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Author: JP Bean
Publisher: Faber & Faber
ISBN: 0571305466
Category : Music
Languages : en
Pages : 334
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Book Description
In smoky rooms above pubs, bare rooms with battered stools and beer-stained tables, where the stage was little more than a scrap of carpet and sound systems were unheard of, an acoustic revolution took place in Britain in the 1950s and '60s. This was the folk revival, where a generation of musicians, among much drink and raucous cheer, would rediscover the native songs of their own tradition, as well as the folk and blues coming from across the Atlantic by artists such as Leadbelly, Woody Guthrie and Big Bill Broonzy. Singing from the Floor is the story of this remarkable movement, faithfully captured in the voices of those who formed it by JP Bean. We hear from luminaries such as Shirley Collins, Martin Carthy, Peggy Seeger and Ralph McTell, alongside figures such as Billy Connolly, Jasper Carrott and Mike Harding, who all started their careers on the folk circuit. The book charts the revival's improvised beginnings and its ties to the CND movement, through the heyday of the '60s and '70s, when every university, town and many villages across the country boasted a folk club, to the fallow years of the '80s and '90s. The book finishes on a high note, with the recent resurgence of interest in folk, through such artists as the Lakemans, Sam Lee and Eliza Carthy. It is a joyous, boisterous and hugely entertaining book, and an essential document of our recent history stretching into the past.
Author: JP Bean
Publisher: Faber & Faber
ISBN: 0571305466
Category : Music
Languages : en
Pages : 334
Get Book Here
Book Description
In smoky rooms above pubs, bare rooms with battered stools and beer-stained tables, where the stage was little more than a scrap of carpet and sound systems were unheard of, an acoustic revolution took place in Britain in the 1950s and '60s. This was the folk revival, where a generation of musicians, among much drink and raucous cheer, would rediscover the native songs of their own tradition, as well as the folk and blues coming from across the Atlantic by artists such as Leadbelly, Woody Guthrie and Big Bill Broonzy. Singing from the Floor is the story of this remarkable movement, faithfully captured in the voices of those who formed it by JP Bean. We hear from luminaries such as Shirley Collins, Martin Carthy, Peggy Seeger and Ralph McTell, alongside figures such as Billy Connolly, Jasper Carrott and Mike Harding, who all started their careers on the folk circuit. The book charts the revival's improvised beginnings and its ties to the CND movement, through the heyday of the '60s and '70s, when every university, town and many villages across the country boasted a folk club, to the fallow years of the '80s and '90s. The book finishes on a high note, with the recent resurgence of interest in folk, through such artists as the Lakemans, Sam Lee and Eliza Carthy. It is a joyous, boisterous and hugely entertaining book, and an essential document of our recent history stretching into the past.
Author: Britta Sweers
Publisher: Oxford University Press
ISBN: 0198038984
Category : Music
Languages : en
Pages : 350
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Book Description
In the 1960s and 1970s, a number of British musicians rediscovered traditional folk ballads, fusing the old melodies with rock, jazz, and blues styles to create a new genre dubbed "electric folk" or "British folk rock." This revival featured groups such as Steeleye Span, Fairport Convention, and Pentangle and individual performers like Shirley & Dolly Collins, and Richard Thompson. While making music in multiple styles, they had one thing in common: they were all based on traditional English song and dance material. These new arrangements of an old repertoire created a unique musical voice within the popular mainstream. After reasonable commercial success, peaking with Steeleye Span's Top 10 album All Around My Hat, Electric Folk disappeared from mainstream notice in the late 1970s, yet performers continue to create today. In Electric Folk: The Changing Face of English Traditional Music, Britta Sweers provides an illuminating history and fascinating analysis of the unique features of the electric folk scene, exploring its musical styles and cultural implications. Drawing on rare historical sources, contemporary music journalism, and first-hand interviews with several of electric folk's most prominent artists, Sweers argues that electric folk is both a result of the American folk revival of the early 1960s and a reaction against the dominance of American pop music abroad. Young British "folk-rockers," such as Richard Thompson and Maddy Prior, turned to traditional musical material as a means of asserting their British cultural identity. Yet, unlike many American and British folk revivalists, they were not as interested in the "purity" of folk ballads as in the music's potential for lively interaction with modern styles, instruments, and media. The book also delves into the impact of the British folk rock movement on mainstream pop, American rock music, and neighboring European countries. Ultimately, Sweers creates a richly detailed portrait of the electric folk scene--as cultural phenomenon, commercial entity, and performance style.
Author: Niall MacKinnon
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 168
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Book Description
A detailed study of the social factors that have given coherence and an enduring identity to the British "folk revival" since the 1960s. The author is a social scientist who lives in the Scottish Highlands. Distributed by Taylor and Francis. Annotation copyright by Book News, Inc., Portland, OR
Author: Dr Michael Brocken
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409493601
Category : Music
Languages : en
Pages : 382
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Book Description
The British Folk Revival is the very first historical and theoretical work to consider the post-war folk revival in Britain from a popular music studies perspective. Michael Brocken provides a historical narrative of the folk revival from the 1940s up until the 1990s, beginning with the emergence of the revival from within and around the left-wing movements of the 1940s and 1950s. Key figures and organizations such as the Workers' Music Association, the BBC, the English Folk Dance and Song Society, A.L. Lloyd and Ewan MacColl are examined closely. By looking at the work of British Communist Party splinter groups it is possible to see the refraction of folk music as a political tool. Brocken openly challenges folk historicity and internal narrative by discussing the convergence of folk and pop during the 1950s and 1960s. The significant development of the folk/rock hybrid is considered alongside 'class', 'Americana', radio and the strength of pop culture. Brocken shows how the dichotomy of artistic (natural) versus industry (mass-produced) music since the 1970s has led to a fragmentation and constriction of the folk revival. The study concludes with a look at the upsurge of the folk music industry, the growth of festivals and the implications of the Internet for the British folk revival. Brocken suggests the way forward should involve an acknowledgement that folk music is not superior to but is, in fact, a form of popular music. The book will create lively debate among the folk music fraternity and popular music scholars, as well as folklorists and ethnomusicologists. A unique discography and history of the Topic Record label is also included.
