Author: David Simmons
Publisher: Huia Publishers
ISBN: 9781877241956
Category : Crafts & Hobbies
Languages : en
Pages : 252
Book Description
This unique book documents for the first time Maori pare (carved door lintels) from marae throughout the country and from overseas.
The Carved Pare
Author: David Simmons
Publisher: Huia Publishers
ISBN: 9781877241956
Category : Crafts & Hobbies
Languages : en
Pages : 252
Book Description
This unique book documents for the first time Maori pare (carved door lintels) from marae throughout the country and from overseas.
Publisher: Huia Publishers
ISBN: 9781877241956
Category : Crafts & Hobbies
Languages : en
Pages : 252
Book Description
This unique book documents for the first time Maori pare (carved door lintels) from marae throughout the country and from overseas.
Carved Histories
Author: Roger Neich
Publisher: Auckland University Press
ISBN: 9781869402570
Category : Art
Languages : en
Pages : 462
Book Description
This comprehensive guide examines the personal histories, roles, and personalities that played into the traditional cultural art of carving. It also traces the influence of European patronage and the ensuing tourist trade upon this art form, as many Maori carvers began styling and catering their product to meet their clients’ aesthetic desires. Included is a discussion of the establishment of the government-sponsored Rotorua School of Maori Art in 1928, which appointed as the main tutor Eramiha Kapua, a Ngati Tarawhai carver, thus helping his own traditional tribal art to make the transition into a modern “national” art.
Publisher: Auckland University Press
ISBN: 9781869402570
Category : Art
Languages : en
Pages : 462
Book Description
This comprehensive guide examines the personal histories, roles, and personalities that played into the traditional cultural art of carving. It also traces the influence of European patronage and the ensuing tourist trade upon this art form, as many Maori carvers began styling and catering their product to meet their clients’ aesthetic desires. Included is a discussion of the establishment of the government-sponsored Rotorua School of Maori Art in 1928, which appointed as the main tutor Eramiha Kapua, a Ngati Tarawhai carver, thus helping his own traditional tribal art to make the transition into a modern “national” art.
A Whakapapa of Tradition
Author: Ngarino Ellis
Publisher: Auckland University Press
ISBN: 1775587436
Category : Art
Languages : en
Pages : 505
Book Description
From the emergence of the chapel and the wharenui in the nineteenth century to the rejuvenation of carving by Apirana Ngata in the 1920s, Maori carving went through a rapid evolution from 1830 to 1930. Focusing on thirty meeting houses, Ngarino Ellis tells the story of Ngati Porou carving and a profound transformation in Maori art. Beginning around 1830, three previously dominant art traditions – waka taua (war canoes), pataka (decorated storehouses) and whare rangatira (chief's houses) – declined and were replaced by whare karakia (churches), whare whakairo (decorated meeting houses) and wharekai (dining halls). Ellis examines how and why that fundamental transformation took place by exploring the Iwirakau School of carving, based in the Waiapu Valley on the East Coast of the North Island. An ancestor who lived around the year 1700, Iwirakau is credited for reinvigorating the art of carving in the Waiapu region. The six major carvers of his school went on to create more than thirty important meeting houses and other structures. During this transformational period, carvers and patrons re-negotiated key concepts such as tikanga (tradition), tapu (sacredness) and mana (power, authority) – embedding them within the new architectural forms whilst preserving rituals surrounding the creation and use of buildings. A Whakapapa of Tradition tells us much about the art forms themselves but also analyzes the environment that made carving and building possible: the patrons who were the enablers and transmitters of culture; the carvers who engaged with modern tools and ideas; and the communities as a whole who created the new forms of art and architecture. This book is both a major study of Ngati Porou carving and an attempt to make sense of Maori art history. What makes a tradition in Maori art? Ellis asks. How do traditions begin? Who decides this? Conversely, how and why do traditions cease? And what forces are at play which make some buildings acceptable and others not? Beautifully illustrated with new photography by Natalie Robertson, and drawing on the work of key scholars to make a new synthetic whole, this book will be a landmark volume in the history of writing about Maori art.
