Author: Mary Jane Stearns Schenck
Publisher: John Benjamins Publishing
ISBN: 9027278873
Category : Literary Criticism
Languages : en
Pages : 184
Book Description
This is an interesting book that provides a sane analysis of the relation between form and meaning in the fabliaux. It will henceforth be standard reading for those dealing with what nevertheless remains one of the most problematic genres of Old French Literature for the modern scholar.Keith Busby, Speculum — A Journal of Medieval Studies, Jan. 1990
The Fabliaux
Author: Mary Jane Stearns Schenck
Publisher: John Benjamins Publishing
ISBN: 9027278873
Category : Literary Criticism
Languages : en
Pages : 184
Book Description
This is an interesting book that provides a sane analysis of the relation between form and meaning in the fabliaux. It will henceforth be standard reading for those dealing with what nevertheless remains one of the most problematic genres of Old French Literature for the modern scholar.Keith Busby, Speculum — A Journal of Medieval Studies, Jan. 1990
Publisher: John Benjamins Publishing
ISBN: 9027278873
Category : Literary Criticism
Languages : en
Pages : 184
Book Description
This is an interesting book that provides a sane analysis of the relation between form and meaning in the fabliaux. It will henceforth be standard reading for those dealing with what nevertheless remains one of the most problematic genres of Old French Literature for the modern scholar.Keith Busby, Speculum — A Journal of Medieval Studies, Jan. 1990
The Fabliaux
Author:
Publisher: W. W. Norton & Company
ISBN: 0871406926
Category : Poetry
Languages : en
Pages : 1017
Book Description
Winner • Modern Language Association’s Scaglione Prize for Translation Bawdier than The Canterbury Tales, The Fabliaux is the first major English translation of the most scandalous and irreverent poetry in Western literature. Composed between the twelfth and fourteenth centuries, these virtually unknown erotic and satiric poems lie at the root of the Western comic tradition. Passed down by the anticlerical middle classes of medieval France, The Fabliaux depicts priapic priests, randy wives, and their cuckolded husbands in tales that are shocking even by today’s standards. Chaucer and Boccaccio borrowed heavily from these riotous tales, which were the wit of the common man rebelling against the aristocracy and Church in matters of food, money, and sex. Containing 69 poems with a parallel Old French text, The Fabliaux comes to life in a way that has never been done in nearly eight hundred years.
Publisher: W. W. Norton & Company
ISBN: 0871406926
Category : Poetry
Languages : en
Pages : 1017
Book Description
Winner • Modern Language Association’s Scaglione Prize for Translation Bawdier than The Canterbury Tales, The Fabliaux is the first major English translation of the most scandalous and irreverent poetry in Western literature. Composed between the twelfth and fourteenth centuries, these virtually unknown erotic and satiric poems lie at the root of the Western comic tradition. Passed down by the anticlerical middle classes of medieval France, The Fabliaux depicts priapic priests, randy wives, and their cuckolded husbands in tales that are shocking even by today’s standards. Chaucer and Boccaccio borrowed heavily from these riotous tales, which were the wit of the common man rebelling against the aristocracy and Church in matters of food, money, and sex. Containing 69 poems with a parallel Old French text, The Fabliaux comes to life in a way that has never been done in nearly eight hundred years.
Logic and Humour in the Fabliaux
Author: Roy Pearcy
Publisher: DS Brewer
ISBN: 9781843841227
Category : Humor
Languages : en
Pages : 278
Book Description
A theoretically defensible inventory of the fabliaux based on a new structural definition. Joseph Bédier's 1893 definition of the fabliaux as 'funny stories in verse' is still widely accepted as the best brief and general description for a heterogeneous collection of texts. But the heterogeneity creates difficulties and at the periphery of the canon all three of the criteria included in Bédier's definition are open to question. The inventory proposed in the current study is based on a new structural definition, a conjointure, akin to that of romance, combining a logical episteme with a rhetorical narreme. The episteme features a contradictory taken from Boolean algebra, and assumes four different forms, depending on whether ambiguity resulting from the contradictory is understood by neither, by both, or by either the sender or the receiver of a message, In the first two instances, a character foreign to the episteme intervenes to resolve confusion in the narreme, or appears as the victim of the sophistical assumption of a contrary-to-fact reality; in the latter instances the sender or the receiver of the message in the episteme triumphs in the narreme. The resulting inventory, including and augmenting the texts admitted by Per Nykrog and discarding numerous stories already challenged for authenticity, is theoretically defensible to a degree not previously achieved. ROY PEARCY is anHonorary Research Fellow of the University of London.
Publisher: DS Brewer
ISBN: 9781843841227
Category : Humor
Languages : en
Pages : 278
Book Description
A theoretically defensible inventory of the fabliaux based on a new structural definition. Joseph Bédier's 1893 definition of the fabliaux as 'funny stories in verse' is still widely accepted as the best brief and general description for a heterogeneous collection of texts. But the heterogeneity creates difficulties and at the periphery of the canon all three of the criteria included in Bédier's definition are open to question. The inventory proposed in the current study is based on a new structural definition, a conjointure, akin to that of romance, combining a logical episteme with a rhetorical narreme. The episteme features a contradictory taken from Boolean algebra, and assumes four different forms, depending on whether ambiguity resulting from the contradictory is understood by neither, by both, or by either the sender or the receiver of a message, In the first two instances, a character foreign to the episteme intervenes to resolve confusion in the narreme, or appears as the victim of the sophistical assumption of a contrary-to-fact reality; in the latter instances the sender or the receiver of the message in the episteme triumphs in the narreme. The resulting inventory, including and augmenting the texts admitted by Per Nykrog and discarding numerous stories already challenged for authenticity, is theoretically defensible to a degree not previously achieved. ROY PEARCY is anHonorary Research Fellow of the University of London.