Author: Richard Carlin
Publisher: Infobase Publishing
ISBN: 0816069786
Category : Juvenile Nonfiction
Languages : en
Pages : 305
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Book Description
Presents brief entries covering the history, significant artists, styles and influence of folk music.
Author: Michael Brocken
Publisher: Taylor & Francis
ISBN: 1000628639
Category : Music
Languages : en
Pages : 251
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Book Description
Almost 20 years ago Michael Brocken created from his doctoral research, what became both a seminal and contested volume concerning the social mores surrounding the British Folk Revival up to that point in time: The British Folk Revival 1944–2002. In this long-overdue second edition he revisits not only his own research, but also that of others from the 1990s and early 21st century. He then considers how a discourse of folkloric authenticity emerged in the closing years of the 19th century and how a worrying nationalistic immanence came to surround folk music and dance during the inter-war years. Brocken also proposes that the media: records, radio and TV in post-WWII folk revivalism can offer us important insights into how self-directed learning of the folk guitar emerged. Brocken moves on to consider the business structures of the contemporary folk scene and how relationships are formed between contemporary folk business and the digital and social media spheres. In his penultimate chapter he discusses the masculinisation of folk traditions and asks important questions about how our folk traditions are carried and are authorised. In the final chapter he also considers the rise of an exciting new folk live music built environment.
Author: Steve Roud
Publisher: Faber & Faber
ISBN: 0571309739
Category : Music
Languages : en
Pages : 612
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Book Description
In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.
Author: Shirley Collins
Publisher: MIT Press
ISBN: 1907222413
Category : Biography & Autobiography
Languages : en
Pages : 290
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Book Description
A memoir from one of Britain's legendary singers, folklorists, and music historians. A legendary singer, folklorist, and music historian, Shirley Collins has been an integral part of the folk-music revival for more than sixty years. In her new memoir, All in the Downs, Collins tells the story of that lifelong relationship with English folksong—a dedication to artistic integrity that has guided her through the triumphs and tragedies of her life. All in the Downs combines elements of memoir—from her working-class origins in wartime Hastings to the bright lights of the 1950s folk revival in London—alongside reflections on the role traditional music and the English landscape have played in shaping her vision. From formative field recordings made with Alan Lomax in the United States to the “crowning glories” recorded with her sister Dolly on the Sussex Downs, she writes of the obstacles that led to her withdrawal from the spotlight and the redemption of a new artistic flourishing that continues today with her unexpected return to recording in 2016. Through it all, Shirley Collins has been guided and supported by three vital and inseparable loves: traditional English song, the people and landscape of her native Sussex, and an unwavering sense of artistic integrity. All in the Downs pays tribute to these passions, and in doing so, illustrates a way of life as old as England, that has all but vanished from this land. Generously illustrated with rare archival material.
Author: K G Miles
Publisher: McNidder & Grace
ISBN: 0857162152
Category : Biography & Autobiography
Languages : en
Pages : 131
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Book Description
'A must have for Dylan enthusiasts, lovers of London, and anyone with even a passing interest in the history of music. I devoured it in two sittings - and I loved it!' Conor McPherson, playwright, Girl from the North Country This is both a guide and history on the impact of London on Dylan, and the lasting legacy of Bob Dylan on the London music scene. Bob Dylan in London celebrates this journey, and allows readers to experience his London and follow in his footsteps to places such as the King and Queen pub (the first venue that Dylan performed at in London), the Savoy hotel and Camden Town. This book explores the key London places and times that helped to create one of the greatest of all popular musicians, Bob Dylan.
Author: Bruce Lindsay
Publisher: Equinox Publishing (UK)
ISBN: 9781781799185
Category : Music
Languages : en
Pages :
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Book Description
Two Bold Singermen and the English Folk Revival is the first book to explore in depth the lives and song traditions of two of the most influential English traditional singers: Sam Larner and Harry Cox.Larner and Cox were born in late nineteenth-century Norfolk, within six years and fifteen miles of each other. Both men grew up in large working-class families, started work before their teens, spent their working lives in hard manual labour - Larner as a trawlerman, Cox as a farm labourer - and lived into their eighties. Both men were singers from an early age, amassed large repertoires of songs that are now established in the traditional canon, and became key figures in the "folk revival" of the 1950s and 1960s. They directly influenced performers such as Martin Carthy, Shirley Collins, Peggy Seeger, Young Tradition, and Steeleye Span, while indirectly influencing Paul Simon and Bob Dylan. Their impact extends to the current generation of performers and composers in the folk, Americana, and singer/songwriter fields, as well as to Hollywood.Using extensive primary evidence - including recorded interviews with both men - this book provides the first detailed biographies of these great singers, placing their singing and repertoires within the social and cultural contexts in which they lived. It will appeal equally to lovers of traditional song, to social history enthusiasts, and to any reader keen to know more of the fascinating lives of two outstanding singers whose influence continues to this day.
