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Author: Angela Wright
Publisher:
ISBN: 9781108662017
Category : Architecture, Gothic
Languages : en
Pages :
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Book Description
"The Cambridge History of the Gothic was conceived in 2015, when Linda Bree, then Editorial Director at Cambridge University Press, first suggested the idea to us. After much discussion and writing, what began life as a modest single-volume project became a larger and far more ambitious three-volume work."--
Author: Angela Wright
Publisher:
ISBN: 9781108662017
Category : Architecture, Gothic
Languages : en
Pages :
Get Book Here
Book Description
"The Cambridge History of the Gothic was conceived in 2015, when Linda Bree, then Editorial Director at Cambridge University Press, first suggested the idea to us. After much discussion and writing, what began life as a modest single-volume project became a larger and far more ambitious three-volume work."--
Author: Catherine Spooner
Publisher: Cambridge History of the G
ISBN: 1108472729
Category : Architecture
Languages : en
Pages : 555
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Book Description
The first volume to provide an interdisciplinary, comprehensive history of twentieth and twenty-first century Gothic culture.
Author: Jerrold E. Hogle
Publisher: Cambridge University Press
ISBN: 1107494486
Category : Literary Criticism
Languages : en
Pages : 526
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Book Description
Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theatre, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film and other visual technologies, the struggles between 'high' and 'popular' culture, changing psychological attitudes towards human identity, gender and sexuality, and the obscure lines between life and death, sanity and madness. The volume also includes a chronology and guides to further reading.
Author: Angela Wright
Publisher: Cambridge University Press
ISBN: 1316999645
Category : Literary Criticism
Languages : en
Pages : 936
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Book Description
This first volume of The Cambridge History of the Gothic provides a rigorous account of the Gothic in Western civilisation, from the Goths' sacking of Rome in 410 AD through to its manifestations in British and European culture of the long eighteenth century. Written by international cast of leading scholars, the chapters explore the interdisciplinary nature of the Gothic in the fields of history, literature, architecture and fine art. As much a cultural history of Gothic as an account of the ways in which the Gothic has participated within a number of formative historical events across time, the volume offers fresh perspectives on familiar themes while also drawing new critical attention to a range of hitherto overlooked concerns. From writers such as Horace Walpole and Ann Radcliffe to eighteenth-century politics and theatre, the volume provides a thorough and engaging overview of early Gothic culture in Britain and beyond.
Author: Charles Locke Eastlake
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 528
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Book Description
Author: Jeffrey Andrew Weinstock
Publisher: Cambridge University Press
ISBN: 1107117143
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
This Companion offers a thorough overview of the diversity of the American Gothic tradition from its origins to the present.
Author: Michael Gamer
Publisher: Cambridge University Press
ISBN: 1139426842
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
Author: Angela Wright
Publisher: Cambridge University Press
ISBN: 1107067839
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven Years' War. In the last decade of the eighteenth century, as Britain went to war again with France, this time in the wake of revolution, the continuing connections between Gothic literature and France through the realms of translation, adaptation and unacknowledged borrowing led to strong suspicions of Gothic literature taking on a subversive role in diminishing British patriotism. Angela Wright explores the development of Gothic literature in Britain in the context of the fraught relationship between Britain and France, offering fresh perspectives on the works of Walpole, Radcliffe, 'Monk' Lewis and their contemporaries.
Author: Patrick R. O'Malley
Publisher: Cambridge University Press
ISBN: 1139458914
Category : Literary Criticism
Languages : en
Pages : 16
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Book Description
It has long been recognised that the Gothic genre sensationalised beliefs and practices associated with Catholicism. Often, the rhetorical tropes and narrative structures of the Gothic, with its lurid and supernatural plots, were used to argue that both Catholicism and sexual difference were fundamentally alien and threatening to British Protestant culture. Ultimately, however, the Gothic also provided an imaginative space in which unconventional writers from John Henry Newman to Oscar Wilde could articulate an alternative vision of British culture. Patrick O'Malley charts these developments from the origins of the Gothic novel in the mid-eighteenth century, through the mid-nineteenth-century sensation novel, toward the end of the Victorian Gothic in Bram Stoker's Dracula and Thomas Hardy's Jude the Obscure. O'Malley foregrounds the continuing importance of Victorian Gothic as a genre through which British authors defined their culture and what was outside it.
Author: John Richetti
Publisher: Cambridge University Press
ISBN: 9780521781442
Category : Literary Criticism
Languages : en
Pages : 974
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Book Description
The Cambridge History of English Literature, 1660-1780 offers readers discussions of the entire range of literary expression from the Restoration to the end of the eighteenth century. In essays by thirty distinguished scholars, recent historical perspectives and new critical approaches and methods are brought to bear on the classic authors and texts of the period. Forgotten or neglected authors and themes as well as new and emerging genres within the expanding marketplace for printed matter during the eighteenth century receive special attention and emphasis. The volume's guiding purpose is to examine the social and historical circumstances within which literary production and imaginative writing take place in the period and to evaluate the enduring verbal complexity and cultural insights they articulate so powerfully.
