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Author: Chris F. Westbury
Publisher: Catapult
ISBN: 1619025493
Category : Psychology
Languages : en
Pages : 321
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Book Description
This is a wonderful comic novel, about philosophy, the nature of art, the beauty of the ordinary, and about quirky, complete, night & day victims of obsessive–compulsive disorder. Two charming, over–anxious, germ–phobic friends, Isaac and Greg take a road trip from Boston to Philadelphia. They are both obsessed with Marcel Duchamp, his art and his ideas, and thus the destination has to be the largest collection of Duchamp in the world, The Philadelphia Art Museum, the actual place "The Bride Stripped Bare by Her Bachelors, Even" was to be delivered when it was cracked and broken in shipment. The piece is sometimes known as The Large Glass, and today it sits in the middle of a large gallery proudly displayed in its broken state which Duchamp repaired and then certified had been his intention all along. The two men are driven in a rented disinfected Winnebago by Kelly, a beautiful art scholar who smells like a mixture of lemons and fresh sawdust. They intend to pick up an ancient chocolate grinder, an exact working sculptural copy of one used in a Duchamp painting. Isaac intends to grind his own pure chocolate, which will prevent the build–up or arterial plaque, because his mother died of a stroke. Every action has its own suitable reaction, and then some. Isaac hopes eventually to overcome his devotion to his many obsessions and to re–enter the world, evidently his version of the real world. He is not an unreliable narrator, he is a hyper–reliable narrator, consumed by his own attention and thrilled with the connections he sees everywhere all at once. Of course when he finally gets to the museum he must dress–up as a woman to visit the collection.
Author: Chris F. Westbury
Publisher: Catapult
ISBN: 1619025493
Category : Psychology
Languages : en
Pages : 321
Get Book Here
Book Description
This is a wonderful comic novel, about philosophy, the nature of art, the beauty of the ordinary, and about quirky, complete, night & day victims of obsessive–compulsive disorder. Two charming, over–anxious, germ–phobic friends, Isaac and Greg take a road trip from Boston to Philadelphia. They are both obsessed with Marcel Duchamp, his art and his ideas, and thus the destination has to be the largest collection of Duchamp in the world, The Philadelphia Art Museum, the actual place "The Bride Stripped Bare by Her Bachelors, Even" was to be delivered when it was cracked and broken in shipment. The piece is sometimes known as The Large Glass, and today it sits in the middle of a large gallery proudly displayed in its broken state which Duchamp repaired and then certified had been his intention all along. The two men are driven in a rented disinfected Winnebago by Kelly, a beautiful art scholar who smells like a mixture of lemons and fresh sawdust. They intend to pick up an ancient chocolate grinder, an exact working sculptural copy of one used in a Duchamp painting. Isaac intends to grind his own pure chocolate, which will prevent the build–up or arterial plaque, because his mother died of a stroke. Every action has its own suitable reaction, and then some. Isaac hopes eventually to overcome his devotion to his many obsessions and to re–enter the world, evidently his version of the real world. He is not an unreliable narrator, he is a hyper–reliable narrator, consumed by his own attention and thrilled with the connections he sees everywhere all at once. Of course when he finally gets to the museum he must dress–up as a woman to visit the collection.
Author: Nikki Gemmell
Publisher: Harper Collins
ISBN: 0062191470
Category : Fiction
Languages : en
Pages : 402
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Book Description
THE RUNAWAY INTERNATIONAL BESTSELLER “The Bride Stripped Bare shows us the inside–out of marriage, infidelity, obsession and taxi drivers (I may never take a cab ride in London again). . . . Few books can be both dark and light. This one dances on the edge, and sometimes crosses it, with much satisfaction to be had on either side.”— Valerie Frankel, author of The Accidental Virgin An explosive novel of sex, secrecy, and escape. A woman disappears. Her car lies abandoned on a remote bluff; no body is found. Known by her family and friends as quiet and self-contained, she has left behind an incendiary diary chronicling a disturbing journey of sexual awakening. The diary opens on her honeymoon in Morocco: she believes herself to be happy—or happy enough, anyway. Swiftly, this security masquerading as love fractures in an act of massive betrayal, only to propel her into a world of desire and fantasy and recklessness. In need of guidance, she finds an unlikely heroine in the anonymous author of a dusty, rare manuscript. Written by a woman in the 1600s, it is a cry from the heart for women to live and love freely. Emboldened, she allows herself to discover the intoxicating power of knowing what she wants and how to get it. The question is, how long can her soul sustain a perilous double life? Coolly impassioned, Bride Stripped Bare tells shocking truths about love and sex. Couched in a deceptively simple style, its gorgeous, incantatory rhythms will make you question whether it is ever entirely possible to know another person.
Author: John Golding
Publisher: Viking
ISBN:
Category : Art
Languages : en
Pages : 130
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Book Description
Each volume in series discusses a famous painting or sculpture in detail, as both image and idea, in its context--whether stylistic, technical, literary, religious, social, or political.
