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Author:
Publisher: BRILL
ISBN: 9789004090880
Category : History
Languages : en
Pages : 242
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Book Description
The book discusses principally the iconography and text of a mid 15th century copy of the mystical treatise "Horloge de Sapience" in the most sumptuously illuminated ms. known of the text. Each of the 36 illuminations is discussed in turn, with reference to their pictorial traditions, to the French textual matter and to a unique contemporary commentary, called the "Declaration des hystoires," The "Declaration" is one of the earliest essays in the history of art criticism to survive. The study is rendered useful for teachers and scholars by an English translation of the text of the "Declaration," which enables the reader to see the illustrations through the eyes of a 15th century critic.
Author:
Publisher: BRILL
ISBN: 9789004090880
Category : History
Languages : en
Pages : 242
Get Book Here
Book Description
The book discusses principally the iconography and text of a mid 15th century copy of the mystical treatise "Horloge de Sapience" in the most sumptuously illuminated ms. known of the text. Each of the 36 illuminations is discussed in turn, with reference to their pictorial traditions, to the French textual matter and to a unique contemporary commentary, called the "Declaration des hystoires," The "Declaration" is one of the earliest essays in the history of art criticism to survive. The study is rendered useful for teachers and scholars by an English translation of the text of the "Declaration," which enables the reader to see the illustrations through the eyes of a 15th century critic.
Author: Peter Rolfe Monks
Publisher: BRILL
ISBN: 9004622691
Category : History
Languages : en
Pages : 231
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Book Description
The book discusses principally the iconography and text of a mid 15th century copy of the mystical treatise Horloge de Sapience in the most sumptuously illuminated ms. known of the text. Each of the 36 illuminations is discussed in turn, with reference to their pictorial traditions, to the French textual matter and to a unique contemporary commentary, called the Déclaration des hystoires. The Déclaration is one of the earliest essays in the history of art criticism to survive. The study is rendered useful for teachers and scholars by an English translation of the text of the Déclaration, which enables the reader to see the illustrations through the eyes of a 15th century critic.
Author: Peter Rolfe Monks
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 0
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Book Description
Author: Colum Hourihane
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064
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Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Author: Peter Rolfe Monks
Publisher: BRILL
ISBN: 9004622721
Category : History
Languages : en
Pages : 423
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Book Description
Contains thirty-three papers, twelve with illustrations, by leading scholars in Medieval Codicology and Iconography, in Humanist Translations and in Medieval French, Early English, and Medieval Irish Literatures. Each throws new light on particular problems in a specialism.
Author: Steven Rozenski
Publisher: University of Notre Dame Pess
ISBN: 0268202753
Category : Religion
Languages : en
Pages : 454
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Book Description
Steven Rozenski reopens old discussions and addresses new ones concerning late medieval devotional texts, particularly those showing continental and German influences. For many, Martin Luther’s translation of the Bible into German has come to define the spirit of the Protestant Reformation. But there existed a host of devotional and mystical writings translated into the vernacular that had more profound impacts upon lay religious practices and experiences well into the seventeenth century. Steven Rozenski explores this devotional and mystical literature in his focused study of English translations and adaptations of the works of Henry Suso, Catherine of Siena, and Thomas à Kempis, and the common devotional culture manifested in the work of Richard Rolle. In Wisdom’s Journey, Rozenski examines the forms and strategies of late medieval translation, of early modern engagement with Continental medieval devotion, and of the latter’s literary afterlives in English-speaking communities. Suso’s Rhineland mysticism, the book shows, found initial widespread influence, translation, and adaptation followed by a gradual decline; Catherine of Siena’s Italian spirituality saw continued use and retranslation in post-Reformation recusant communities paralleled by vehement denunciation by English Protestants; and Thomas à Kempis’s Imitation of Christ attained a remarkably consistent expansion of popularity, translation, and acceptance among both Catholic and Protestant readers well into the nineteenth and twentieth centuries. Wisdom’s Journey traces this path as it reshapes our understanding of English devotional and mystical literature from the 1400s to the 1600s, illuminating its wider European context before and after the Reformations of the sixteenth century. Written primarily for scholars in medieval mysticism, Reformation studies, and translation studies, the book will also appeal to readers interested in medieval studies and English literature more broadly.
