Author: British minstrel
Publisher:
ISBN:
Category :
Languages : en
Pages : 480
Book Description
The British minstrel; A choice collection of modern songs. 2 pt. [in 1 vol. With a general title-leaf The British minstrel, a choice collection of popular songs].
Author: British minstrel
Publisher:
ISBN:
Category :
Languages : en
Pages : 480
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 480
Book Description
The British Minstrel, and Musical and Literary Miscellany
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 692
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 692
Book Description
The British Minstrel: a Collection of ... Popular English, Scottish, and Irish Songs, the Best Duets, Catches, Choruses, Glees, and Comic Recitations; Including All Dibdin's ... Productions
Author: British Minstrel
Publisher:
ISBN:
Category :
Languages : en
Pages : 444
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 444
Book Description
The British Minstrel, and National Melodist; a Collection of the Most Esteemed ... English, Scottish, and Irish Songs, Duets, Catches ... With Portraits and Memoirs of Popular Singers, Etc
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
Book Description
The British Minstrel, consisting of favourite songs, duets and glees, selected from the copyrights of Messrs. Goulding and D'Almaine ... adapted for the voice, Flute, or Violin. By J. Parry ... Sequel to The Vocal Companion
Author: John Parry
Publisher:
ISBN:
Category :
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 204
Book Description
Blackface Minstrelsy in Britain
Author: Michael Pickering
Publisher: Routledge
ISBN: 1351573527
Category : Music
Languages : en
Pages : 270
Book Description
Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and the United States. Its impact in the United States fed into significant song and music genres that were assimilated in Britain, from ragtime and jazz onwards, but prior to these influences, minstrelsy in Britain developed many distinct features and was adapted to operate within various conventions, themes and traditions in British popular culture. Pickering provides a convincing counter-argument to the assumption among writers in the United States that blackface was exclusively American and its British counterpart purely imitative. Minstrelsy was not confined to its value as song, music and dance. Jokes at the expense of black people along with demeaning racial stereotypes were integral to minstrel shows. As a form of popular entertainment, British minstrelsy created a cultural low-Other that offered confirmation of white racial ascendancy and imperial dominion around the world. The book attends closely to how this influence on colonialism and imperialism operated and proved ideologically so effective. At the same time British minstrelsy cannot be reduced to its racist and imperialist connections. Enormously important as those connections are, Pickering demonstrates the complexity of the subject by insisting that the minstrel show and minstrel performers are understood also in terms of their own theatrical dynamics, t
Publisher: Routledge
ISBN: 1351573527
Category : Music
Languages : en
Pages : 270
Book Description
Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and the United States. Its impact in the United States fed into significant song and music genres that were assimilated in Britain, from ragtime and jazz onwards, but prior to these influences, minstrelsy in Britain developed many distinct features and was adapted to operate within various conventions, themes and traditions in British popular culture. Pickering provides a convincing counter-argument to the assumption among writers in the United States that blackface was exclusively American and its British counterpart purely imitative. Minstrelsy was not confined to its value as song, music and dance. Jokes at the expense of black people along with demeaning racial stereotypes were integral to minstrel shows. As a form of popular entertainment, British minstrelsy created a cultural low-Other that offered confirmation of white racial ascendancy and imperial dominion around the world. The book attends closely to how this influence on colonialism and imperialism operated and proved ideologically so effective. At the same time British minstrelsy cannot be reduced to its racist and imperialist connections. Enormously important as those connections are, Pickering demonstrates the complexity of the subject by insisting that the minstrel show and minstrel performers are understood also in terms of their own theatrical dynamics, t
The British Minstrel: a Collection of All the Ancient and Modern Songs, which Possess Any Claim to Poetical Excellence ... Consisting of Nearly 500 English, Irish, and Scotch Songs, by the Best Authors. Third Edition
Author: BRITISH MINSTREL
Publisher:
ISBN:
Category :
Languages : en
Pages : 464
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 464
Book Description
The British Minstrel, a Collection of Popular Songs
Author: BRITISH MINSTREL.
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
Book Description
The British Minstrel; a Selection of Ballads, Ancient and Modern: with Notes Biographical and Critical
Author: John Struthers (of Glasgow.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 272
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 272
Book Description
The British Minstrel. Edited by T. Penniket
Author: T. PENNIKET
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
Book Description