Author: Bernard Binlin Dadié
Publisher: Univ of Massachusetts Press
ISBN: 9780870235573
Category : Social Science
Languages : en
Pages : 0
Book Description
Presents a collection of sixteen African folktales by poet, novelist, critic, and statesman, Bernard Binlin Dadie that represents the oral tradition of his native Ivory Coast.
The Black Cloth
Cage of Ghosts
Author:
Publisher: National Library Australia
ISBN: 064227665X
Category : Aboriginal Australians
Languages : en
Pages : 10
Book Description
Jon Rhodes was the recipient of an H.C. Coombs Creative Arts Fellowship at the Australian National University in 2006. For four months he lived in Canberra and researched the history of all the places he had photographed for this National Library exhibition. The book, Cage of Ghosts,was published in late 2008.
Publisher: National Library Australia
ISBN: 064227665X
Category : Aboriginal Australians
Languages : en
Pages : 10
Book Description
Jon Rhodes was the recipient of an H.C. Coombs Creative Arts Fellowship at the Australian National University in 2006. For four months he lived in Canberra and researched the history of all the places he had photographed for this National Library exhibition. The book, Cage of Ghosts,was published in late 2008.
Spirits of the Cloth
Author: Carolyn Mazloomi
Publisher: Clarkson Potter
ISBN:
Category : Art
Languages : en
Pages : 202
Book Description
The author presents a collection of 150 contemporary African American quilts and the stories behind both the quilts and the quilters.
Publisher: Clarkson Potter
ISBN:
Category : Art
Languages : en
Pages : 202
Book Description
The author presents a collection of 150 contemporary African American quilts and the stories behind both the quilts and the quilters.
Kente Colors
Author: Debbi Chocolate
Publisher: Bloomsbury Publishing USA
ISBN: 0802775284
Category : Juvenile Nonfiction
Languages : en
Pages : 34
Book Description
A rhyming description of the kente cloth costumes of the Ashanti and Ewe people of Ghana and a portrayal of the symbolic colors and patterns.
Publisher: Bloomsbury Publishing USA
ISBN: 0802775284
Category : Juvenile Nonfiction
Languages : en
Pages : 34
Book Description
A rhyming description of the kente cloth costumes of the Ashanti and Ewe people of Ghana and a portrayal of the symbolic colors and patterns.
Bogolanfini Mud Cloth
Author: Sam Hilu
Publisher: Schiffer Craft
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 168
Book Description
This is an important resource for designers, textile lovers, and African art scholars. Over 200 color photographs beautifully illustrate the mud-cloth art of the Bogolan people in Mali, Africa. Their art form, in which geometric, abstract, and semi-abstract patterns are hand painted with mud dyes on hand woven cloth, has gained enormous popularity internationally. The CD included with the book contains over 200 patterns, and is compatible with most graphic, design, and editing programs.
Publisher: Schiffer Craft
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 168
Book Description
This is an important resource for designers, textile lovers, and African art scholars. Over 200 color photographs beautifully illustrate the mud-cloth art of the Bogolan people in Mali, Africa. Their art form, in which geometric, abstract, and semi-abstract patterns are hand painted with mud dyes on hand woven cloth, has gained enormous popularity internationally. The CD included with the book contains over 200 patterns, and is compatible with most graphic, design, and editing programs.
Calendar
Author: University of Sydney
Publisher:
ISBN:
Category :
Languages : en
Pages : 550
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 550
Book Description
CSB Study Bible, Gray/Black Cloth Over Board
Author: CSB Bibles by Holman
Publisher: B&H Publishing Group
ISBN: 1433647990
Category : Bibles
Languages : en
Pages : 2208
Book Description
The CSB Study Bible is designed to help you know and be transformed by God's Word. The Bible features the highly readable, highly reliable text of the Christian Standard Bible (CSB) that keeps Scripture primary on every page. To inspire you to grow in your understanding and love for God's Word, the CSB Study Bible, includes an award-winning array of study resources including over 16,000 study notes, tools, and word studies--each tool presented on the same page as the verses it refers to. Whether you are preparing for future Bible studies or daily readings, this study Bible for men and women is the ideal resource for lifelong discipleship. Features include: 368 word studies to introduce you to the context and meaning behind key Greek and Hebrew words High-quality smyth-sewn binding that will lie open whether you are reading Genesis 1 or Revelation 22 Full-color visuals to help you see the structure and context of Scripture come alive, including 94 photographs, 55 maps, 44 paintings, 21 illustrations/reconstructions, 19 charts, and 61 timelines Introductions and outlines for each book, including background information, theological themes, and insights into the unique contribution of each book Easy-to-read layout with two columns of text, Jesus' words in red, center-column cross-references, and three columns of notes Available in LeatherTouch (similar to an imitation leather Bible), cloth over board, hardcover, and genuine leather This CSB women's and men's study Bible features the highly readable, highly reliable text of the Christian Standard Bible(R) (CSB). The CSB stays as literal as possible to the Bible's original meaning without sacrificing clarity, making it easier to engage with Scripture's life-transforming message and to share it with others.
