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Author: Louise Marley
Publisher: Kensington Publishing Corp.
ISBN: 0758272545
Category : Fiction
Languages : en
Pages : 384
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Book Description
In her highly intriguing new novel, Louise Marley masterfully intertwines the past and present with a mystery surrounding one of the world's greatest composers. . . The Brahms Deception Music scholar Frederica Bannister is thrilled when she beats her bitter rival, Kristian North, for the chance to be transferred back to 1861 Tuscany to observe firsthand the brilliant Johannes Brahms. Frederica will not only get to see Brahms in his prime; she'll also try to solve a mystery that has baffled music experts for years. But once in Tuscany, Frederica's grip on reality quickly unravels. She instantly falls under Brahms' spell-and finds herself envious of his secret paramour, the beautiful, celebrated concert pianist Clara Schumann. In a single move, Frederica makes a bold and shocking decision that changes everything. . . When Frederica fails to return home, it is Kristian North who is sent back in time to Tuscany to find her. There, Kristian discovers that Frederica indeed holds the key to unraveling Brahms' greatest secret. But now, Frederica has a dark secret of her own-one that puts everyone around her in devastating peril. . . Praise for Mozart's Blood "Eerie, beautiful. . .has a poetic, haunting sense of time and place." -Stephanie Cowell, author of Marrying Mozart "Riveting, original. . .filled with the emotional power and intricate twists and turns of a Mozart opera." -Teresa Grant, author of Vienna Waltz
Author: Louise Marley
Publisher: Kensington Publishing Corp.
ISBN: 0758279965
Category : Fiction
Languages : en
Pages : 368
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Book Description
In The Glass Butterfly, Louise Marley winds together a tale of subtle danger lurking in the past and a mother's sacrifice for her son's future. . .. A new life. A new name. A complete break with the past. It's the only way therapist Victoria Lake can think to protect her son--and herself--from a case turned deadly. She and Jack have barely spoken since he's gone to college. As painful as it is, it's better that he think she's dead than let her enemies suspect that she's not. Jack could never stand his mother's insistence that sometimes intuition told her things facts couldn't. But he has a strange feeling that she's alive, despite the meticulous police investigation and the somber funeral. Of course, Jack is reconsidering several things his mother said, now that she's gone. To survive, Victoria knows she has to reinvent herself completely. She can't even listen to her beloved Puccini. But without the music in her ears, eerie dreams invade her sleep. Lush with the sounds and sights of 19th-century Tuscany, they're also loaded with a very real warning she can't afford to ignore. . . Praise for Louise Marley and her novels "Will keep readers with a love for books like Audrey Niffenegger's The Time Traveler's Wife and A.S. Byatt's Possession on the edge of their seats." --RT Book Reviews, 4 1⁄2 Stars on The Brahms Deception "Eerie, beautiful. . .has a poetic, haunting sense of time and place." --Stephanie Cowell on Mozart's Blood
Author: John H Baron
Publisher: Routledge
ISBN: 1135848270
Category : Music
Languages : en
Pages : 1059
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Book Description
Chamber Music: A Research and Information Guide is a reference tool for anyone interested in chamber music. It is not a history or an encyclopedia but a guide to where to find answers to questions about chamber music. The third edition adds nearly 600 new entries to cover new research since publication of the previous edition in 2002. Most of the literature is books, articles in journals and magazines, dissertations and theses, and essays or chapters in Festschriften, treatises, and biographies. In addition to the core literature obscure citations are also included when they are the only studies in a particular field. In addition to being printed, this volume is also for the first time available online. The online environment allows for information to be updated as new research is introduced. This database of information is a "live" resource, fully searchable, and with active links. Users will have unlimited access, annual revisions will be made and a limited number of pages can be downloaded for printing.
Author: Louise Marley
Publisher: Kensington Publishing Corp.
