Selby, Peggy Shearn, Ahmed Shibrain, Gary Shipley, Christopher Skinner, Hélène Smith, Lin Tarczynski, Morgan Taubert, Andrew Topel, Cecil Touchon, Louise Tournay, Tran Tr?ng Duong, Lawrence Upton, Sergio Uzal, Marc van Elburg, Nico Vassilakis, Glynda Velasco, Simon Vinkenoog, Vsevolod Vlaskine, Cornelis Vleeskens, Anthony Vodraska, Voynich Manuscript, Jim Wittenberg, Michael Yip, Logan K. Young, Yorda Yuan, Camille Zehenne, Zhang Xu, & others.

Asemic Writing - Poetic Structures

Asemic Writing - Poetic Structures PDF Author: Cecil Touchon
Publisher: Lulu.com
ISBN: 9781794786301
Category : Poetry
Languages : en
Pages : 96

Get Book Here

Book Description
These poems are created using vernacular sources for materials such as restaurant receipts, poetic structures Touchon made with spam email, pages of lists from magazines as palimpsests to then overwrite the texts on the pages using the existing texts as prompts for his asemic writing. Touchon also used various authorsÕ poems whose structures he liked in the same way by printing out the poems on white sheets and then overwriting the texts. Some of the poets included e. e. commings, David Drew, Vito Acconti, documents from Sigmund Freud, some pages from Mathematical Manuscripts of Karl Marx, etc. In short, any sort of page composition that Touchon could exploit with the use of asemic writing.

How Many Sleeps

How Many Sleeps PDF Author: Amber Stewart
Publisher: Oxford University Press - Children
ISBN: 0192739298
Category : Juvenile Fiction
Languages : en
Pages : 33

Get Book Here

Book Description
Toast, a little field mouse, knows that his birthday is just around the corner. And in the days leading up to it, he wants to know just how many sleeps there are to go. As the birthday preparations gather pace - delivering the invitations, collecting the party treats, and helping Mummy to decorate the birthday cake, Toast can hardly contain his excitement and when he discovers there is just one more sleep left until his birthday he is almost fit to burst! This infectiously happy story that charts Toast's crescendo of birthday anticipation has a lovely sub-plot: Daddy is doing his best to finish Toast's present on time and, for him, the passage of time brings a rising sense of panic! The present is a little scooter, with a sycamore seedcase for handlebars and rosehips for wheels - children will love picking out the visual clues in the artwork as they watch Daddy assemble the components and gradually discover what it is that he is making. And, when Toast's birthday finally arrives, all's well that en

Human Problems

Human Problems PDF Author: Francis Upritchard
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104

Get Book Here

Book Description
Francis Upritchard (1976 New Zealand) lives and works in London These are the fragments Francis Upritchard has shored against her ruins. Thrift store pots have been remade as canopic urns, ancient Egyptian repositories for the organs of the dead. A gift from a relative, an unwanted wedding present or a memory of a day out, even the tackiest ornament once played a small symbolic function in someone's life. Now they have been detourned to reveal the underlying purpose of all that frantic personalising and decorating of domestic space, the fabrication of memories to set against death. We face the terror of annihilation armed only with nick-nacks, handicrafts and souvenirs. Novelist Hari Kunzru (The Impressionist, Transmission) has contributed an introductory text masquerading as the notebook of one John Henry Deans, a would-be anthropologist who is slowly losing his mind.

Arnie the Darling Starling

Arnie the Darling Starling PDF Author: Margarete Sigl Corbo
Publisher: Hamlyn
ISBN: 9780099399308
Category : Starlings as pets
Languages : en
Pages : 231

Get Book Here

Book Description


An Italian Baroness in Hawai'i

An Italian Baroness in Hawai'i PDF Author: Gina Sobrero
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 152

Get Book Here

Book Description


This Pen For Hire

This Pen For Hire PDF Author: Laura Levine
Publisher: Kensington Books
ISBN: 161773618X
Category : Fiction
Languages : en
Pages : 198

Get Book Here

Book Description
"I'm crazy about Laura Levine's mystery series. Her books are so outrageously funny." --Joanne Fluke Smarmy personals ads. Daring declarations of love. Freelance writer Jaine Austen has penned them all. But no one needs her help more than geeky, gawky Howard Murdoch. His request is simple enough: a letter proclaiming his undying love for Stacy Lawrence, a gorgeous aerobics instructor. The fact that he's never actually met the woman gives Jaine pause--yet she soon overcomes her misgivings, and the unlikely Romeo lands a date! But his triumph is short-lived. On Valentine's Day, Howard finds Stacy bludgeoned to death with a Thigh Master--and is quickly named the prime suspect. Jaine is shocked. Sure, Howard's awkward and eccentric. But a murderer? That's hard to believe. Especially after a little sleuthing reveals a plethora of people who harbored less-than-loving feelings towards the svelte Stacy. Now Jaine had better wrangle her clues quickly, before a crafty killer catches on--and puts a whole new spin on her ghost writing career. . . "Sheer fun!" --Carolyn Hart