The Cambridge Companion to Giovanni Bellini PDF Download
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Author: Peter Humfrey
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 404
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Book Description
This Companion volume brings together commissioned essays by an international team of scholars on Giovanni Bellini, the dominant painter of Early Renaissance Venice. Among the topics and themes to be discussed are Bellini's position in the social and professional life of early modern Venice; his artistic relationships with his brother-in-law Mantegna, with Flemish painting, and with the 'modern style' that emerged in Italy around 1500; and the connections between Bellini's paintings and the sister arts of architecture and sculpture. Further essays reassess the artist's approaches to landscape and color, elements that have always been recognized as central to his pictorial genius.
Author: Peter Humfrey
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 404
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Book Description
This Companion volume brings together commissioned essays by an international team of scholars on Giovanni Bellini, the dominant painter of Early Renaissance Venice. Among the topics and themes to be discussed are Bellini's position in the social and professional life of early modern Venice; his artistic relationships with his brother-in-law Mantegna, with Flemish painting, and with the 'modern style' that emerged in Italy around 1500; and the connections between Bellini's paintings and the sister arts of architecture and sculpture. Further essays reassess the artist's approaches to landscape and color, elements that have always been recognized as central to his pictorial genius.
Author: Davide Gasparotto
Publisher: Getty Publications
ISBN: 1606065319
Category : Art
Languages : en
Pages : 152
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Book Description
Praised by Albrecht Dürer as being “the best in painting,” Giovanni Bellini (ca. 1430– 1516) is unquestionably the supreme Venetian painter of the quattrocento and one of the greatest Italian artists of all time. His landscapes assume a prominence unseen in Western art since classical antiquity. Drawing from a selection of masterpieces that span Bellini's long and successful career, this exhibition catalogue focuses on the main function of landscape in his oeuvre: to enhance the meditational nature of paintings intended for the private devotion of intellectually sophisticated, elite patrons. The subtle doctrinal content of Bellini’s work—the isolated crucifix in a landscape, the “sacred conversation,” the image of Saint Jerome in the wilderness—is always infused with his instinct for natural representation, resulting in extremely personal interpretations of religious subjects immersed in landscapes where the real and the symbolic are inextricably intertwined. This volume includes a biography of the artist, essays by leading authorities in the field explicating the themes of the J. Paul Getty Museum’s exhibition, and detailed discussions and glorious reproductions of the twelve works in the show, including their history and provenance, function, iconography, chronology, and style.
Author: Oskar Bätschmann
Publisher: Reaktion Books
ISBN: 9781861893574
Category : Art
Languages : en
Pages : 268
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Book Description
With Giovanni Bellini, renowned art historian Oskar Batschmann charts the fraught trajectory of Bellini's career, highlighting the crucial works that established his far-reaching influence in the Renaissance.
Author: Michael Wyatt
Publisher: Cambridge University Press
ISBN: 0521876060
Category : History
Languages : en
Pages : 471
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Book Description
Leading international contributors present a lively and interdisciplinary panorama of the Italian Renaissance as it has developed in recent decades.
Author: Elizabeth Prettejohn
Publisher: Cambridge University Press
ISBN: 0521719313
Category : Art
Languages : en
Pages : 335
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Book Description
A general introduction to the Pre-Raphaelite movement, treating both literature and visual art.
Author: Tom Nichols
Publisher: Reaktion Books
ISBN: 1780232276
Category : Art
Languages : en
Pages : 257
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Book Description
Titian is best known for paintings that embodied the tradition of the Venetian Renaissance—but how Venetian was the artist himself? In this study, Tom Nichols probes the tensions between the individualism of Titian’s work and the conservative mores of the city, showing how his art undermined the traditional self-suppressing approach to painting in Venice and reflected his engagement with the individualistic cultures emerging in the courts of early modern Europe. Ranging widely across Titian’s long career and varied works, Titian and the End of the Venetian Renaissance outlines his radical innovations to the traditional Venetian altarpiece; his transformation of portraits into artistic creations; and his meteoric breakout from the confines of artistic culture in Venice. Nichols explores how Titian challenged the city’s communal values with his competitive professional identity, contending that his intensely personalized way of painting resulted in a departure that effectively brought an end to the Renaissance tradition of painting. Packed with 170 illustrations, this groundbreaking book will change the way people look at Titian and Venetian art history.
Author: Robert Williams
Publisher: Cambridge University Press
ISBN: 1107131502
Category : Art
Languages : en
Pages : 317
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Book Description
A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.
Author: Patricia Rocco
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773552200
Category : Art
Languages : en
Pages : 319
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Book Description
After the Counter-Reformation, the Papal State of Bologna became a hub for the flourishing of female artistic talent. The eighteenth-century biographer Luigi Crespi recorded over twenty-eight women artists working in the city, although many of these, until recently, were ignored by modern art criticism, despite the fame they attained during their lifetimes. What were the factors that contributed to Bologna’s unique confluence of women with art, science, and religion? The Devout Hand explores the work of two generations of Italian women artists in Bologna, from Lavinia Fontana (1552–1614), whose career emerged during the aftermath of the Counter Reformation, to her brilliant successor, Elisabetta Sirani (1638–1665), who organized the first school for women artists. Patricia Rocco further sheds light on Sirani’s students and colleagues, including the little-known engraver Veronica Fontana and the innovative but understudied etcher Giuseppe Maria Mitelli. Combining analysis of iconography, patronage, gender, and reception studies, Rocco integrates painting, popular prints, book illustration, and embroidery to open a wider lens onto the relationship between women, virtue, and the visual arts during a period of religious crisis and reform. A reminder of the lasting power of images, The Devout Hand highlights women’s active role in sixteenth- and seventeenth-century Christian reform and artistic production.
Author: Tom Nichols
Publisher: Simon and Schuster
ISBN: 1780741782
Category : Art
Languages : en
Pages : 246
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Book Description
The fifteenth century saw the evolution of a distinct and powerfully influential European artistic culture. But what does the familiar phrase Renaissance Art actually refer to? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, and supported by illustrations including colour plates, Tom Nichols offers a masterpiece of his own as he explores the truly original and diverse character of the art of the Renaissance.
Author: Dawn Hollis
Publisher: Bloomsbury Publishing
ISBN: 1350162841
Category : History
Languages : en
Pages : 273
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Book Description
Throughout the longue dureé of Western culture, how have people represented mountains as landscapes of the imagination and as places of real experience? In what ways has human understanding of mountains changed – or stayed the same? Mountain Dialogues from Antiquity to Modernity opens up a new conversation between ancient and modern engagements with mountains. It highlights the ongoing relevance of ancient understandings of mountain environments to the postclassical and present-day world, while also suggesting ways in which modern approaches to landscape can generate new questions about premodern responses. It brings together experts from across many different disciplines and periods, offering case studies on topics ranging from classical Greek drama to Renaissance art, and from early modern natural philosophy to nineteenth-century travel writing. Throughout, essays engage with key themes of temporality, knowledge, identity, and experience in the mountain landscape. As a whole, the volume suggests that modern responses to mountains participate in rhetorical and experiential patterns that stretch right back to the ancient Mediterranean. It also makes the case for collaborative, cross-period research as a route both for understanding human relations with the natural world in the past, and informing them in the present.
