Author: Paul Ashton
Publisher: Bloomsbury Publishing
ISBN: 1408142236
Category : Reference
Languages : en
Pages : 257
Book Description
The calling card script is the script that expresses your voice, gets you noticed and helps you reach commission and production. Written by Paul Ashton, Development Manager of the BBC writersroom, and born out of his wide experience of reading scripts, working with writers, and as an industry 'gatekeeper', this is a guide to the key writing tools you need to know and understand to write a truly original script. As many professionals need to switch mediums and genres in order to survive and thrive, the book uniquely draws together the universal principles of dramatic storytelling for screen, stage, and radio. With a focus on the script as a blue print for performance, sections and chapters break down into bite-sized practical insights and the book mirrors both the journey of the story and process of writing it. The Calling Card Script shows how to tell a great story in script form and offers valuable professional development insight for all writers, whether established or just starting out, who wish to hone their craft and speak their voice.
The Calling Card Script
Author: Paul Ashton
Publisher: Bloomsbury Publishing
ISBN: 1408142236
Category : Reference
Languages : en
Pages : 257
Book Description
The calling card script is the script that expresses your voice, gets you noticed and helps you reach commission and production. Written by Paul Ashton, Development Manager of the BBC writersroom, and born out of his wide experience of reading scripts, working with writers, and as an industry 'gatekeeper', this is a guide to the key writing tools you need to know and understand to write a truly original script. As many professionals need to switch mediums and genres in order to survive and thrive, the book uniquely draws together the universal principles of dramatic storytelling for screen, stage, and radio. With a focus on the script as a blue print for performance, sections and chapters break down into bite-sized practical insights and the book mirrors both the journey of the story and process of writing it. The Calling Card Script shows how to tell a great story in script form and offers valuable professional development insight for all writers, whether established or just starting out, who wish to hone their craft and speak their voice.
Publisher: Bloomsbury Publishing
ISBN: 1408142236
Category : Reference
Languages : en
Pages : 257
Book Description
The calling card script is the script that expresses your voice, gets you noticed and helps you reach commission and production. Written by Paul Ashton, Development Manager of the BBC writersroom, and born out of his wide experience of reading scripts, working with writers, and as an industry 'gatekeeper', this is a guide to the key writing tools you need to know and understand to write a truly original script. As many professionals need to switch mediums and genres in order to survive and thrive, the book uniquely draws together the universal principles of dramatic storytelling for screen, stage, and radio. With a focus on the script as a blue print for performance, sections and chapters break down into bite-sized practical insights and the book mirrors both the journey of the story and process of writing it. The Calling Card Script shows how to tell a great story in script form and offers valuable professional development insight for all writers, whether established or just starting out, who wish to hone their craft and speak their voice.
Lew Hunter's Screenwriting 434
Author: Lew Hunter
Publisher: Penguin
ISBN: 9780399529863
Category : Performing Arts
Languages : en
Pages : 358
Book Description
For decades, Lew Hunter's Screenwriting 434 class at UCLA has been the premier screenwriting course, launching a generation of the industry's most frequently produced writers. Here, he shares the secrets of his course on the screenwriting process by actually writing an original script, step by step, that appears in the book.
Publisher: Penguin
ISBN: 9780399529863
Category : Performing Arts
Languages : en
Pages : 358
Book Description
For decades, Lew Hunter's Screenwriting 434 class at UCLA has been the premier screenwriting course, launching a generation of the industry's most frequently produced writers. Here, he shares the secrets of his course on the screenwriting process by actually writing an original script, step by step, that appears in the book.
Creating Value-Added Services and Applications for Converged Communications Networks
Author: Johan Zuidweg
Publisher: Artech House
ISBN: 160807787X
Category : Technology & Engineering
Languages : en
Pages : 321
Book Description
This resource provides a comprehensive survey of current and emerging intelligent telecommunications networks, including underlying software, implementation, deployment, and standards. Readers are given an overview of new technologies and standards that allow operators and service providers to create and deploy value-added services in a changing world increasingly dominated by packet switched networks using the internet protocol (IP). The main goal of this book is to inform telecommunications engineers, ICT managers, and students about building applications and services over communications networks and managing them.
Publisher: Artech House
ISBN: 160807787X
Category : Technology & Engineering
Languages : en
Pages : 321
Book Description
This resource provides a comprehensive survey of current and emerging intelligent telecommunications networks, including underlying software, implementation, deployment, and standards. Readers are given an overview of new technologies and standards that allow operators and service providers to create and deploy value-added services in a changing world increasingly dominated by packet switched networks using the internet protocol (IP). The main goal of this book is to inform telecommunications engineers, ICT managers, and students about building applications and services over communications networks and managing them.
