The Brecht Yearbook / Das Brecht-Jahrbuch 46 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Brecht Yearbook / Das Brecht-Jahrbuch 46 PDF full book. Access full book title The Brecht Yearbook / Das Brecht-Jahrbuch 46 by Rikard Hoogland. Download full books in PDF and EPUB format.
Author: Rikard Hoogland
Publisher: Camden House
ISBN: 9780985195694
Category : Drama
Languages : en
Pages : 310
Get Book Here
Book Description
Annual volume with contributions on writers and artists whose work intersects with Brecht's from three thematic perspectives: Brecht in a global age, women and Brecht, and Brecht's learning plays.
Author: Rikard Hoogland
Publisher: Camden House
ISBN: 9780985195694
Category : Drama
Languages : en
Pages : 310
Get Book Here
Book Description
Annual volume with contributions on writers and artists whose work intersects with Brecht's from three thematic perspectives: Brecht in a global age, women and Brecht, and Brecht's learning plays.
Author: Theodore F. Rippey
Publisher: Boydell & Brewer
ISBN: 0985195630
Category : Drama
Languages : en
Pages : 266
Get Book Here
Book Description
Newest volume of the central scholarly forum for discussion of Brecht and aspects of theater and literature of particular interest to him, especially the politics of literature and theater in a global context.
Author: Markus Wessendorf
Publisher: Boydell & Brewer
ISBN: 0985195665
Category : Art
Languages : de
Pages : 351
Get Book Here
Book Description
The leading scholarly publication on Brecht; volume 43 contains a wealth of articles on diverse topics and a reconstruction of the two-chorus version of The Exception and the Rule. Published for the International Brecht Society by Camden House, the Brecht Yearbook is the central scholarly forum for discussion of Brecht's life and work and of topics of interest to him, especially the politics of literature and theater in a global context. It encourages a wide variety of perspectives and approaches and, like Brecht, is committed to the use value of literature, theater, and theory. Volume 43 opens with a reconstruction of Brecht's two-chorus version of The Exception and the Rule (Reiner Steinweg) and continues with a selection of Helmut Heißenbüttel's reviews of Brecht's work. Four articles (by Christine Künzel, Carsten Mindt, Judith Niehaus, and Sebastian Schuller) address Brechtian aspects of Gisela Elsner's novels. The next two essays (by Hunter Bivens and Friedemann Weidauer) revisit Brecht's reflections on affect and empathy. Also included are papers from the 2016IBS "Recycling Brecht" Symposium: on Brecht's recycling of Lenin in his "neue Dramatik" (Joseph Dial), on Paul Celan as a reconfiguration of Brecht (Paul Peters), on Brecht's adaptation of Shakespeare's Coriolanus (MartinRevermann), and on Hilary Mantel's Brechtian reconfiguration of Thomas Cromwell (Markus Wessendorf). The volume features Richard Schröder's farewell lecture on Brecht's Life of Galileo and an essay by Ulrich Plass on BerndStegemann's allegedly Brechtian reclamation of critical realism. It concludes with Zhang Wei's interview with the Chinese dramaturg, playwright, and Brecht translator Li Jianming. Editor Markus Wessendorf is a Professorin the Department of Theatre and Dance at the University of Hawai'i at Manoa in Honolulu.
Author: Markus Wessendorf
Publisher: Camden House
ISBN: 0985195673
Category : Art
Languages : en
Pages : 290
Get Book Here
Book Description
Annual volume, this time featuring special sections on Brecht's dramatic fragments and on comedy in post-Brechtian theater, along with a variety of other contributions. Published for the International Brecht Society, the Brecht Yearbook is the central scholarly forum for discussion of Brecht's life and work and of topics of particular interest to him, especially the politics of literatureand of theater in a global context. It embraces a wide variety of perspectives and approaches and, like Brecht himself, is committed to the use value of literature, theater, and theory. Volume 44 features the first publication of Günter Kunert's translation of Edgar Lee Masters's poem "The Hill" with handwritten annotations by Brecht. A special section, "Brecht's Dramatic Fragments," includes essays on the unresolved tension between individual and collectivist resistance in Fatzer, the fragmentary aesthetic of Fleischhacker, and the first English translation and performance of the David fragments. The next section, "Pure Joke: The Comedy of Theater since Brecht," features articles on the poetics of interruption in the epilogue to The Good Person of Szechwan, Heiner Müller's Hamletmachine as theater of affirmation, a reassessment of the harlequin and the chorus in post-Brechtian performance, and the performative gestures of quotation in contemporary reality-satire. The volume also includes essays on capitalist guilt and debt in The Debts of Mister Julius Caesar, Heiner Müller's "Keuneresque" interview strategies, the 1962 world premiere of The Threepenny Opera in Yiddish, and Brecht's reception of Mao Tse-tung in two of his poems. Contributors include Gerrit-Jan Berendse, André Fischer, Phoebe von Held, Nicholas E. Johnson, Christian Kirchmeier, Günter Kunert, Nikolaus Müller-Schöll, Stephan Pabst, Corina L. Petrescu, David Shepherd, Katrin Trüstedt, Uwe Wirth, Burkhardt Wolf, and Xue Song. Editor Markus Wessendorf is aProfessor in the Department of Theatre and Dance at the University of Hawai'i at Manoa in Honolulu.
