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Author: Evgenija Garbolevsky
Publisher: Cambridge Scholars Publishing
ISBN: 1443830194
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
"The complexities and paradoxes of the Bulgarian film industry during the era of Communist rule (1945-1989) are explored.... This influential industry was mobilized for the needs of the state. During its creation and development, cultural institutions and those involved in film production operated within a relatively closed system, based on rewards and punishments imposed by the Communist bureaucratic apparatus. Sub-textual content in films produced in Bulgaria during this period highlights the attitude of the elite towards the regime. Understanding this multifaceted relationship helps explain why so many intellectuals found the film industry to be an attractive field in which to work, and decided to remain loyal to the regime instead of leaving or openly rebelling against it. This work challenges the historiographical perception that the arts in the Eastern Bloc during the Cold War were largely unsuccessful vehicles of propaganda and dissent. By using a comparative methodological approach, the cinema arts in the East and West are shown following similar paths despite the Iron Curtain."--Provided by publisher.
Author: Evgenija Garbolevsky
Publisher: Cambridge Scholars Publishing
ISBN: 1443830194
Category : Performing Arts
Languages : en
Pages : 260
Get Book Here
Book Description
"The complexities and paradoxes of the Bulgarian film industry during the era of Communist rule (1945-1989) are explored.... This influential industry was mobilized for the needs of the state. During its creation and development, cultural institutions and those involved in film production operated within a relatively closed system, based on rewards and punishments imposed by the Communist bureaucratic apparatus. Sub-textual content in films produced in Bulgaria during this period highlights the attitude of the elite towards the regime. Understanding this multifaceted relationship helps explain why so many intellectuals found the film industry to be an attractive field in which to work, and decided to remain loyal to the regime instead of leaving or openly rebelling against it. This work challenges the historiographical perception that the arts in the Eastern Bloc during the Cold War were largely unsuccessful vehicles of propaganda and dissent. By using a comparative methodological approach, the cinema arts in the East and West are shown following similar paths despite the Iron Curtain."--Provided by publisher.
Author: Ronald Holloway
Publisher: Rutherford, N.J. : Fairleigh Dickinson University Press ; London : Associated Presses
ISBN:
Category : Performing Arts
Languages : en
Pages : 226
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Book Description
This survey of Bulgarian cinema from its beginning to its present situation under the current government reveals this country's vital and original filmmakers at work expressing and continuing their nation's rich artistic and cultural heritage.
Author: Richard Taylor
Publisher: Bloomsbury Publishing
ISBN: 1838718508
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
This work maps the rich, varied cinema of Eastern Europe, Russia and the former USSR. Over 200 entries cover a variety of topics spanning a century of endeavour and turbulent history from Czech animation to Soviet montage, from the silent cinemas dating back to World War I through to the varied responses to the conflicts in the former Yugoslavia. It includes entries on actors and actresses, film festivals, studios, genres, directors, film movements, critics, producers and technicians, taking the coverage up to the late 1990s. In addition to the historical material of key figures like Eisenstein and Wadja, the editors provide separate accounts of the trajectory of the cinemas of Eastern Europe and of Russia in the wake of the collapse of communism.
Author: Mette Hjort
Publisher: Edinburgh University Press
ISBN: 0748630929
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
Within cinema studies there has emerged a significant body of scholarship on the idea of 'National Cinema' but there has been a tendency to focus on the major national cinemas. Less developed within this field is the analysis of what we might term minor or small national cinemas, despite the increasing significance of these small entities with the international domain of moving image production, distribution and consumption. The Cinema of Small Nations is the first major analysis of small national cinemas, comprising twelve case studies of small national--and sub national--cinemas from around the world, including Ireland, Denmark, Iceland, Scotland, Bulgaria, Tunisia, Burkina Faso, Cuba, Singapore, Taiwan, Hong Kong and New Zealand. Written by an array of distinguished and emerging scholars, each of the case studies provides a detailed analysis of the particular cinema in question, with an emphasis on the last decade, considering both institutional and textual issues relevant to the national dimension of each cinema. While each chapter contains an in-depth analysis of the particular cinema in question, the book as a whole provides the basis for a broader and more properly comparative understanding of small or minor national cinemas, particularly with regard to structural constraints and possibilities, the impact of globalization and internationalisation, and the role played by economic and cultural factors in small-nation contexts.
