The British Film Catalogue 1895-1970 PDF Download
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Author: Denis Gifford
Publisher:
ISBN: 9780715355725
Category : Motion pictures
Languages : en
Pages :
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Book Description
Author: Denis Gifford
Publisher:
ISBN: 9780715355725
Category : Motion pictures
Languages : en
Pages :
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Book Description
Author: Denis Gifford
Publisher: Routledge
ISBN: 1317836987
Category : Reference
Languages : en
Pages : 3325
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Book Description
First published in 2001. The standard work on its subject, this resource includes every traceable British entertainment film from the inception of the "silent cinema" to 1994. Now, this new edition includes a wholly original second volume devoted to non-fiction and documentary film--an area in which the British film industry has particularly excelled. All entries throughout this third edition have been revised, and coverage has been extended through 1994.Together, these two volumes provide a unique, authoritative source of information for historians, archivists, librarians, and film scholars.
Author: Dennis Gifford
Publisher:
ISBN: 9780824057602
Category : Language Arts & Disciplines
Languages : en
Pages : 900
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Book Description
Author: Denis Gifford
Publisher: Routledge
ISBN: 1317740629
Category : Art
Languages : en
Pages : 8374
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Book Description
First published in 2001.The standard work on its subject, this resource includes every traceable British entertainment film from the inception of the "silent cinema" to the present day. Now, this new edition includes a wholly original second volume devoted to non-fiction and documentary film--an area in which the British film industry has particularly excelled. All entries throughout this third edition have been revised, and coverage has been extended through 1994.Together, these two volumes provide a unique, authoritative source of information for historians, archivists, librarians, and film scholars.
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 1290
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Book Description
Author: Michael J. K. Walsh
Publisher: Routledge
ISBN: 1000389979
Category : History
Languages : en
Pages : 267
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Book Description
A century after the Armistice and the associated peace agreements that formally ended the Great War, many issues pertaining to the UK and its empire are yet to be satisfactorily resolved. Accordingly, this volume presents a multi-disciplinary approach to better understanding the post-Armistice Empire across a broad spectrum of disciplines, geographies and chronologies. Through the lens of diplomatic, social, cultural, historical and economic analysis, the chapters engage with the histories of Lagos and Tonga, Cyprus and China, as well as more obvious geographies of empire such as Ireland, India and Australia. Though globally diverse, and encompassing much of the post-Armistice century, the studies are nevertheless united by three common themes: the interrogation of that transitionary ‘moment’ after the Armistice that lingered well beyond the final Treaty of Lausanne in 1924; the utilisation of new research methods and avenues of enquiry to compliment extant debates concerning the legacies of colonialism and nationalism; and the common leitmotif of the British Empire in all its political and cultural complexity. The centenary of the Armistice offers a timely occasion on which to present these studies.
Author: Mark Jancovich
Publisher: Routledge
ISBN: 1134563744
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
Horror, The Film Reader brings together key articles to provide a comprehensive resource for students of horror cinema. Mark Jancovich's introduction traces the development of horror film from The Cabinet of Dr. Caligari to The Blair Witch Project, and outlines the main critical debates. Combining classic and recent articles, each section explores a central issue of horror film, and features an editor's introduction outlining the context of debates.
Author: Gwendolyn A. Foster
Publisher: Bloomsbury Publishing USA
ISBN: 0313368422
Category : Performing Arts
Languages : en
Pages : 489
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Book Description
Until now, there hasn't been one single-volume authoritative reference work on the history of women in film, highlighting nearly every woman filmmaker from the dawn of cinema including Alice Guy (France, 1896), Chantal Akerman (Belgium), Penny Marshall (U.S.), and Sally Potter (U.K.). Every effort has been made to include every kind of woman filmmaker: commercial and mainstream, avant-garde, and minority, and to give a complete cross-section of the work of these remarkable women. Scholars and students of film, popular culture, Women's Studies, and International Studies, as well as film buffs will learn much from this work. The Dictionary covers the careers of nearly 200 women filmmakers, giving vital statistics where available, listings of films directed by these women, and selected bibliographies for further reading. This is a one-volume, one-stop resource, a comprehensive, up-to-date guide that is absolutely essential for any course offering an overview or survey of women's cinema. It offers not only all available statistics, but critical evaluations of the filmmakers' work as well. In order to keep the length manageable, this volume focuses on women who direct fictional narrative films, with occasional forays into the area of the documentary and is limited to film production rather than video production.
Author: Dror Izhar
Publisher: Cambridge Scholars Publishing
ISBN: 1443832472
Category : Performing Arts
Languages : en
Pages : 395
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Book Description
This book looks at the changing image of the Indian Patriot’s war for India’s Independence and its reflection, which were shown during the Cold War period on the screens of commercial British films and TV. By using a variety of primary and secondary sources, as demonstrated by utilizing Gramsci’s theory of Common Sense/Folklore, the author traces the evolution of the Indian Patriot from a ‘villain’ to a ‘saint,’ and the British Colonials from ‘kind’ to ‘mediocre’ and even ‘evil’ personalities.
Author: Brian McFarlane
Publisher: Manchester University Press
ISBN: 1526130491
Category : Performing Arts
Languages : en
Pages : 238
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Book Description
In the years between 1941 and 1965, Lance Comfort made some of the most entertaining films in Britain. There was the striking success of his second feature as director, Hatter’s Castle (1941) and when he returned to this melodramatic vein in 1945 he made a series of highly proficient and enjoyable studies in obsession, including Bedelia (1946) with Margaret Lockwood as a murderess, and Temptation Harbour (1947) starring Robert Newton as a decent man in the grip of erotic attraction. Comfort’s career has never been charted in full – that is, from the apprenticeship in the 1930s, through the melodramas of the 1940s to the often rewarding co-features of the following two decades. His is in many ways a prototypical career in British cinema: his very attractive body of work has been marginalised by critical focus on a few giant figures. This is a book that will appeal to all students and researchers in British cinema, as well as to anyone with an interest in British films – and why they were the way they were – in their most productive period.
