The Cambridge History of Music Criticism

The Cambridge History of Music Criticism PDF Author: Christopher Dingle
Publisher: Cambridge University Press
ISBN: 9781108730549
Category : Music
Languages : en
Pages : 0

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Book Description
Music criticism has played a fundamental and influential role throughout music history, with numerous composers such as Berlioz, Schumann, and Wagner, as well as many contemporary musicians, also maintaining careers as writers and critics. The Cambridge History of Music Criticism goes beyond these better-known accounts, reaching back to medieval times, expanding the geographical reach both within and beyond Europe, and including key issues such as women and criticism of recordings, as well as the story of criticism in jazz, popular music and world music. Drawing on a blend of established and talented young scholars, this is the first substantial historical survey of music criticism and critics, bringing unprecedented scope to a rapidly expanding area of musicological research. An indispensable point of reference, The Cambridge History of Music Criticism provides a broad historical overview of the field while also addressing specific issues and events.

The Cambridge History of Music Criticism

The Cambridge History of Music Criticism PDF Author: Christopher Dingle
Publisher: Cambridge University Press
ISBN: 9781108730549
Category : Music
Languages : en
Pages : 0

Get Book Here

Book Description
Music criticism has played a fundamental and influential role throughout music history, with numerous composers such as Berlioz, Schumann, and Wagner, as well as many contemporary musicians, also maintaining careers as writers and critics. The Cambridge History of Music Criticism goes beyond these better-known accounts, reaching back to medieval times, expanding the geographical reach both within and beyond Europe, and including key issues such as women and criticism of recordings, as well as the story of criticism in jazz, popular music and world music. Drawing on a blend of established and talented young scholars, this is the first substantial historical survey of music criticism and critics, bringing unprecedented scope to a rapidly expanding area of musicological research. An indispensable point of reference, The Cambridge History of Music Criticism provides a broad historical overview of the field while also addressing specific issues and events.

The Cambridge History of Music Criticism

The Cambridge History of Music Criticism PDF Author: Christopher Dingle
Publisher: Cambridge University Press
ISBN: 1108637981
Category : Music
Languages : en
Pages :

Get Book Here

Book Description
Music criticism has played a fundamental and influential role throughout music history, with numerous composers such as Berlioz, Schumann, and Wagner, as well as many contemporary musicians, also maintaining careers as writers and critics. The Cambridge History of Music Criticism goes beyond these better-known accounts, reaching back to medieval times, expanding the geographical reach both within and beyond Europe, and including key issues such as women and criticism of recordings, as well as the story of criticism in jazz, popular music and world music. Drawing on a blend of established and talented young scholars, this is the first substantial historical survey of music criticism and critics, bringing unprecedented scope to a rapidly expanding area of musicological research. An indispensable point of reference, The Cambridge History of Music Criticism provides a broad historical overview of the field while also addressing specific issues and events.

The Cambridge History of Music Criticism

The Cambridge History of Music Criticism PDF Author: Christopher Dingle
Publisher: Cambridge University Press
ISBN: 9781107037892
Category : Music
Languages : en
Pages : 852

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Book Description
Music criticism has played a fundamental and influential role throughout music history, with numerous composers such as Berlioz, Schumann, and Wagner, as well as many contemporary musicians, also maintaining careers as writers and critics. The Cambridge History of Music Criticism goes beyond these better-known accounts, reaching back to medieval times, expanding the geographical reach both within and beyond Europe, and including key issues such as women and criticism of recordings, as well as the story of criticism in jazz, popular music and world music. Drawing on a blend of established and talented young scholars, this is the first substantial historical survey of music criticism and critics, bringing unprecedented scope to a rapidly expanding area of musicological research. An indispensable point of reference, The Cambridge History of Music Criticism provides a broad historical overview of the field while also addressing specific issues and events.

The Cambridge History of Western Music Theory

The Cambridge History of Western Music Theory PDF Author: Thomas Christensen
Publisher: Cambridge University Press
ISBN: 1316025489
Category : Music
Languages : en
Pages : 1033

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Book Description
The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.

The Cambridge History of World Music

The Cambridge History of World Music PDF Author: Philip V. Bohlman
Publisher: Cambridge University Press
ISBN: 1316025667
Category : Music
Languages : en
Pages : 943

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Book Description
Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.

Music Criticism in Nineteenth-Century France

Music Criticism in Nineteenth-Century France PDF Author: Katharine Ellis
Publisher: Cambridge University Press
ISBN: 9780521454438
Category : Music
Languages : en
Pages : 18

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Book Description
In particular, Dr Ellis considers the music journalism of the Revue et Gazette musicale de Paris, the single most important specialist periodical of the mid nineteenth century, explaining how French music criticism was influenced by aesthetic and philosophical movements.

The Cambridge History of American Music

The Cambridge History of American Music PDF Author: David Nicholls
Publisher: Cambridge University Press
ISBN: 9780521454292
Category : Music
Languages : en
Pages : 668

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Book Description
The Cambridge History of American Music, first published in 1998, celebrates the richness of America's musical life. It was the first study of music in the United States to be written by a team of scholars. American music is an intricate tapestry of many cultures, and the History reveals this wide array of influences from Native, European, African, Asian, and other sources. The History begins with a survey of the music of Native Americans and then explores the social, historical, and cultural events of musical life in the period until 1900. Other contributors examine the growth and influence of popular musics, including film and stage music, jazz, rock, and immigrant, folk, and regional musics. The volume also includes valuable chapters on twentieth-century art music, including the experimental, serial, and tonal traditions.

The Cambridge History of Seventeenth-Century Music

The Cambridge History of Seventeenth-Century Music PDF Author: Tim Carter
Publisher: Cambridge University Press
ISBN: 9780521792738
Category : Music
Languages : en
Pages : 636

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Book Description
First published in 2005, this title provides extensive knowledge on seventeenth-century music.

Music and the Origins of Language

Music and the Origins of Language PDF Author: Downing A. Thomas
Publisher: Cambridge University Press
ISBN: 0521473071
Category : History
Languages : en
Pages : 211

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Book Description
This study analyses reflections on music and considers ways in which it facilitates links between language and meaning.

Quotation and Cultural Meaning in Twentieth-Century Music

Quotation and Cultural Meaning in Twentieth-Century Music PDF Author: David Metzer
Publisher: Cambridge University Press
ISBN: 9780521825092
Category : Music
Languages : en
Pages : 248

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Book Description
Throughout the twentieth century, musicians frequently incorporated bits of works by other musicians into their own compositions and performances. When a musician borrows from a piece, he or she draws upon not only a melody but also the cultural associations of the original piece. By working with and altering a melody, a musician also transforms those associations. This book explores that vibrant practice, examining how musicians used quotation to participate in the cultural dialogues sustained around such areas as race, childhood, madness, and the mass media.