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Author: Paul Fussell
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 314
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Book Description
"Please note that this is not 'The Official Boy Scout Handbook'. It is a collection of my essays and reviews and bagatelles on appearances, institutions, and society, writers, travel, and war written over the past fifteen years or so, and written on very different occasions and for different purposes."--Preface.
Author: Paul Fussell
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 314
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Book Description
"Please note that this is not 'The Official Boy Scout Handbook'. It is a collection of my essays and reviews and bagatelles on appearances, institutions, and society, writers, travel, and war written over the past fifteen years or so, and written on very different occasions and for different purposes."--Preface.
Author: Paul Fussell
Publisher: Oxford University Press
ISBN: 9780195035797
Category :
Languages : en
Pages : 294
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Book Description
A collection of literary, cultural, social, ethical, and political commentary by the noted critic explores a wide range of diverse topics, events, activities, objects, and beliefs
Author: William Hillcourt
Publisher:
ISBN: 9780671249274
Category : Boy Scouts
Languages : en
Pages : 576
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Book Description
Author: Paul Fussell
Publisher: Simon and Schuster
ISBN: 0671792253
Category : Social Science
Languages : en
Pages : 212
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Book Description
This book describes the living-room artifacts, clothing styles, and intellectual proclivities of American classes from top to bottom.
Author: Michael Cohen
Publisher: Interactive Publications Pty Ltd
ISBN: 1922332267
Category : Literary Collections
Languages : en
Pages : 209
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Book Description
In this essay collection, Michael Cohen presents the odd idea of the suicide note as a writing project that can be critiqued like any other, describes encounters with illegal border crossers in south Texas, and ponders the sudden popularity of books about atheism. Books are a frequent subject here, and Cohen makes an argument for The Maltese Falcon as the Great American Novel, searches for the perfect, the Platonic, nature handbook, and compares playing golf to reading about it. Reading is, for him, as engrossing a form of experience as any other—say hitchhiking through the Southwest with an old friend, the joys of flying small planes, or the charm of studying ancient Greek while people-watching at the gym, all experiences chronicled here. He looks back at the effect a 1956 collision of two airliners over the Grand Canyon had on him as a kid fond of flying, and how he learned about the joys of good food during a wanderjahr in Europe. Many of these essays begin with a question: whether Americans deserve their reputation for materialism, why we seem to have lost the climate change battle, and whether talking to yourself might really be beneficial. Another frequent topic is how our ideal places cannot avoid being bruised by time. He looks at what happened as the Tucson bars of his college days closed or morphed into very different places. He traces seasonal changes in the desert. He notes what happens to its effect when a giant cross beside I-40 in Texas is joined by equally giant windmills. And he takes a mind’s-eye tour through Paris’s terrace cafés and their literary associations after the 2015 terrorist attack there. Michael's previous collection with IP is A Place to Read.
Author: United States. Supreme Court
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 1208
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Book Description
Author: Robert Stephenson Baden-Powell (Baron Baden-Powell.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 184
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Book Description
Author: Paul Fussell
Publisher: Modern Library
ISBN: 0812974883
Category : History
Languages : en
Pages : 208
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Book Description
The Boys’ Crusade is the great historian Paul Fussell’s unflinching and unforgettable account of the American infantryman’s experiences in Europe during World War II. Based in part on the author’s own experiences, it provides a stirring narrative of what the war was actually like, from the point of view of the children—for children they were—who fought it. While dealing definitively with issues of strategy, leadership, context, and tactics, Fussell has an additional purpose: to tear away the veil of feel-good mythology that so often obscures and sanitizes war’s brutal essence. “A chronicle should deal with nothing but the truth,” Fussell writes in his Preface. Accord-ingly, he eschews every kind of sentimentalism, focusing instead on the raw action and human emotion triggered by the intimacy, horror, and intense sorrows of war, and honestly addressing the errors, waste, fear, misery, and resentments that plagued both sides. In the vast literature on World War II, The Boys’ Crusade stands wholly apart. Fussell’s profoundly honest portrayal of these boy soldiers underscores their bravery even as it deepens our awareness of their experiences. This book is both a tribute to their noble service and a valuable lesson for future generations.
Author: Paul Fussell
Publisher: Oxford University Press
ISBN: 0199763313
Category : History
Languages : en
Pages : 345
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Book Description
Winner of both the National Book Award for Arts and Letters and the National Book Critics Circle Award for Criticism, Paul Fussell's The Great War and Modern Memory was one of the most original and gripping volumes ever written about the First World War. Frank Kermode, in The New York Times Book Review, hailed it as "an important contribution to our understanding of how we came to make World War I part of our minds," and Lionel Trilling called it simply "one of the most deeply moving books I have read in a long time." In its panaramic scope and poetic intensity, it illuminated a war that changed a generation and revolutionized the way we see the world. Now, in Wartime, Fussell turns to the Second World War, the conflict he himself fought in, to weave a narrative that is both more intensely personal and more wide-ranging. Whereas his former book focused primarily on literary figures, on the image of the Great War in literature, here Fussell examines the immediate impact of the war on common soldiers and civilians. He describes the psychological and emotional atmosphere of World War II. He analyzes the euphemisms people needed to deal with unacceptable reality (the early belief, for instance, that the war could be won by "precision bombing," that is, by long distance); he describes the abnormally intense frustration of desire and some of the means by which desire was satisfied; and, most important, he emphasizes the damage the war did to intellect, discrimination, honesty, individuality, complexity, ambiguity and wit. Of course, no Fussell book would be complete without some serious discussion of the literature of the time. He examines, for instance, how the great privations of wartime (when oranges would be raffled off as valued prizes) resulted in roccoco prose styles that dwelt longingly on lavish dinners, and how the "high-mindedness" of the era and the almost pathological need to "accentuate the positive" led to the downfall of the acerbic H.L. Mencken and the ascent of E.B. White. He also offers astute commentary on Edmund Wilson's argument with Archibald MacLeish, Cyril Connolly's Horizon magazine, the war poetry of Randall Jarrell and Louis Simpson, and many other aspects of the wartime literary world. Fussell conveys the essence of that wartime as no other writer before him. For the past fifty years, the Allied War has been sanitized and romanticized almost beyond recognition by "the sentimental, the loony patriotic, the ignorant, and the bloodthirsty." Americans, he says, have never understood what the Second World War was really like. In this stunning volume, he offers such an understanding.
Author: Ronald Berman
Publisher: University of Alabama Press
ISBN: 0817356657
Category : Literary Criticism
Languages : en
Pages : 111
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Book Description
In Translating Modernism Ronald Berman continues his career-long study of the ways that intellectual and philosophical ideas informed and transformed the work of America’s major modernist writers. Here Berman shows how Fitzgerald and Hemingway wrestled with very specific intellectual, artistic, and psychological influences, influences particular to each writer, particular to the time in which they wrote, and which left distinctive marks on their entire oeuvres. Specifically, Berman addresses the idea of "translating" or "translation"—for Fitzgerald the translation of ideas from Freud, Dewey, and James, among others; and for Hemingway the translation of visual modernism and composition, via Cézanne. Though each writer had distinct interests and different intellectual problems to wrestle with, as Berman demonstrates, both had to wrestle with transmuting some outside influence and making it their own.
