Crucifixion Iconography in Carolingian Ivory Carvings of the Liuthard and Metz Groups PDF Download
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Author: Stanley Ferber
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 174
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Book Description
Author: Stanley Ferber
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 174
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Book Description
Author: Melanie Elaine Holcomb
Publisher:
ISBN:
Category : Ivories, Carolingian
Languages : en
Pages : 396
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Book Description
Author: Genevra Kornbluth
Publisher: Penn State Press
ISBN: 9780271042886
Category : Nature
Languages : en
Pages : 282
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Book Description
Medieval Europe offers a pageant of almost incredible richness: King Arthur and his round table, demons and cathedrals, Charlemagne and his paladins. The Carolingian culture of the late eighth to late tenth centuries (in what is now France, Belgium, Germany, the Netherlands, Switzerland, and northern Italy) offers more than its fair share of achievements. This heavily illustrated study examines one revealing legacy of Charlemagne's heirs and his people--the Carolingian gems of rock crystal, jet, and agate engraved with complex figural scenes, which have never before been studied as a group. These objects have been largely ignored in the scholarship of medieval art, partly because of the difficulty of access. Genevra Kornbluth assembles for the first time all twenty surviving gems, from small seal matrices to the forty-one-figure "Susanna crystal" in London, along with information about lost works. The unique features of each gem are made visible in over 200 detailed black-and-white photographs, often highly magnified and produced using new techniques developed to record transparent engraving. Kornbluth fully analyzes the techniques of manufacture, style, chronology, iconography, and patronage of each gem and examines their social functions, the organization and status of the artisans who created them, and relations between media. The gems are presented as evidence of the rich diversity of the Carolingian culture, rather than as reflections of an artistic program dictated by the imperial courts; they are also seen to be essentially new creations, drawing on earlier visual traditions but adapting their sources to address contemporary concerns.
Author: Celia Chazelle
Publisher: Cambridge University Press
ISBN: 9780521801034
Category : Art
Languages : en
Pages : 364
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Book Description
The Carolingian 'Renaissance' of the late eighth and ninth centuries, in what is now France, western Germany and northern Italy, transformed medieval European culture. At the same time it engendered a need to ensure that clergy, monks and laity embraced orthodox Christian doctrine. This book offers a fresh perspective on the period by examining transformations in a major current of thought as revealed through literature and artistic imagery: the doctrine of the Passion and the crucified Christ. The evidence of a range of literary sources is surveyed - liturgical texts, poetry, hagiography, letters, homilies, exegetical and moral tractates - but special attention is given to writings from the discussions and debates concerning artistic images, Adoptionism, predestination and the Eucharist.
Author: Victoria and Albert Museum. Department of Architecture and Sculpture
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 200
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Book Description
Author: Eliza Garrison
Publisher: Routledge
ISBN: 1351555405
Category : Art
Languages : en
Pages : 237
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Book Description
Ottonian Imperial Art and Portraiture represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Henry II (1002-1024). Author Eliza Garrison analyzes liturgical artworks created for both rulers with the larger goal of addressing the ways in which individual art objects and the collections to which they belonged were perceived as elements of a material historical narrative and as portraits. Since these objects and images had the capacity to stand in for the ruler in his physical absence, she argues, they also performed political functions that were bound to their ritualized use in the liturgy not only during the ruler's lifetime, but even after his death. Garrison investigates how treasury objects could relay officially sanctioned information in a manner that texts alone could not, offering the first full length exploration of this central phenomenon of the Ottonian era.
Author: Colum Hourihane
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064
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Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Author: Nina Rowe
Publisher: Cambridge University Press
ISBN: 0521197449
Category : Architecture
Languages : en
Pages : 345
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Book Description
This book examines the Synagoga-Ecclesia motif in the thirteenth century and argues that the figures conveyed a political message of Christian ascendancy and Jewish submission.
Author: Burlington Fine Arts Club
Publisher:
ISBN:
Category : Ivories
Languages : en
Pages : 420
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Book Description
Author: John Mitchell
Publisher: Pindar Press
ISBN: 1915837111
Category : Art
Languages : en
Pages : 765
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Book Description
Using the great south-Italian monastery of San Vincenzo al Volturno, one of the best preserved monasteries of the earliest Middle Ages, as a case-study and heuristic paradigm, John Mitchell has engaged in a wide-ranging examination of the ways in which visual culture was developed and deployed by ambitious states and institutions in early medieval Europe. The present volume includes studies on the cultural dynamics of Italy and its contribution to the visual complexion of Europe in the period, as well as essays on many aspects of the artistic culture of San Vincenzo, including a series of papers on the display of script in the physical fabric of the monastery and the prominent role it played in its self-image.