Author: Fabio Colonnese
Publisher: Cambridge Scholars Publishing
ISBN: 1527565912
Category : Architecture
Languages : en
Pages : 653
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Book Description
Architects draw for a variety of purposes; they draw to assimilate places and precedents, to generate ideas, to develop a concept into a consistent project in a team, to communicate ideas and solutions to patrons and clients, and to guide building contractors during the construction stages, as well as to produce further elaborations in order to publish their project in a treatise, a journal or their own portfolio. Most importantly, architects draw to think and to manage complexity in a visual way. By taking into account innovative and interdisciplinary uses of architectural drawing in the design process, both historical and current, the collection of chapters and interviews in this book frames a new critical perspective and a uniquely contextual appreciation of drawing as a way to encourage spatial thinking and practice in architecture and urbanism. The authors take the discussion to a new level of philosophical sophistication, while also considering drawing in relation to a series of specific engagements with urban development, planning, and architecture.
Author: Armin Bergmeier
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110722070
Category : Art
Languages : en
Pages : 269
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Book Description
This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their ever-shifting places in time. The volume begins with reflections on the study of temporality and presence in medieval and early modern art history. A second section presents case studies delving into the different ways medieval artworks once created and transformed their original viewers' experience of the present. These range from late antique Constantinople, early Islamic Jerusalem and medieval Italy, to early modern Venice and the Low Countries. A final section explores how medieval artworks remain powerful and relevant today. This section includes case studies on reconstructing presence in medieval art through embodied experience of pilgrimage, art historical research and museum education. In doing so, the volume provides a first dialog between museum educators and art historians on the presence of medieval artifacts. It includes contributions by Hans Belting, Keith Moxey, Rika Burnham and others.
Author: Barbara Newman
Publisher: University of Pennsylvania Press
ISBN: 9780812202915
Category : History
Languages : en
Pages : 476
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Book Description
Contrary to popular belief, the medieval religious imagination did not restrict itself to masculine images of God but envisaged the divine in multiple forms. In fact, the God of medieval Christendom was the Father of only one Son but many daughters—including Lady Philosophy, Lady Love, Dame Nature, and Eternal Wisdom. God and the Goddesses is a study in medieval imaginative theology, examining the numerous daughters of God who appear in allegorical poems, theological fictions, and the visions of holy women. We have tended to understand these deities as mere personifications and poetic figures, but that, Barbara Newman contends, is a mistake. These goddesses are neither pagan survivals nor versions of the Great Goddess constructed in archetypal psychology, but distinctive creations of the Christian imagination. As emanations of the Divine, mediators between God and the cosmos, embodied universals, and ravishing objects of identification and desire, medieval goddesses transformed and deepened Christendom's concept of God, introducing religious possibilities beyond the ambit of scholastic theology and bringing them to vibrant imaginative life. Building a bridge between secular and religious conceptions of allegorized female power, Newman advances such questions as whether medieval writers believed in their goddesses and, if so, in what manner. She investigates whether the personifications encountered in poetic fictions can be distinguished from those that appear in religious visions and questions how medieval writers reconcile their statements about the multiple daughters of God with orthodox devotion to the Son of God. Furthermore, she examines why forms of feminine God-talk that strike many Christians today as subversive or heretical did not threaten medieval churchmen. Weaving together such disparate texts as the writings of Latin and vernacular poets, medieval schoolmen, liturgists, and male and female mystics and visionaries, God and the Goddesses is a direct challenge to modern theologians to reconsider the role of goddesses in the Christian tradition.
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 0892367040
Category : Art
Languages : en
Pages : 593
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Book Description
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.