ISBN: 0758272545
Category : Fiction
Languages : en
Pages : 384
Get Book Here
Book Description
In her highly intriguing new novel, Louise Marley masterfully intertwines the past and present with a mystery surrounding one of the world's greatest composers. . . The Brahms Deception Music scholar Frederica Bannister is thrilled when she beats her bitter rival, Kristian North, for the chance to be transferred back to 1861 Tuscany to observe firsthand the brilliant Johannes Brahms. Frederica will not only get to see Brahms in his prime; she'll also try to solve a mystery that has baffled music experts for years. But once in Tuscany, Frederica's grip on reality quickly unravels. She instantly falls under Brahms' spell-and finds herself envious of his secret paramour, the beautiful, celebrated concert pianist Clara Schumann. In a single move, Frederica makes a bold and shocking decision that changes everything. . . When Frederica fails to return home, it is Kristian North who is sent back in time to Tuscany to find her. There, Kristian discovers that Frederica indeed holds the key to unraveling Brahms' greatest secret. But now, Frederica has a dark secret of her own-one that puts everyone around her in devastating peril. . . Praise for Mozart's Blood "Eerie, beautiful. . .has a poetic, haunting sense of time and place." -Stephanie Cowell, author of Marrying Mozart "Riveting, original. . .filled with the emotional power and intricate twists and turns of a Mozart opera." -Teresa Grant, author of Vienna Waltz
Author: David Fligg
Publisher: Mel Bay Publications
ISBN: 1619110423
Category : Music
Languages : en
Pages : 255
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Book Description
Orchestral works are the central pillars of classical music. In A Concise Guide to Orchestral Music, 1700 to the Present Day, David Fligg evaluates this great music, and explores why so many masterpieces continue to fascinate music lovers. As well as discussing individual composers, the book places orchestral music within a historical context, providing essential reading for music students, and enthusiasts of all ages.
Author: Clara Schumann
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
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Book Description
Author: Allan Janik
Publisher: Routledge
ISBN: 1351326147
Category : Philosophy
Languages : en
Pages : 438
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Book Description
Fin de siecle Vienna was once memorably described by Karl Kraus as a "proving ground for the destruction of the world." In the decades leading to the World War that brought down the Austro-Hungarian empire, the city was at once an operetta dream world masking social and political problems and tension, as well as a center for the far-reaching explorations and innovations in music, art, science, and philosophy that would help to define modernity. One of the most powerful critiques of the retreat into fantasy was that of the philosopher Ludwig Wittgenstein, whose early career in Vienna has helped frame debates about ethical and aesthetic values in culture. In Wittgenstein's Vienna Revisited Allan Janik expands upon his work Wittgenstein's Vienna (co-authored with Stephen Toulmin) to amplify a number of significant points concerning the genesis of Wittgenstein's thought, the nature of Viennese culture, and criticism of contemporary culture. Although Wittgenstein is the central figure in this volume, Janik places considerable emphasis on other influential figures, both Viennese and non-Viennese, in order to break down some of the persistent stereotypes about the philosopher and his surrounding culture, especially the myths of "carefree" Vienna and Wittgenstein the positivist. The persistence of these myths, in Janik's view, stems in part from the inability of many historians to differentiate past from present in the evaluation of intellectual currents. Janik reviews a number of figures overlooked in assessing Wittgenstein: Otto Weininger, Kraus, Schoenberg, Nietzsche, Wagner, Ibsen, Offenbach, and Georg Trakl. All of these, Janik demonstrates, are absolutely necessary to understand what was at stake in the debates on aestheticism and the critique of a modern culture. Wittgenstein's efforts to recognize the limits of thought and language and thus to be fair to science, religion, and art account for his place of honor among critical modernists. These essays elucidate Wittgenstein's perspective on our culture.