Author: Theodore F. Rippey
Publisher: Boydell & Brewer
ISBN: 0985195649
Category : Drama
Languages : en
Pages : 328
Get Book Here
Book Description
Alongside the usual wide-ranging lineup of research articles, volume 41 features an interview with Berliner Ensemble actor Annemone Haase and an extensive special section on teaching Brecht. Now published for the International Brecht Society by Camden House, the Brecht Yearbook is the central scholarly forum for discussion of Bertolt Brecht's life and work and of topics of particular interest to Brecht, especially the politics of literature and of theater in a global context. It includes a wide variety of perspectives and approaches, and, like Brecht himself, is committed to the concept of the use value of literature, theater, and theory. Volume 41 features an interview with longtime Berliner Ensemble actor Annemone Haase by Margaret Setje-Eilers. A special section on teaching Brecht, guest-edited by Per Urlaub and Kristopher Imbrigotta, includes articles on creative appropriation in the foreign-language classroom (Caroline Weist), satire in Arturo Ui and The Great Dictator (Ari Linden), performative discussion (Cohen Ambrose), Brecht for theater majors (Daniel Smith), teaching performance studies with the Lehrstück model (Ian Maxwell), Verfremdung and ethics (Elena Pnevmonidou), Brecht on the college stage (Julie Klassen and Ruth Weiner), and methods of teaching Brechtian Stückschreiben (Gerd Koch). Other research articles focus on Harry Smith's Mahagonny (Marc Silberman), inhabiting empathy in the contemporary piece Temping (James Ball), Brecht's appropriation of Kurt Lewin's psychology (Ines Langemeyer), and Brecht's collaborations with women, both across his career (Helen Fehervary) and in exile in Skovsbostrand (Katherine Hollander). Editor Theodore F. Rippey is Associate Professor of German at Bowling Green State University.
Author: Joy H. Calico
Publisher: Univ of California Press
ISBN: 0520942817
Category : Music
Languages : en
Pages : 301
Get Book Here
Book Description
From an award-winning author, the first thorough examination of the important influence of opera on Brecht's writings.Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstück in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis. From an award-winning author, the first thorough examination of the important influence of opera on Brecht's writings.Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brech
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 388
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
Get Book Here
Book Description
Author:
Publisher: Boydell & Brewer
ISBN: 9781879751026
Category :
Languages : en
Pages : 302
Get Book Here
Book Description
Author: Siegfried Mews
Publisher: Greenwood
ISBN:
Category : Literary Criticism
Languages : en
Pages : 452
Get Book Here
Book Description
Bertolt Brecht has been perceived as an ardent proponent of social change, an avid advocate of a just world that he defined in terms of socialism, and an adamant foe of capitalism for whose demise he hoped. He is justly regarded as one of the great innovators of theater theory and practice in the 20th century, and his influence has extended to Latin America and Asia. This reference book surveys Brecht's enormous contribution to world drama. Chapters by expert contributors assess his dramatic innovations, his poetry and prose, and topics of special interest to Brecht studies. With the centennial of his birth approaching in 1998, Bertolt Brecht's controversial reception in general and in the United States in particular, is coming into clearer focus. One of the great dramatists of the 20th century, Brecht has been viewed as an ardent proponent of social change, an avid advocate of a just world that he defined in terms of socialism, and an adamant foe of capitalism for whose demise he hoped. With the opening of the Berlin Wall in 1989, the political and economic milieu of Europe has changed drastically, and socialist writers are now being studied from a fresh perspective. This volume surveys and assesses Brecht's enormous contribution to the arts. Chapters by expert contributors explore his innovative dramatic theory and theatrical practice. Though best known for his contribution to the stage, Brecht also wrote poetry and prose fiction, and his poems and prose are examined in this work. Brecht's influence is also considered, and chapters examine topics of special interest, such as Brecht and film, the role of music in his works, feminist and Marxist approaches to his writings, the problem of translating Brecht into English, and the reception and appropriation of his plays and dramatic theory in various countries. While the chapters are historical in focus, the contributors also demonstrate the continuing relevance of Brecht in general and the Brechtian theater in particular in the 1990s.