Author: Raymond Detrez
Publisher: Rowman & Littlefield
ISBN: 1442241802
Category : History
Languages : en
Pages : 761
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Book Description
Bulgaria is a country of extraordinary beauty, with high, wild mountains and gentle valleys, and with picturesque cities and idyllic villages. It’s bordered by Romania, Serbia Macedonia, Greece, Turkey, and the Black Sea. After many years of communist rule, Bulgaria adopted a democratic constitution and began the process of moving toward political democracy and a market economy while combating inflation, unemployment, corruption, and crime. The country joined NATO in 2004 and the EU in 2007. This third edition of Historical Dictionary of Bulgaria covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Bulgaria.
Author: D.W. Paul
Publisher: Springer
ISBN: 1349067342
Category : Performing Arts
Languages : en
Pages : 339
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Book Description
Author: Mary Beth Osnes
Publisher: Bloomsbury Publishing USA
ISBN: 1576078043
Category : Performing Arts
Languages : en
Pages : 453
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Book Description
A groundbreaking, cross-cultural reference work exploring the diversity of expression found in rituals, festivals, and performances, uncovering acting techniques and practices from around the world. Acting: An International Encyclopedia explores the amazing diversity of dramatic expression found in rituals, festivals, and live and filmed performances. Its hundreds of alphabetically arranged, fully referenced entries offer insights into famous players, writers, and directors, as well as notable stage and film productions from around the world and throughout the history of theater, cinema, and television. The book also includes a surprising array of additional topics, including important venues (from Greek amphitheaters to Broadway and Hollywood), acting schools (the Actor's Studio) and companies (the Royal Shakespeare), performance genres (from religious pageants to puppetry), technical terms of the actor's art, and much more. It is a unique resource for exploring the techniques performers use to captivate their audiences, and how those techniques have evolved to meet the demands of performing through Greek masks and layers of Kabuki makeup, in vast halls or tiny theaters, or for the unforgiving eye of the camera.
Author: Annette Kuhn
Publisher: Oxford University Press, USA
ISBN: 0199587264
Category : Performing Arts
Languages : en
Pages : 530
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Book Description
This volume covers all aspects of film studies, including critical terms, concepts, movements, national and international cinemas, film history, genres, organizations, practices, and key technical terms and concepts. It is an ideal reference for students and teachers of film studies and anyone with an interest in film studies and criticism.
Author: Karin Taylor
Publisher: LIT Verlag Münster
ISBN: 9783825895051
Category : History
Languages : en
Pages : 264
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Book Description
This book explores the lives of young Bulgarians in the Cold War era when the Communist Party saw dance hits like "The Twist" as a menace to youth and society. It investigates the Party's efforts to shape youth into "socialist personalities" and to create a socialist mass culture in the face of "Westernization". On the basis of biographical interviews, the book takes a critical look at the popular view of youth enthusiasm for Western rock and lifestyles as resistance. Young Bulgarians scarcely challenged the socialist order. But at the same time, the Party failed to impose its notion of conformity on the self-proclaimed "Beatles generation".
Author: Yana Hashamova
Publisher: Taylor & Francis
ISBN: 1317354567
Category : History
Languages : en
Pages : 229
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Book Description
Investigating the genesis of the prosecuted "crimes" and implied sins of the female performing group Pussy Riot, the most famous Russian feminist collective to date, the essays in Transgressive Women in Modern Russian and East European Cultures: From the Bad to Blasphemous examine what constitutes bad social and political behavior for women in Russia, Poland, and the Balkans, and how and to what effect female performers, activists, and fictional characters have indulged in such behavior. The chapters in this edited collection argue against the popular perceptions of Slavic cultures as overwhelmingly patriarchal and Slavic women as complicit in their own repression, contextualizing proto-feminist and feminist transgressive acts in these cultures. Each essay offers a close reading of the transgressive texts that women authored or in which they figured, showing how they navigated, targeted, and, in some cases, co-opted these obstacles in their bid for agency and power. Topics include studies of how female performers in Poland and Russia were licensed to be bad (for effective comedy and popular/box office appeal), analyses of how women in film and fiction dare sacrilegious behavior in their prescribed roles as daughters and mothers, and examples of feminist political subversion through social activism and performance art.
