![The Book of Psalms “of David the King and Prophet” ... Disposed According to the Rhythmical Structure of the Original. With Three Essays ... With Map and Illustrations. By E. F. [i.e. Edward Falkener.] PDF](https://books.google.com/books/content/images/frontcover/kif_bCc-yOcC?fife=w150-h200)
Author: Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 418
Book Description
The Book of Psalms “of David the King and Prophet” ... Disposed According to the Rhythmical Structure of the Original. With Three Essays ... With Map and Illustrations. By E. F. [i.e. Edward Falkener.]
![The Book of Psalms “of David the King and Prophet” ... Disposed According to the Rhythmical Structure of the Original. With Three Essays ... With Map and Illustrations. By E. F. [i.e. Edward Falkener.] PDF](https://books.google.com/books/content/images/frontcover/kif_bCc-yOcC?fife=w80-h100)
Author: Seeing with Different Eyes
Author: Patrick CurryPublisher: Cambridge Scholars Publishing
ISBN: 1443810886
Category : Body, Mind & Spirit
Languages : en
Pages : 345
Book Description
Seeing with Different Eyes: Essays in Astrology and Divination represents the cutting-edge of contemporary thought and research on divination. The thirteen authors come from a variety of academic disciplines, ranging from anthropology and classics to English literature and religious studies, and all address the question of divination, astrology and oracles in a spirit of critical but sympathetic inquiry. The emphasis is on a participatory and reflexive approach which is firmly post-positivist, seeking to understand the divinatory act on its own terms within widely varying contexts – ancient Greek and Chaldean philosophy and theurgy, Theravadan Buddhism, Biblical studies, Elizabethan Hermeticism, Jacobean drama, Heideggerian philosophy, Medieval scholasticism, 19th century occultism, contemporary Guatemalan divination and Western medical practice. The authors are all teachers or researchers in the area of divination and symbolism, which is a new disciplinary focus developing at the University of Kent, Canterbury under the aegis of the MA programme in the Cultural Study of Cosmology and Divination. The essays in this volume originally contributed to an international conference of the same name held there in April 2006.
The Jewish Encyclopedia
Author: A Dictionary of Christ and the Gospels: Aaron-Knowledge
Author: James HastingsPublisher:
ISBN:
Category : Bible
Languages : en
Pages : 970
Book Description
The Notebooks of Leonardo Da Vinci (Complete)
Author: Leonardo da VinciPublisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118
Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
The Art of Illumination
Author: Timothy HusbandPublisher: Metropolitan Museum of Art
ISBN: 1588392945
Category : Belles heures of Jean of France, Duke of Berry
Languages : en
Pages : 390
Book Description
All in a Lifetime
Author: Frank BuckHomophones and Homographs
Author: Publisher: McFarland
ISBN: 1476603936
Category : Literary Criticism
Languages : en
Pages : 861
Book Description
This expanded fourth edition defines and cross-references 9,040 homophones and 2,133 homographs (up from 7,870 and 1,554 in the 3rd ed.). As the most comprehensive compilation of American homophones (words that sound alike) and homographs (look-alikes), this latest edition serves well where even the most modern spell-checkers and word processors fail--although rain, reign, and rein may be spelled correctly, the context in which these words may appropriately be used is not obvious to a computer.
History of American Literature
Author: Reuben Post HalleckPublisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 452
Book Description
This volume describes the greatest achievements in American literature, from the earliest times to the present. Special attention has been paid to the individual works of great authors, but also to literary movements, ideals, and animating principles, and the relation of all these to English literature. The author hopes this book will inspire students to investigate for themselves the remarkable American record of spirituality, initiative, and democratic accomplishment contained in our national literature.
Writing Homer
Author: Minna Skafte JensenPublisher: Royal Danish Academy of Sciences and Letters
ISBN: 9788773043615
Category : Epic poetry
Languages : en
Pages : 0
Book Description
It is unknown, of course, who wrote the Iliad and the Odyssey, since, in general, no reliable contemporary description of how these two epics came into being is to be found. Such sources as there are - first and foremost, the two poems themselves - must be interpreted in a comparative framework built on experience from societies in the modern world that are in some respects similar to archaic Greece in order to reach a coherent picture of the process. The oral-formulaic theory, formed by Milman Parry (1902-1935) and Albert B. Lord (1912-1991), not only revolutionized Homeric studies, but also had an impact on anthropology and folklore. This led to an increased interest in oral epic traditions, and fieldworkers changed their methods towards a focus on composition in performance. The individual singer and his handling of the tradition gained importance. When possible, more than one performance of the "same" song was recorded - by the same singer on different occasions or by different singers - and interaction with the audience was documented. Traditions of the oral epic still exist in many parts of the world, and, during recent decades, quite a few of them have been documented and analyzed by innovative fieldworkers, leading to an overwhelming expansion of accessible knowledge of how oral epic works. Writing Homer explores what this means to the Parry-Lord-theory in general and the 'Homeric Question' in particular. The relationship between the Iliad, the Odyssey, and the Homeric Hymns, with the tradition of which they are part, can now be described with much more precision than before. It turns out that there is nothing unusual in very long oral epics; what is unusual is that such poems are recorded in writing. The process by which this must have taken place is discussed in detail. Old problems, such as the fact that neither illustrations of Trojan stories nor early 'quotations' agree with the written poems, can be solved. Writing Homer achieves a deeper understanding of the methods at work in the oral epic for building a likely social context of the Iliad and the Odyssey, and especially for speculating on the circumstances of the writing of the two great poems. Long oral narratives are flexible, and accordingly, the dictation to scribes that must be at the origin of the texts, which have been preserved in writing to this day, was a process of the utmost importance as was the composition in performance of the Iliad and the Odyssey. Writing Homer is directed at classical scholars, but will also be of interest to a much broader readership: folklorists, anthropologists, and whoever enjoys reading Homer in Greek, as well as in translation.