Publisher: Auckland University Press
ISBN: 1775587436
Category : Art
Languages : en
Pages : 505
Book Description
From the emergence of the chapel and the wharenui in the nineteenth century to the rejuvenation of carving by Apirana Ngata in the 1920s, Maori carving went through a rapid evolution from 1830 to 1930. Focusing on thirty meeting houses, Ngarino Ellis tells the story of Ngati Porou carving and a profound transformation in Maori art. Beginning around 1830, three previously dominant art traditions – waka taua (war canoes), pataka (decorated storehouses) and whare rangatira (chief's houses) – declined and were replaced by whare karakia (churches), whare whakairo (decorated meeting houses) and wharekai (dining halls). Ellis examines how and why that fundamental transformation took place by exploring the Iwirakau School of carving, based in the Waiapu Valley on the East Coast of the North Island. An ancestor who lived around the year 1700, Iwirakau is credited for reinvigorating the art of carving in the Waiapu region. The six major carvers of his school went on to create more than thirty important meeting houses and other structures. During this transformational period, carvers and patrons re-negotiated key concepts such as tikanga (tradition), tapu (sacredness) and mana (power, authority) – embedding them within the new architectural forms whilst preserving rituals surrounding the creation and use of buildings. A Whakapapa of Tradition tells us much about the art forms themselves but also analyzes the environment that made carving and building possible: the patrons who were the enablers and transmitters of culture; the carvers who engaged with modern tools and ideas; and the communities as a whole who created the new forms of art and architecture. This book is both a major study of Ngati Porou carving and an attempt to make sense of Maori art history. What makes a tradition in Maori art? Ellis asks. How do traditions begin? Who decides this? Conversely, how and why do traditions cease? And what forces are at play which make some buildings acceptable and others not? Beautifully illustrated with new photography by Natalie Robertson, and drawing on the work of key scholars to make a new synthetic whole, this book will be a landmark volume in the history of writing about Maori art.
Bulletin
Author: Dominion Museum(New Zealand)
Publisher:
ISBN:
Category : Ethnology
Languages : en
Pages : 170
Book Description
Publisher:
ISBN:
Category : Ethnology
Languages : en
Pages : 170
Book Description
Museums and the Interpretation of Visual Culture
Author: Eilean Hooper-Greenhill
Publisher: Routledge
ISBN: 1000282481
Category : Social Science
Languages : en
Pages : 273
Book Description
This is a multi-disciplinary study that adopts an innovative and original approach to a highly topical question, that of meaning-making in museums, focusing its attention on pedagogy and visual culture. This work explores such questions as: How and why is it that museums select and arrange artefacts, shape knowledge, construct a view? How do museums produce values? How do active audiences make meaning from what they experience in museums? This stimulating book provokes debate and discussion on these topics and puts forward the idea of a new museum - the post-museum, which will challenge the familiar modernist museum. A must for students and professionals in the field.
Publisher: Routledge
ISBN: 1000282481
Category : Social Science
Languages : en
Pages : 273
Book Description
This is a multi-disciplinary study that adopts an innovative and original approach to a highly topical question, that of meaning-making in museums, focusing its attention on pedagogy and visual culture. This work explores such questions as: How and why is it that museums select and arrange artefacts, shape knowledge, construct a view? How do museums produce values? How do active audiences make meaning from what they experience in museums? This stimulating book provokes debate and discussion on these topics and puts forward the idea of a new museum - the post-museum, which will challenge the familiar modernist museum. A must for students and professionals in the field.
Transactions
Author: Royal Society of New Zealand
Publisher:
ISBN:
Category :
Languages : en
Pages : 688
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 688
Book Description
Transactions and Proceedings
Author: Royal Society of New Zealand
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 680
Book Description
Includes proceedings of member institutes of the Society and of the Society's Science Congress.
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 680
Book Description
Includes proceedings of member institutes of the Society and of the Society's Science Congress.
The Work of Art
Author: Michael D. Jackson
Publisher: Columbia University Press
ISBN: 0231541996
Category : Social Science
Languages : en
Pages : 273
Book Description
How are we to think of works of art? Rather than treat art as an expression of individual genius, market forces, or aesthetic principles, Michael Jackson focuses on how art effects transformations in our lives. Art opens up transitional, ritual, or utopian spaces that enable us to reconcile inward imperatives and outward constraints, thereby making our lives more manageable and meaningful. Art allows us to strike a balance between being actors and being acted upon. Drawing on his ethnographic fieldwork in Aboriginal Australia and West Africa, as well as insights from psychoanalysis, religious studies, literature, and the philosophy of art, Jackson deploys an extraordinary range of references—from Bruegel to Beuys, Paleolithic art to performance art, Michelangelo to Munch—to explore the symbolic labor whereby human beings make themselves, both individually and socially, out of the environmental, biographical, and physical materials that affect them: a process that connects art with gestation, storytelling, and dreaming and illuminates the elementary forms of religious life.