Publisher: B&H Publishing Group
ISBN: 1433647990
Category : Bibles
Languages : en
Pages : 2208
Book Description
The CSB Study Bible is designed to help you know and be transformed by God's Word. The Bible features the highly readable, highly reliable text of the Christian Standard Bible (CSB) that keeps Scripture primary on every page. To inspire you to grow in your understanding and love for God's Word, the CSB Study Bible, includes an award-winning array of study resources including over 16,000 study notes, tools, and word studies--each tool presented on the same page as the verses it refers to. Whether you are preparing for future Bible studies or daily readings, this study Bible for men and women is the ideal resource for lifelong discipleship. Features include: 368 word studies to introduce you to the context and meaning behind key Greek and Hebrew words High-quality smyth-sewn binding that will lie open whether you are reading Genesis 1 or Revelation 22 Full-color visuals to help you see the structure and context of Scripture come alive, including 94 photographs, 55 maps, 44 paintings, 21 illustrations/reconstructions, 19 charts, and 61 timelines Introductions and outlines for each book, including background information, theological themes, and insights into the unique contribution of each book Easy-to-read layout with two columns of text, Jesus' words in red, center-column cross-references, and three columns of notes Available in LeatherTouch (similar to an imitation leather Bible), cloth over board, hardcover, and genuine leather This CSB women's and men's study Bible features the highly readable, highly reliable text of the Christian Standard Bible(R) (CSB). The CSB stays as literal as possible to the Bible's original meaning without sacrificing clarity, making it easier to engage with Scripture's life-transforming message and to share it with others.
Force and Matter
Author: James Clarence Linden Adams
Publisher:
ISBN:
Category : Force and energy
Languages : en
Pages : 468
Book Description
Publisher:
ISBN:
Category : Force and energy
Languages : en
Pages : 468
Book Description
CLOTH THAT DOES NOT DIE (cl)
Author:
Publisher: University of Washington Press
ISBN: 9780295803579
Category : Hand weaving
Languages : en
Pages : 308
Book Description
"Cloth only wears, it does not die," the paradoxical phrase from a Bunu Yoruba prayer, emphasizes the power of cloth as a symbol of continuing social relations and identities in the face of uncertainty and death. The Bunu Yoruba people of central Nigeria mark every critical juncture in an individual’s life, from birthing ceremonies to funeral celebrations, with handwoven cloth. Anthropologist Elisha Renne explains how and why this is so and discusses why handwoven cloth is still valued although it is rarely woven in Bunu villages today. Special marriage cloths mark changes in the status of Bunu brides, as well as in the social connections of kin during traditional marriage rituals. In funerals, handwoven cloth is used to rank chiefs; in masquerade performances, it indicates the presence of ancestral spirits. As tailored and untailored dress, it expresses gender and educational differences. Further, it is worn to distinguish ritual events that have a unique Bunu identity from everyday affairs where commercial, industrially woven cloth prevails. Renne examines the use and production of cloth in Bunu society from approximately 1900 to the present. Some traditions associated with cloth have given way to changes brought about by long contact with Christian missionaries and by British colonial policies that altered methods of cotton and cloth production. Today weaving is no longer done as a matter of course by all village women, but rather has become the specialty of only a few. Why does handwoven cloth still play such a vital role in Bunu social life when, in fact, Bunu women have largely given up weaving? To explain cloth’s continued cultural importance, Renne takes the story beyond the descriptive and historic to examine the meaning of different kinds of cloth for various members of Bunu village communities -- from wives and diviners to chiefs and hunters. The details of Bunu village life in Cloth That Does Not Die complement the many uses of cloth that Renne interprets. Anthropologists, social historians, and historians of African art will find the book of great value as an example of how material culture can integrate the study of various aspects of social life. The book will interest textile artists with its close attention to the visual properties of cloth itself.
