The Cambridge Introduction to Theatre Studies PDF Download
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Author: Christopher B. Balme
Publisher: Cambridge University Press
ISBN: 9780521856225
Category : Drama
Languages : en
Pages : 0
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Book Description
This volume introduces the key elements and approaches in the study of theatre and performance, covering drama, music theatre and dance.
Author: Christopher B. Balme
Publisher: Cambridge University Press
ISBN: 9780521856225
Category : Drama
Languages : en
Pages : 0
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Book Description
This volume introduces the key elements and approaches in the study of theatre and performance, covering drama, music theatre and dance.
Author: Christopher Innes
Publisher: Cambridge University Press
ISBN: 0521844495
Category : Drama
Languages : en
Pages : 299
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Book Description
The director was fundamental to the development of modern theatre. This Introduction explores the emergence of the director's artistic force.
Author: Thomas Postlewait
Publisher: Cambridge University Press
ISBN: 0521495709
Category : Drama
Languages : en
Pages : 0
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Book Description
A 'how to' guide for students and teachers of theatre history, covering archival research, developing historical descriptions and writing reports.
Author: Jennifer Wallace
Publisher: Cambridge University Press
ISBN: 052185539X
Category : Drama
Languages : en
Pages : 193
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Book Description
An introductory study into tragedy in drama and literature, and in the real world.
Author: Janette Dillon
Publisher: Cambridge University Press
ISBN: 0521834740
Category : Drama
Languages : en
Pages : 39
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Book Description
An accessible introduction to early English theatre, from the late medieval period to 1642.
Author: Joslin McKinney
Publisher: Cambridge University Press
ISBN: 1316347788
Category : Drama
Languages : en
Pages : 406
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Book Description
Scenography – the manipulation and orchestration of the performance environment – is an increasingly popular and key area in performance studies. This book introduces the reader to the purpose, identity and scope of scenography and its theories and concepts. Settings and structures, light, projected images, sound, costumes and props are considered in relation to performing bodies, text, space and the role of the audience. Concentrating on scenographic developments in the twentieth century, the Introduction examines how these continue to evolve in the twenty-first century. Scenographic principles are clearly explained through practical examples and their theoretical context. Although acknowledging the many different ways in which design shapes the creation of scenography, the book is not exclusively concerned with the role of the theatre designer. In order to map out the wider territory and potential of scenography, the theories of pioneering scenographers are discussed alongside the work of directors, writers and visual artists.
Author: Brian Crow
Publisher: Cambridge University Press
ISBN: 9780521567220
Category : Drama
Languages : en
Pages : 208
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Book Description
In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.
Author: Tracy C. Davis
Publisher: Cambridge University Press
ISBN: 1139828185
Category : Drama
Languages : en
Pages : 361
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Book Description
Since the turn of the century, Performance Studies has emerged as an increasingly vibrant discipline. Its concerns - embodiment, ethical research and social change - are held in common with many other fields, however a unique combination of methods and applications is used in exploration of the discipline. Bridging live art practices - theatre, performance art and dance - with technological media, and social sciences with humanities, it is truly hybrid and experimental in its techniques. This Companion brings together specially commissioned essays from leading scholars who reflect on their own experiences in Performance Studies and the possibilities this offers to representations of identity, self-and-other, and communities. Theories which have been absorbed into the field are applied to compelling topics in current academic, artistic and community settings. The collection is designed to reflect the diversity of outlooks and provide a guide for students as well as scholars seeking a perspective on research trends.
Author: James R. Brandon
Publisher: Cambridge University Press
ISBN: 9780521588225
Category : Drama
Languages : en
Pages : 266
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Book Description
A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.
Author: Jorge A. Huerta
Publisher: Cambridge University Press
ISBN: 9780521778176
Category : Drama
Languages : en
Pages : 226
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Book Description
This book, first published in 2000, was the first since Jorge Huerta's earlier study Chicano Theater: Themes and Forms to explore the diversity and energy of Chicano theatre. Huerta takes as his starting point 1979, the year Luis Valdez's play, Zoot Suit, was produced on Broadway. Huerta looks at plays by and about Chicana and Chicanos, as they explore, through performance, the community and its identity caught between the United States and Mexico. Through informative biographies of each playwright and analyses of their plays, Huerta offers an accessible introduction to this important aspect of American theatre and culture. Overall, Huerta establishes a pattern of theatrical activity that is closely linked with both Western European traditions of realism and an indigenous philosophy seen in contemporary Chicano culture. The book contains photographs from key productions and will be invaluable to students, scholars and general theatregoers.