Publisher: Columbia University Press
ISBN: 0231541996
Category : Social Science
Languages : en
Pages : 273
Book Description
How are we to think of works of art? Rather than treat art as an expression of individual genius, market forces, or aesthetic principles, Michael Jackson focuses on how art effects transformations in our lives. Art opens up transitional, ritual, or utopian spaces that enable us to reconcile inward imperatives and outward constraints, thereby making our lives more manageable and meaningful. Art allows us to strike a balance between being actors and being acted upon. Drawing on his ethnographic fieldwork in Aboriginal Australia and West Africa, as well as insights from psychoanalysis, religious studies, literature, and the philosophy of art, Jackson deploys an extraordinary range of references—from Bruegel to Beuys, Paleolithic art to performance art, Michelangelo to Munch—to explore the symbolic labor whereby human beings make themselves, both individually and socially, out of the environmental, biographical, and physical materials that affect them: a process that connects art with gestation, storytelling, and dreaming and illuminates the elementary forms of religious life.
Quandaries of Belonging
Author: Michael Jackson
Publisher: Union Bridge Books
ISBN: 1785276425
Category : Social Science
Languages : en
Pages : 200
Book Description
Those who leave their homelands, either under duress or by design, will see them in a different light than those who have stayed put. Michael Jackson argues that the perspective of the expatriate may be compared with what ethnographers call ‘stranger value’. In moving between detachment and deep immersion, this bifocal perspective implicates a bicultural one, which is why Jackson has recourse to Māori traditional knowledge, not in order to impose a Eurocentric interpretation on them, but to show how cross-cultural conversations and interactions can promote new forms of sociality and coexistence.
Publisher: Union Bridge Books
ISBN: 1785276425
Category : Social Science
Languages : en
Pages : 200
Book Description
Those who leave their homelands, either under duress or by design, will see them in a different light than those who have stayed put. Michael Jackson argues that the perspective of the expatriate may be compared with what ethnographers call ‘stranger value’. In moving between detachment and deep immersion, this bifocal perspective implicates a bicultural one, which is why Jackson has recourse to Māori traditional knowledge, not in order to impose a Eurocentric interpretation on them, but to show how cross-cultural conversations and interactions can promote new forms of sociality and coexistence.
Northland Māori Wood Carving
Author: Deidre Sharon Brown
Publisher: Raupo
ISBN:
Category : Art
Languages : en
Pages : 272
Book Description
Art is the soul of culture. This book is an introduction to the art of whakairo rakau (Maori wood carving) from the Tai Tokerau district, the 'Northland' region that stretches from Auckland to the top of the country. It discusses the characteristics and definitions of the regional style and the debates surrounding provenance, as well as northern carvers and their tools, materials and work. The dynamic history of the practice, including its development, appropriation of European materials and ideas, decline, repression and recent revival, is examined using a wealth of historical resources, and the place of museums and individuals in the collection and renaissance of these taonga (treasures) is critically assessed. This is followed by a comprehensive illustrated catalogue of Tai Tokerau wood carvings in national and international museums, many of which cannot normally be viewed by the public. The book is a valuable guide for anyone interested in some of the earliest and most beautiful works of Maori craftsmanship. It is written for the non-specialist reader, although people with a scholarly, professional or cultural relationship with the region and its art will discover more about Tai Tokerau whakairo rakau.
Publisher: Raupo
ISBN:
Category : Art
Languages : en
Pages : 272
Book Description
Art is the soul of culture. This book is an introduction to the art of whakairo rakau (Maori wood carving) from the Tai Tokerau district, the 'Northland' region that stretches from Auckland to the top of the country. It discusses the characteristics and definitions of the regional style and the debates surrounding provenance, as well as northern carvers and their tools, materials and work. The dynamic history of the practice, including its development, appropriation of European materials and ideas, decline, repression and recent revival, is examined using a wealth of historical resources, and the place of museums and individuals in the collection and renaissance of these taonga (treasures) is critically assessed. This is followed by a comprehensive illustrated catalogue of Tai Tokerau wood carvings in national and international museums, many of which cannot normally be viewed by the public. The book is a valuable guide for anyone interested in some of the earliest and most beautiful works of Maori craftsmanship. It is written for the non-specialist reader, although people with a scholarly, professional or cultural relationship with the region and its art will discover more about Tai Tokerau whakairo rakau.