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Author: Robert Browning
Publisher:
ISBN:
Category : Poets, English
Languages : en
Pages : 456
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Book Description
Author: Robert Browning
Publisher:
ISBN:
Category : Poets, English
Languages : en
Pages : 456
Get Book Here
Book Description
Author: Robert Browning
Publisher:
ISBN:
Category : Poets, English
Languages : en
Pages : 456
Get Book Here
Book Description
Author: Robert Browning
Publisher:
ISBN:
Category : Browning, Robert
Languages : en
Pages :
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Book Description
Author: Michael Wheeler
Publisher: Cambridge University Press
ISBN: 1009268821
Category : Literary Criticism
Languages : en
Pages : 485
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Book Description
What was special about 1845 and why does it deserve particular scrutiny? In his much-anticipated new book, one of the leading authorities on the Victorian age argues that this was the critical year in a decade which witnessed revolution on continental Europe, the threat of mass insurrection at home and radical developments in railway transport, communications, religion, literature and the arts. The effects of the new poor law now became visible in the workhouses; a potato blight started in Ireland, heralding the Great Famine; and the Church of England was rocked to its foundations by John Henry Newman's conversion to Roman Catholicism. What Victorian England became was moulded, says Michael Wheeler, in the crucible of 1845. Exploring pivotal correspondence, together with pamphlets, articles and cartoons, the author tells the riveting story of a seismic epoch through the lives, loves and letters of leading contemporaneous figures.
Author: Brenda Ayres
Publisher: Springer
ISBN: 3319567500
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
This book is an investigation of the biases, contradictions, errors, ambiguities, gaps, and historical contexts in biographies of controversial British women who published during the long nineteenth century, many of them left unchecked and perpetuated from publication to publication. Fourteen scholars analyze the agenda, problems, and strengths of biographical material, highlighting the flaws, deficiencies, and influences that have distorted the portraits of women such as Lady Mary Wortley Montagu, Mary Wollstonecraft, Mary Hays, Sydney Owenson, Letitia Elizabeth Landon, Felicia Hemans, Elizabeth Barrett Browning, Caroline Norton, Elizabeth Gaskell, Charlotte Brontë, Lady Florence Dixie, George Eliot, and Edith Simcox. Through exposing distortions, this fascinating study demonstrates that biographies are often more about the biographer than they are about the biographee and that they are products of the time in which they are written.
Author: Robert Browning
Publisher:
ISBN:
Category : Poets, English
Languages : en
Pages :
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Book Description
Author: Sue Brown
Publisher: Oxford University Press
ISBN: 0199565023
Category : Art
Languages : en
Pages : 432
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Book Description
A new biography of Joseph Severn, Keats's best-known but most controversial friend, who is buried next to him in the Protestant Cemetery in Rome. Severn accompanied the dying poet to Italy and was virtually the only witness of his last days. Brown reassesses Severn's character and the nature of his friendship with Keats.
Author: John Woolford
Publisher: Routledge
ISBN: 1317898648
Category : Literary Criticism
Languages : en
Pages : 535
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Book Description
The Poems of Browning is the first collected edition to be based on the earliest printed texts, and to present these texts in order of their composition.Together, volumes I and II provide an authoritative and accessible tribute to this great poet. Volume II, 1841-1846 includes Pippa Passes and many of the poems for which Browning is best known and loved: My Last Duchess, The Pied Piper of Hamelin, Home-Thoughts from Abroad, and The Lost Reader.
Author: John Woolford
Publisher: Routledge
ISBN: 1317864921
Category : Literary Criticism
Languages : en
Pages : 932
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Book Description
Robert Browning (1812 – 1889) was one of the defining figures of the Victorian age. Famous in his lifetime for his elopement and marriage to Elizabeth Barratt, his critical reputation grew steadily in the years following her early death. Browning’s mastery of dramatic verse was evident throughout his career, from such chillingly unforgettable monologues as ‘My Last Duchess’ and ‘Porphyria’ to the mature work included in his collection Dramatis Personae. This selection, chosen by leading scholars, reveals the innovation, complexity and profound psychological insight that have ensured Browning’s enduring reputation and his continuing appeal to readers today. Browning: Selected Poems results from a completely fresh appraisal of the canon, text and context of the writer’s work. The poems are presented in the order of their composition and in the text in which they were first published, giving a unique insight into the development of Browning’s art. An introduction and chronology offer useful background material, whilst annotations and headnotes provide details of composition, publication, sources and contemporary reception. This authoritative yet accessible selection should become the first point of reference for scholar, student and general reader alike.
Author: Dr Britta Martens
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478874
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Taking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methods of self-representation, often critically and ironically exposing the biases and limitations of the seemingly authoritative speaker 'Browning'. The poems thus become devices for Browning's detached evaluation of his own and of others' poetics, an evaluation never fully explicit but presented with elusive economy for the astute reader to interpret. The confrontation between the personal authorial voice and the dramatic voice in these poems provides revealing insights into the poet's highly self-conscious, conflicted and sustained engagement with the Romantic tradition and the diversely challenging reader expectations that he faces in a post-Romantic age. As the Victorian most rigorous in his rejection of Romantic self-expression, Browning is a key transitional figure between the sharply antagonistic periods of Romanticism and Modernism. He is also, as Martens persuasively demonstrates, a poet of complex contradictions and an illuminating case study for addressing the perennial issues of voice, authorial authority and self-reference.