Cold Calling for Chickens
Author: Bob Etherington
Publisher: Marshall Cavendish International Asia Pte Ltd
ISBN: 9814794864
Category : Business & Economics
Languages : en
Pages : 127
Book Description
Cold calling – making contact with strangers – is the biggest fear confronting businesspeople, especially those who work in sales and marketing. “Put me in front of a customer and I can persuade them to buy anything … just don’t ask me to cold call!!” Yet cold calling is unavoidable and something which has to be done (and not just in sales and marketing) if you are to sell and make people aware of your business. This book, based on a very successful course given to thousands of people, shows the art and science of making first contact with complete strangers. The secret is in the preparation and approach, rather than having the gift of the gab, that will enable even yellow-bellied chickens to make that call with confidence. 10 reasons you must buy this book and start winning new customers tomorrow! 1. It is written by somebody who does it successfully every week. 2. Cold calling is fun, and much, much easier than you think. 3. Cold calling is 10 times more effective and less costly than “networking parties,” website promotion or advertising. 4. 95% of your competitors are too scared to do it. That means there’s a lot of business out there waiting for you. 5. The only people who tell you that cold calling doesn’t work are those too scared to do it themselves. 6. You actually overcome your fear by becoming an even bigger “chicken.” 7. “No’s” are not bad things. Go for more “no’s.” Two is not enough – success usually comes on the sixth attempt. 8. Seven simple questions will usually get you to a “yes.” 9. The 5% of sellers who do it properly are taking 85% of the new business in your market. By using the material in this book you will make sure you join the few. 10. “Build a better mousetrap and the world will beat a path to your door”? The biggest lie in business! Your market is now too crowded with businesses that look just like yours (however much you kid yourself). So if not cold calling, how are you going to find new customers? [Facsimile reprint edition]
Publisher: Marshall Cavendish International Asia Pte Ltd
ISBN: 9814794864
Category : Business & Economics
Languages : en
Pages : 127
Book Description
Cold calling – making contact with strangers – is the biggest fear confronting businesspeople, especially those who work in sales and marketing. “Put me in front of a customer and I can persuade them to buy anything … just don’t ask me to cold call!!” Yet cold calling is unavoidable and something which has to be done (and not just in sales and marketing) if you are to sell and make people aware of your business. This book, based on a very successful course given to thousands of people, shows the art and science of making first contact with complete strangers. The secret is in the preparation and approach, rather than having the gift of the gab, that will enable even yellow-bellied chickens to make that call with confidence. 10 reasons you must buy this book and start winning new customers tomorrow! 1. It is written by somebody who does it successfully every week. 2. Cold calling is fun, and much, much easier than you think. 3. Cold calling is 10 times more effective and less costly than “networking parties,” website promotion or advertising. 4. 95% of your competitors are too scared to do it. That means there’s a lot of business out there waiting for you. 5. The only people who tell you that cold calling doesn’t work are those too scared to do it themselves. 6. You actually overcome your fear by becoming an even bigger “chicken.” 7. “No’s” are not bad things. Go for more “no’s.” Two is not enough – success usually comes on the sixth attempt. 8. Seven simple questions will usually get you to a “yes.” 9. The 5% of sellers who do it properly are taking 85% of the new business in your market. By using the material in this book you will make sure you join the few. 10. “Build a better mousetrap and the world will beat a path to your door”? The biggest lie in business! Your market is now too crowded with businesses that look just like yours (however much you kid yourself). So if not cold calling, how are you going to find new customers? [Facsimile reprint edition]
How to Write for Television 6th Edition
Author: William Smethurst
Publisher: How To Books
ISBN: 184803363X
Category : Performing Arts
Languages : en
Pages : 190
Book Description
Television is a growth industry with an insatiable hunger for writing talent. Soaps, series dramas, plays, situation comedies - television constantly needs new writers. This inspiring book is full of professional tips and techniques that producers, agents and script editors would give you themselves - if only they had the time. Complete with vital information on how to sell your writing - and how much you can earn. Packed with tips for writing and selling. Lists essential contacts and phone numbers. Contents: List of Illustrations; The opportunities; 1. The basics; 2. Story & theme; 3. Style; 4. Structure; 5. Plotting; 6. Visual Interest; 7. Dialogue; 8. Characterisation; 9. Situation Comedy; 10. Presentation; 11. From Script to Screen; 12. The difficult Markets; 13. Programmes Looking for Writers; 14. Soap Operas; 15. Other Markets for Scripts; 16. Common Queries; 17. TV Talk; 18. Organisations That Will Help You; 19. Where to Send your Script; Further reading; Index.
