Psalms, Sonnets, and Songs PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Psalms, Sonnets, and Songs PDF full book. Access full book title Psalms, Sonnets, and Songs by William Byrd. Download full books in PDF and EPUB format.
Author: William Byrd
Publisher:
ISBN:
Category : Psalms (Music)
Languages : en
Pages : 346
Get Book Here
Book Description
Author: William Byrd
Publisher:
ISBN:
Category : Psalms (Music)
Languages : en
Pages : 346
Get Book Here
Book Description
Author: William Byrd
Publisher:
ISBN:
Category : Anthems
Languages : en
Pages : 316
Get Book Here
Book Description
Author: Linda Phyllis Austern
Publisher: Routledge
ISBN: 1317073983
Category : History
Languages : en
Pages : 414
Get Book Here
Book Description
Psalms in the Early Modern World is the first book to explore the use, interpretation, development, translation, and influence of the Psalms in the Atlantic world, 1400-1800. In the age of Reformation, when religious concerns drove political, social, cultural, economic, and scientific discourse, the Bible was the supreme document, and the Psalms were arguably its most important book.The Psalms played a central role in arbitrating the salient debates of the day, including but scarcely limited to the nature of power and the legitimacy of rule; the proper role and purpose of nations; the justification for holy war and the godliness of peace; and the relationship of individual and community to God. Contributors to the collection follow these debates around the Atlantic world, to pre- and post-Hispanic translators in Latin America, colonists in New England, mystics in Spain, the French court during the religious wars, and both Protestants and Catholics in England. Psalms in the Early Modern World showcases essays by scholars from literature, history, music, and religious studies, all of whom have expertise in the use and influence of Psalms in the early modern world. The collection reaches beyond national and confessional boundaries and to look at the ways in which Psalms touched nearly every person living in early modern Europe and any place in the world that Europeans took their cultural practices.
Author: Roger Bowers
Publisher: Routledge
ISBN: 0415875595
Category : Music
Languages : en
Pages : 302
Get Book Here
Book Description
This book surveys the most significant published materials relating to William Byrd. It presents a collection of all-new original essays covering everything from feminist to postcolonial readings of his play as well as source queries and analysis of historical performances of the play.
Author: William Byrd
Publisher:
ISBN:
Category : Vocal music
Languages : en
Pages : 324
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 100
Get Book Here
Book Description
Author: David Greer
Publisher: Routledge
ISBN: 1317101073
Category : Music
Languages : en
Pages : 259
Get Book Here
Book Description
Who were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of ... T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.
Author: Victor Coelho
Publisher: Cambridge University Press
ISBN: 1107145805
Category : Art
Languages : en
Pages : 353
Get Book Here
Book Description
This is the first in-depth study in any language exploring the vast cultural range of instrumental music during the Renaissance.
Author: Philip E. Blank
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111342484
Category : Language Arts & Disciplines
Languages : en
Pages : 164
Get Book Here
Book Description
No detailed description available for "Lyric forms in the sonnet sequences of Barnabe Barnes".
Author: Philip Brett
Publisher: Univ of California Press
ISBN: 0520932838
Category : Music
Languages : en
Pages : 268
Get Book Here
Book Description
Throughout his distinguished career, Philip Brett wrote about the music of the Tudor period. He carried out pathbreaking work on the life and music of William Byrd (c.1540-1623), both as an editor and a historian. He also studied other composers working during the period, including John Taverner, Thomas Tallis, Orlando Gibbons, and Thomas Weelkes. Collecting these influential essays together for the first time, this volume is a tribute to Brett’s agile mind and to his incomparable skill at synthesizing history and musical analysis. Byrd was a prominent court composer, but also a Catholic. Besides important instrumental music and English songs, he wrote a great deal of sacred music, some for his Protestant patrons, and some for his fellow Catholics who celebrated mass in secret. Ranging from the report of Brett’s findings on the Paston manuscripts, an unpublished round-table paper that he delivered a few months before his untimely death, to his monograph-length study of Byrd’s magnum opus, Gradualia, the essays collected here consider both sacred and secular music, and vocal and instrumental traditions, providing an intimate glimpse into what was unique about Byrd and his music. Elegantly written, with the particular brilliance for which Brett was known, this book opens a fascinating window onto one of the most fruitful periods of English musical history.