Publisher: University of Washington Press
ISBN: 9780295803579
Category : Hand weaving
Languages : en
Pages : 308
Book Description
"Cloth only wears, it does not die," the paradoxical phrase from a Bunu Yoruba prayer, emphasizes the power of cloth as a symbol of continuing social relations and identities in the face of uncertainty and death. The Bunu Yoruba people of central Nigeria mark every critical juncture in an individual’s life, from birthing ceremonies to funeral celebrations, with handwoven cloth. Anthropologist Elisha Renne explains how and why this is so and discusses why handwoven cloth is still valued although it is rarely woven in Bunu villages today. Special marriage cloths mark changes in the status of Bunu brides, as well as in the social connections of kin during traditional marriage rituals. In funerals, handwoven cloth is used to rank chiefs; in masquerade performances, it indicates the presence of ancestral spirits. As tailored and untailored dress, it expresses gender and educational differences. Further, it is worn to distinguish ritual events that have a unique Bunu identity from everyday affairs where commercial, industrially woven cloth prevails. Renne examines the use and production of cloth in Bunu society from approximately 1900 to the present. Some traditions associated with cloth have given way to changes brought about by long contact with Christian missionaries and by British colonial policies that altered methods of cotton and cloth production. Today weaving is no longer done as a matter of course by all village women, but rather has become the specialty of only a few. Why does handwoven cloth still play such a vital role in Bunu social life when, in fact, Bunu women have largely given up weaving? To explain cloth’s continued cultural importance, Renne takes the story beyond the descriptive and historic to examine the meaning of different kinds of cloth for various members of Bunu village communities -- from wives and diviners to chiefs and hunters. The details of Bunu village life in Cloth That Does Not Die complement the many uses of cloth that Renne interprets. Anthropologists, social historians, and historians of African art will find the book of great value as an example of how material culture can integrate the study of various aspects of social life. The book will interest textile artists with its close attention to the visual properties of cloth itself.
Afro-Nostalgia
Author: Badia Ahad-Legardy
Publisher: University of Illinois Press
ISBN: 0252052552
Category : Social Science
Languages : en
Pages : 299
Book Description
As early as the eighteenth century, white Americans and Europeans believed that people of African descent could not experience nostalgia. As a result, black lives have been predominately narrated through historical scenes of slavery and oppression. This phenomenon created a missing archive of romantic historical memories. Badia Ahad-Legardy mines literature, visual culture, performance, and culinary arts to form an archive of black historical joy for use by the African-descended. Her analysis reveals how contemporary black artists find more than trauma and subjugation within the historical past. Drawing on contemporary African American culture and recent psychological studies, she reveals nostalgia’s capacity to produce positive emotions. Afro-nostalgia emerges as an expression of black romantic recollection that creates and inspires good feelings even within our darkest moments. Original and provocative, Afro-Nostalgia offers black historical pleasure as a remedy to contend with the disillusionment of the present and the traumas of the past.
Publisher: University of Illinois Press
ISBN: 0252052552
Category : Social Science
Languages : en
Pages : 299
Book Description
As early as the eighteenth century, white Americans and Europeans believed that people of African descent could not experience nostalgia. As a result, black lives have been predominately narrated through historical scenes of slavery and oppression. This phenomenon created a missing archive of romantic historical memories. Badia Ahad-Legardy mines literature, visual culture, performance, and culinary arts to form an archive of black historical joy for use by the African-descended. Her analysis reveals how contemporary black artists find more than trauma and subjugation within the historical past. Drawing on contemporary African American culture and recent psychological studies, she reveals nostalgia’s capacity to produce positive emotions. Afro-nostalgia emerges as an expression of black romantic recollection that creates and inspires good feelings even within our darkest moments. Original and provocative, Afro-Nostalgia offers black historical pleasure as a remedy to contend with the disillusionment of the present and the traumas of the past.