Publisher: How To Books
ISBN: 184803363X
Category : Performing Arts
Languages : en
Pages : 190
Book Description
Television is a growth industry with an insatiable hunger for writing talent. Soaps, series dramas, plays, situation comedies - television constantly needs new writers. This inspiring book is full of professional tips and techniques that producers, agents and script editors would give you themselves - if only they had the time. Complete with vital information on how to sell your writing - and how much you can earn. Packed with tips for writing and selling. Lists essential contacts and phone numbers. Contents: List of Illustrations; The opportunities; 1. The basics; 2. Story & theme; 3. Style; 4. Structure; 5. Plotting; 6. Visual Interest; 7. Dialogue; 8. Characterisation; 9. Situation Comedy; 10. Presentation; 11. From Script to Screen; 12. The difficult Markets; 13. Programmes Looking for Writers; 14. Soap Operas; 15. Other Markets for Scripts; 16. Common Queries; 17. TV Talk; 18. Organisations That Will Help You; 19. Where to Send your Script; Further reading; Index.
Writing Television Drama
Author: Nicholas Gibbs
Publisher: Teach Yourself
ISBN: 1444167618
Category : Performing Arts
Languages : en
Pages : 217
Book Description
Break Into Writing For Television takes you from the very first line of the script through to becoming a regular writer for soaps and 'continuing dramas'. It starts with the basics of different types of script and production, and moves on to getting ideas, shaping character and dialogue, re-writing, pitching work and the practicalities of who does what in the production world, in both the UK and the US. Structured around a practical, progressive, goal-orientated approach, each chapter contains a diagnostic test, case studies, practical exercises and Aide Memoire boxes. Each chapter concludes with a reminder of the key points of the chapter (Focus Points) and a round-up of what to expect in the next (Next Step), which will whet your appetite for what's coming and how it relates to what you've just read.
Publisher: Teach Yourself
ISBN: 1444167618
Category : Performing Arts
Languages : en
Pages : 217
Book Description
Break Into Writing For Television takes you from the very first line of the script through to becoming a regular writer for soaps and 'continuing dramas'. It starts with the basics of different types of script and production, and moves on to getting ideas, shaping character and dialogue, re-writing, pitching work and the practicalities of who does what in the production world, in both the UK and the US. Structured around a practical, progressive, goal-orientated approach, each chapter contains a diagnostic test, case studies, practical exercises and Aide Memoire boxes. Each chapter concludes with a reminder of the key points of the chapter (Focus Points) and a round-up of what to expect in the next (Next Step), which will whet your appetite for what's coming and how it relates to what you've just read.
How To Write For Television 7th Edition
Author: William Smethurst
Publisher: Robinson
ISBN: 1472135741
Category : Performing Arts
Languages : en
Pages : 162
Book Description
This book provides professional tips and techniques for those wishing to break into writing for TV whether it's a soap, series drama, or situation comedy. It covers all aspects of script writing such as structure, plotting, characterization and dialogue and is packed with advice on presenting and selling scripts. It also includes a chapter specifically on writing for radio.
Publisher: Robinson
ISBN: 1472135741
Category : Performing Arts
Languages : en
Pages : 162
Book Description
This book provides professional tips and techniques for those wishing to break into writing for TV whether it's a soap, series drama, or situation comedy. It covers all aspects of script writing such as structure, plotting, characterization and dialogue and is packed with advice on presenting and selling scripts. It also includes a chapter specifically on writing for radio.