Author: Octavio Paz
Publisher: Skyhorse
ISBN: 1628722266
Category : Art
Languages : en
Pages : 170
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Book Description
Octavio Paz conveying “his awareness of Duchamp as a great cautionary figure in our culture, warning us with jest and quiet scandals of the menacing encroachment of criticism, science and even art.” —New York Times Book Review
Author: Linda Dalrymple Henderson
Publisher:
ISBN: 9780691055510
Category : Art
Languages : en
Pages : 374
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Book Description
"Linda Henderson's work stands out as a truly original contribution. . . . She has enlarged and illuminated our understanding of the most intelligent, elusive, and influential artist of the twentieth century."--Calvin Tomkins, author of "Duchamp: A Biography" "Henderson's book is the most thorough and dedicated analysis ever written about Duchamp's work. It represents the single most complete study of the "Large Glass" and its scientific sources-one that is unlikely to be surpassed."--Francis Naumann, author of "Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction" "In tracing the emergence of Duchamp's artworks from their actual cultural/scientific context, Henderson has produced what is quite simply an indispensable book."--Marjorie Perloff, author of "Wittgenstein's Ladder and Differentials: Poetry, Poetics, Pedagogy" "Among the readers of Linda Henderson's brilliant book, historians of science will be especially rewarded by her thorough research into an area hitherto insufficiently explored-how artists and other laypersons during Duchamp's time came to learn of, and draw upon, the stream of exciting results of early twentieth century science."--Gerald Holton, Harvard University
Author: Carlos Basualdo
Publisher: Yale University Press
ISBN: 9780300189254
Category : Art
Languages : en
Pages : 432
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Book Description
An examination of the interwoven lives and works of Duchamp and four of America's most important postwar artists
Author: Dalia Judovitz
Publisher: Univ of California Press
ISBN: 9780520213760
Category : Art
Languages : en
Pages : 330
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Book Description
"Transit, transitional, transition: Dalia Judovitz catches Marcel Duchamp on the run with his art in a suitcase and his thought all boxed and ready to go. . . . She demonstrates how the theme of transition, reappearing from work to work, makes each piece reproduce some other piece, while all continue to exemplify an original which can no longer be found and which has no creator."—Jean-François Lyotard
Author: Augustus Rose
Publisher: Penguin
ISBN: 0735221847
Category : Fiction
Languages : en
Pages : 385
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Book Description
“The most must-read of all must-reads.” —Marie Claire “A kickass debut from start to finish.” —Colson Whitehead, author of The Underground Railroad Lee Cuddy is seventeen years old and on the run. Betrayed by her family after taking the fall for a friend, Lee finds refuge in a cooperative of runaways holed up in an abandoned building they call the Crystal Castle. But the façade of the Castle conceals a far more sinister agenda, one hatched by a society of fanatical men set on decoding a series of powerful secrets hidden in plain sight. And they believe Lee holds the key to it all. Aided by Tomi, a young hacker and artist with whom she has struck a wary alliance, Lee escapes into the unmapped corners of the city—empty aquariums, deserted motels, patrolled museums, and even the homes of vacationing families. But the deeper she goes underground, the more tightly she finds herself bound in the strange web she’s trying to elude. Desperate and out of options, Lee steps from the shadows to face who is after her—and why. A novel of puzzles, conspiracies, secret societies, urban exploration, art history, and a singular, indomitable heroine, The Readymade Thief heralds the arrival of a spellbinding and original new talent in fiction.
Author: Emma Cheatle
Publisher: Routledge
ISBN: 1317084039
Category : Architecture
Languages : en
Pages : 294
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Book Description
Part-Architecture presents a detailed and original study of Pierre Chareau’s Maison de Verre through another seminal modernist artwork, Marcel Duchamp’s Large Glass. Aligning the two works materially, historically and conceptually, the book challenges the accepted architectural descriptions of the Maison de Verre, makes original spatial and social accounts of its inhabitation in 1930s Paris, and presents new architectural readings of the Large Glass. Through a rich analysis, which incorporates creative projects into history and theory research, the book establishes new ways of writing about architecture. Designed for politically progressive gynaecologist Dr Jean Dalsace and his avant-garde wife, Annie Dalsace, the Maison de Verre combines a family home with a gynaecology clinic into a ‘free-plan’ layout. Screened only by glass walls, the presence of the clinic in the home suggests an untold dialogue on 1930s sexuality. The text explores the Maison de Verre through another radical glass construction, the Large Glass, where Duchamp’s complex depiction of unconsummated sexual relations across the glass planes reveals his resistance to the marital conventions of 1920s Paris. This and other analyses of the Large Glass are used as a framework to examine the Maison de Verre as a register of the changing history of women’s domestic and maternal choices, reclaiming the building as a piece of female social architectural history. The process used to uncover and write the accounts in the book is termed ‘part-architecture’. Derived from psychoanalytic theory, part-architecture fuses analytical, descriptive and creative processes, to produce a unique social and architectural critique. Identifying three essential materials to the Large Glass, the book has three main chapters: ‘Glass’, ‘Dust’ and ‘Air’. Combining theory text, creative writing and drawing, each traces the history and meaning of the material and its contribution to the spaces and sexuality of the Large Glass and the Maison de Verre. As a whole, the book contributes important and unique spatial readings to existing scholarship and expands definitions of architectural design and history.
Author: Andrea Andersson
Publisher: Siglio Press
ISBN: 9781938221224
Category : Art
Languages : en
Pages : 124
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Book Description
In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp's Green Box in English. This landmark publication translated Duchamp's notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp's conceptual proposal for art that would move from two- into three-dimensional space. Hinge Pictures is an artist's book in eight parts--a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp's imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint ("The Bride accepts this stripping...") and formal liberation ("discover true form...develop the principle of the hinge."). The artists of Hinge Pictures use formal constraint--a commitment to abstraction--in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book's physical qualities mirror its conceptual occupations.