Author: Fred Gaertner
Publisher: Xlibris Corporation
ISBN: 1499068182
Category : Fiction
Languages : en
Pages : 660
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Book Description
I have often heard people express their wish that someone who has died would return to us and relate what the life-death-rebirth experience is really like. Well, someone has! This is exactly what Beethoven does in my third novel, Beethoven, Then and Now. Like Beethoven, each one of us is the proud possessor of a "human soul." This clearly defined object is none other than our very own spiritual subelectron. Our physical hulk is only a pile of ashes; but our "soul" (spiritual subelectron) is unique, eternal, indestructible. Because of its high vibrations, Beethoven's "soul" is immediately attracted to the third subelectronic ring of our First-Second-Order universe. Here it awaits rebirth via fusion with the spiritual subelectron of a Major-Order being within our Second-Order-Major universe. Paul Rezler (age seventeen) is the fortunate recipient of this unbelievable prize. He had awakened to the day at hand with his usual zero interest in music. Now (1827 Earth-time) he is the greatest Earth- musician yet to live. Try as Beethoven does, he cannot adjust to the Second-Order reality of corporate composers, not even to being the absolute leader of the Beethoven Corporation. He must be entirely on his own-- a single man vs. the world! Counselor Robinson does his best in selecting a Subsidiary culture which contains a "Vienna" as close as possible to the one which Beethoven had left behind upon his Earthly death. Within a month, our hero makes his translation and enjoys living where there's not the trace of anything resembling a "musical corporation." Sketches for new "third-period" works begin to flow: a piano sonata, a string quartet, a piano trio, a violin concerto, even some encouraging vibrations of Symphony 10. A handful of piano and violin students emerges, including an exceptional young lady named Anna Rosecranz, who is already a master of these instruments. Her musicianship is so strong that they soon fall in love and are married. How they enjoy performing concerts together! In time, as Beethoven works at his composer's desk, she starts peering over his shoulder. She begs him for lessons in composition. He replies, "I compose, and AM NOT a teacher of composition!" This declaration does not frighten her away. As Beethoven fumbles and bumbles his way from sketchbook to finished score, Anna carefully watches each step of the process. Her comments are invaluable: Use a pedal-point here. Not so dissonant a chord.. Pure melody would fit here. Please, not so sustained. Too many notes in the melody. Avoid more of this rhythm. Two-voice counterpoint would do. Too much for the brass here. This use of strings is perfect. Thanks to Anna, Beethoven accomplishes the impossible. He realizes that he works far better with her help than without it. He now loves to share the very process which only yesterday had demanded his total aloofness. As if by magic, he is now prepared to return to Major-Order life as managing partner in charge of the Beethoven Corporation. But considering all that Anna has done for him, he cannot now simply go his own way. As a Subsidiary being, her lifespan is a mere 100 years, compared to his Second-Order-Major span of 1000 years. Being happily married, he plans to share life for the balance of her days. But Fate has his own plan for their lives--. After all their years of loving and sharing, Anna is "killed" in an automobile accident. When Beethoven returns to the Major Order, a super surprise awaits him. There stands Anna Rosecranz, a full Major-Second-Order being, with whom he can share the rest of their 1000 years in joyful creative activity. His first question: "On Earth, who were you, my dear?" Her reply causes our hero to faint for the second time in his entire Second-Order life!
Author: Robert C. Bagar
Publisher: New York : Whittlesey House
ISBN:
Category : Concertos
Languages : en
Pages : 888
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Book Description
Program notes written for the New York Philhamonic-Symphony Society's concerts in the 1940s. They emphasize little-known anecdotes and details of composer's lives, and the process that each composer went through in composing a musical composition.
Author: Kevin C. Karnes
Publisher: Oxford University Press
ISBN: 0199957932
Category : Music
Languages : en
Pages : 352
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Book Description
Typically regarded as reflecting on a culture in social, political, or psychological crisis, the arts in fin-de-siècle Vienna had another side: they were means by which creative individuals imagined better futures and perfected worlds dawning with the turn of the twentieth century. As author Kevin C. Karnes reveals, much of this utopian discourse drew inspiration from the work of Richard Wagner, whose writings and music stood for both a deluded past and an ideal future yet to come. Illuminating this neglected dimension of Vienna's creative culture, this book ranges widely across music, philosophy, and the visual arts. Uncovering artworks long forgotten and providing new perspectives on some of the most celebrated achievements in the Western canon, Karnes considers music by Mahler, Schoenberg, and Alexander Zemlinsky, paintings, sculptures, and graphic art by Klimt, Max Klinger, and members of the Vienna Secession, and philosophical writings by Nietzsche, Schopenhauer, and Maurice Maeterlinck. Through analyses of artworks and the cultural dynamics that surrounded their creation and reception, this study reveals a powerful current of millennial optimism running counter and parallel to the cultural pessimism widely associated with the period. It discloses a utopian discourse that is at once beautiful, moving, and deeply disturbing, as visions of perfection gave rise to ecstatic artworks and dystopian social and political realities.
Author: D. Kern Holoman
Publisher: Schirmer G Books
ISBN:
Category : Music
Languages : en
Pages : 494
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Book Description
The idea of the symphony was redefined and transformed throughout the nineteenth century, as modern instruments were developed with their extended ranges and colorful palette, the orchestra became an institution, and composers struck out in all directions to establish individual profiles. The Nineteenth-Century Symphony explores the styles, forms, and performance practices that characterize the symphonic repertoire from Schubert through the early works of Mahler. The essays in this volume seek both to summarize existing scholarship and to explore new critical approaches to nineteenth-century symphonic music.