Official Gazette of the United States Patent and Trademark Office
Author:
Publisher:
ISBN:
Category : Trademarks
Languages : en
Pages : 1448
Book Description
Publisher:
ISBN:
Category : Trademarks
Languages : en
Pages : 1448
Book Description
Insider's Guide to Writing for Television
Author: Julian Friedmann
Publisher: Crimson Publishing
ISBN: 1844555615
Category : Performing Arts
Languages : en
Pages : 194
Book Description
Do you want to write for TV? Want advice from TV industry experts on how to sell a script? Whether you understand beats and through lines or are still trying to figure out your A story from your B story, The Insider's Guide to Writing for TV supports you through the whole process of writing a television script - from working out a premise to getting your script on screen. Co-authored by a successful scriptwriter and script editor, and the co-founder of one of the UK's most prestigious scriptwriting agencies, you can be confident of definitive guidance on how to write a television script as well as the best professional advice on how to make money from scriptwriting. The television industry continues to expand and producers are always on the lookout for new writing talent. If you're an aspiring scriptwriter, you can make sure you write a winning screenplay - and get it made - with the help of The Insider's Guide to Writing for TV. Inside The Insider's Guide to Writing for TV, you'll find out: What sort of scripts producers are looking for - and which they aren't What practical things - such as production costs - need to be considered What you can - and can't - do on television. Beginning with the basics of scriptwriting and how to develop your script premise and generate story ideas, The Insider's Guide to Writing for TV gives tips from television industry experts on understanding the structure of a television script, creating believable characters and ensuring your script has a compelling storyline. Once you're happy with your television screenplay, there's essential advice on pitching your script and approaching agencies or production companies. Whether you want to write soaps, a TV drama or a sitcom, The Insider's Guide to Writing for TV is your toolkit to making sure your dream of writing for TV becomes a reality. Insider's Guides are comprehensive handbooks written by industry experts with many years of practical experience - so you can be sure you're getting unrivalled advice on how to break into the profession. Also available in the series: The Insider's Guide to Getting Your Book Published
Publisher: Crimson Publishing
ISBN: 1844555615
Category : Performing Arts
Languages : en
Pages : 194
Book Description
Do you want to write for TV? Want advice from TV industry experts on how to sell a script? Whether you understand beats and through lines or are still trying to figure out your A story from your B story, The Insider's Guide to Writing for TV supports you through the whole process of writing a television script - from working out a premise to getting your script on screen. Co-authored by a successful scriptwriter and script editor, and the co-founder of one of the UK's most prestigious scriptwriting agencies, you can be confident of definitive guidance on how to write a television script as well as the best professional advice on how to make money from scriptwriting. The television industry continues to expand and producers are always on the lookout for new writing talent. If you're an aspiring scriptwriter, you can make sure you write a winning screenplay - and get it made - with the help of The Insider's Guide to Writing for TV. Inside The Insider's Guide to Writing for TV, you'll find out: What sort of scripts producers are looking for - and which they aren't What practical things - such as production costs - need to be considered What you can - and can't - do on television. Beginning with the basics of scriptwriting and how to develop your script premise and generate story ideas, The Insider's Guide to Writing for TV gives tips from television industry experts on understanding the structure of a television script, creating believable characters and ensuring your script has a compelling storyline. Once you're happy with your television screenplay, there's essential advice on pitching your script and approaching agencies or production companies. Whether you want to write soaps, a TV drama or a sitcom, The Insider's Guide to Writing for TV is your toolkit to making sure your dream of writing for TV becomes a reality. Insider's Guides are comprehensive handbooks written by industry experts with many years of practical experience - so you can be sure you're getting unrivalled advice on how to break into the profession. Also available in the series: The Insider's Guide to Getting Your Book Published
Writing for TV and Radio
Author: Sue Teddern
Publisher: Bloomsbury Publishing
ISBN: 1441194886
Category : Language Arts & Disciplines
Languages : en
Pages : 321
Book Description
This essential companion offers invaluable insights and solid, practical guidance to those keen to write for TV and radio. PART 1 explores the nature of the media. It looks at the history of writing drama and comedy for radio and TV through a consideration of its key elements and some of the most successful dramas and comedies of past and present. PART 2 includes reflections and tips from award-winning writers of film, television and radio from the UK, the US and Scandinavia: Sam Bain, Peter Bowker, Elly Brewer, Laura Eason, Ellen Fairey, Nick Fisher, Phil Ford, Jeppe Gjervig Gram, Katie Hims, Rachel Joyce, Marcy Kahan, Rebecca Lenkiewicz, Jan McVerry, Jonathan Myerson, Hattie Naylor, Richard Nelson, Andrew Nickolds, Georgia Pritchett, Mike Walker and Stephen Wyatt. PART 3 offers practical advice on technical aspects of writing for TV and radio including character development, structure and dialogue. It also gives guidance on how to deal with branches of the broadcasting industry, from agents and actors to producers and script editors.
Publisher: Bloomsbury Publishing
ISBN: 1441194886
Category : Language Arts & Disciplines
Languages : en
Pages : 321
Book Description
This essential companion offers invaluable insights and solid, practical guidance to those keen to write for TV and radio. PART 1 explores the nature of the media. It looks at the history of writing drama and comedy for radio and TV through a consideration of its key elements and some of the most successful dramas and comedies of past and present. PART 2 includes reflections and tips from award-winning writers of film, television and radio from the UK, the US and Scandinavia: Sam Bain, Peter Bowker, Elly Brewer, Laura Eason, Ellen Fairey, Nick Fisher, Phil Ford, Jeppe Gjervig Gram, Katie Hims, Rachel Joyce, Marcy Kahan, Rebecca Lenkiewicz, Jan McVerry, Jonathan Myerson, Hattie Naylor, Richard Nelson, Andrew Nickolds, Georgia Pritchett, Mike Walker and Stephen Wyatt. PART 3 offers practical advice on technical aspects of writing for TV and radio including character development, structure and dialogue. It also gives guidance on how to deal with branches of the broadcasting industry, from agents and actors to producers and script editors.