The Scandal of the Fabliaux
Author: R. Howard Bloch
Publisher: University of Chicago Press
ISBN: 9780226059754
Category : Fiction
Languages : en
Pages : 172
Book Description
R. Howard Bloch argues that medieval French comic tales are shocking not so much for their dirty words, scatology, and celebration of the body in all its concavities and protrusions, but moreso for their insistent exposure of the scandal of their own production. Looking first at fabliaux about poets, Bloch demonstrates that the medieval comic poet was highly conscious of the inadequacy of language and pushed this perception to its logical, scandalous limit. The comic function of the fabliaux was intentionally disruptive: anticlerical, antifeminist, and antiestablishment, these tales were part of a sophisticated culture's critical perspective on itself. By showing how the medieval poet's obsession with the outrageous, the low, and the lewd was intimately bound to poetry, Bloch forces a revision of traditional approaches to Old French literature. His final chapter, on castration anxiety, fetishism, and the comic, links the fabliaux with the development of modern notions of the self and makes a case for the medieval roots of our own sense of humor.
Publisher: University of Chicago Press
ISBN: 9780226059754
Category : Fiction
Languages : en
Pages : 172
Book Description
R. Howard Bloch argues that medieval French comic tales are shocking not so much for their dirty words, scatology, and celebration of the body in all its concavities and protrusions, but moreso for their insistent exposure of the scandal of their own production. Looking first at fabliaux about poets, Bloch demonstrates that the medieval comic poet was highly conscious of the inadequacy of language and pushed this perception to its logical, scandalous limit. The comic function of the fabliaux was intentionally disruptive: anticlerical, antifeminist, and antiestablishment, these tales were part of a sophisticated culture's critical perspective on itself. By showing how the medieval poet's obsession with the outrageous, the low, and the lewd was intimately bound to poetry, Bloch forces a revision of traditional approaches to Old French literature. His final chapter, on castration anxiety, fetishism, and the comic, links the fabliaux with the development of modern notions of the self and makes a case for the medieval roots of our own sense of humor.
Reading Fabliaux
Author: Norris J. Lacy
Publisher: Routledge
ISBN: 1135812470
Category : Literary Criticism
Languages : en
Pages : 184
Book Description
First published in 1993. This volume is th author's observations of his reading of Fabliaux in order to observe their materials, methods and to evaluate the effect of those methods. He looks at 150 texts in order to uncover the indivdual fabliau, rather than treat them as a whole genre.
Publisher: Routledge
ISBN: 1135812470
Category : Literary Criticism
Languages : en
Pages : 184
Book Description
First published in 1993. This volume is th author's observations of his reading of Fabliaux in order to observe their materials, methods and to evaluate the effect of those methods. He looks at 150 texts in order to uncover the indivdual fabliau, rather than treat them as a whole genre.
The Canterbury Tales
Author: Derek Pearsall
Publisher: Routledge
ISBN: 1135860009
Category : Literary Criticism
Languages : en
Pages : 389
Book Description
This classic and eminently readable work provides a full critical introduction to the complete Canterbury Tales. Essential reading for students of Chaucer.
Publisher: Routledge
ISBN: 1135860009
Category : Literary Criticism
Languages : en
Pages : 389
Book Description
This classic and eminently readable work provides a full critical introduction to the complete Canterbury Tales. Essential reading for students of Chaucer.
Medieval France
Author: William W. Kibler
Publisher: Psychology Press
ISBN: 0824044444
Category : History
Languages : en
Pages : 2071
Book Description
Arranged alphabetically, with a brief introduction that clearly defines the scope and purpose of the book. Illustrations include maps, B/W photographs, genealogical tables, and lists of architectural terms.
Publisher: Psychology Press
ISBN: 0824044444
Category : History
Languages : en
Pages : 2071
Book Description
Arranged alphabetically, with a brief introduction that clearly defines the scope and purpose of the book. Illustrations include maps, B/W photographs, genealogical tables, and lists of architectural terms.
Social History of Art, Volume 1
Author: Arnold Hauser
Publisher: Routledge
ISBN: 1134637594
Category : Art
Languages : en
Pages : 332
Book Description
First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced. This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hausers narrative and serves as a critical guide to the text, identifying major themes, trends and arguments.
Publisher: Routledge
ISBN: 1134637594
Category : Art
Languages : en
Pages : 332
Book Description
First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced. This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hausers narrative and serves as a critical guide to the text, identifying major themes, trends and arguments.
The French Fabliau B.N. MS. 837
Author: Raymond Eichmann
Publisher: Routledge
ISBN: 0429639252
Category : Business & Economics
Languages : en
Pages : 410
Book Description
Originally published in 1984, this book features The French Fabliau alongisde a translation and textual notes. The original manuscript, formerly labeled Bibliotheque du Roi 7218, is rightfully considered the oldest and one of the two most imporant and complete collections of medieval literature.
Publisher: Routledge
ISBN: 0429639252
Category : Business & Economics
Languages : en
Pages : 410
Book Description
Originally published in 1984, this book features The French Fabliau alongisde a translation and textual notes. The original manuscript, formerly labeled Bibliotheque du Roi 7218, is rightfully considered the oldest and one of the two most imporant and complete collections of medieval literature.
The Social History of Art
Author: Arnold Hauser
Publisher: Psychology Press
ISBN: 9780415199452
Category : Art
Languages : en
Pages : 332
Book Description
Presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age.
Publisher: Psychology Press
ISBN: 9780415199452
Category : Art
Languages : en
Pages : 332
Book Description
Presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age.