Author: Sir Cuthbert Sharp
Publisher:
ISBN:
Category : Ballads
Languages : en
Pages : 110
Book Description
The bishoprick garland, or A collection of legends, songs, ballads, &c. belonging to the county of Durham [ed. by sir C. Sharp.].
The bishoprick garland, or A collection of legends, songs, ballads, &c. belonging to the county of Durham [ed. by sir C. Sharp.].
Author: Sir Cuthbert Sharp
Publisher:
ISBN:
Category : Ballads
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category : Ballads
Languages : en
Pages : 112
Book Description
Northern Garlands. The Bishopric Garland; Or Durham Minsterl: a Choice Collection of Excellent Songs. The Yorkshire Garland: a Curious Collection of Old and New Songs. The Northumberland Garland; Or Newcastle Nightingale: a Matchless Collection of Famous Songs. The North-country Chorister: an Unparalleled Variety of Excellent Songs. Edited by the Late Joseph Ritson, Esq
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 232
Book Description
The History and Antiquities of the Parish of Darlington, in the Bishoprick
Author: William Hylton Longstaffe
Publisher:
ISBN:
Category : Darlington (England)
Languages : en
Pages : 618
Book Description
Publisher:
ISBN:
Category : Darlington (England)
Languages : en
Pages : 618
Book Description
The Denham Tracts
Author: Michael Aislabie Denham
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 388
Book Description
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 388
Book Description
The Bibliographer's Manual of English Literature
Author: William Thomas Lowndes
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 352
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 352
Book Description
Victorian Songhunters
Author: E. David Gregory
Publisher: Scarecrow Press
ISBN: 1461674174
Category : Music
Languages : en
Pages : 458
Book Description
Victorian Songhunters is a pioneering history of the rediscovery of vernacular song—street songs that have entered oral tradition and have been passed from generation to generation—in England during the late Georgian and Victorian eras. In the nineteenth century there were four main types of vernacular song: ballads, folk lyrics, occupational songs, and national songs. The discovery, collecting, editing, and publishing of all four varieties are examined in the book, and over seventy-five selected examples are given for illustrative purposes. Key concepts, such as traditional balladry, broadside balladry, folksong, and national song, are analyzed, as well as the complicated relationship between print and oral tradition and the different methodological approaches to ballad and song editing. Organized chronologically, Victorian Songhunters sketches the history of English song collecting from its beginnings in the mid-seventeenth century; focuses on the work of important individual collectors and editors, such as William Chappell, Francis J. Child, and John Broadwood; examines the growth of regional collecting in various counties throughout England; and demonstrates the considerable efforts of two important Victorian institutions, the Percy Society and its successor, the Ballad Society. The appendixes contain discussions on interpreting songs, an assessment of relevant secondary sources, and a bibliography and alphabetical song list. Author E. David Gregory provides a solid foundation for the scholarly study of balladry and folksong, and makes a significant contribution to our understanding of Victorian intellectual and cultural life.
Publisher: Scarecrow Press
ISBN: 1461674174
Category : Music
Languages : en
Pages : 458
Book Description
Victorian Songhunters is a pioneering history of the rediscovery of vernacular song—street songs that have entered oral tradition and have been passed from generation to generation—in England during the late Georgian and Victorian eras. In the nineteenth century there were four main types of vernacular song: ballads, folk lyrics, occupational songs, and national songs. The discovery, collecting, editing, and publishing of all four varieties are examined in the book, and over seventy-five selected examples are given for illustrative purposes. Key concepts, such as traditional balladry, broadside balladry, folksong, and national song, are analyzed, as well as the complicated relationship between print and oral tradition and the different methodological approaches to ballad and song editing. Organized chronologically, Victorian Songhunters sketches the history of English song collecting from its beginnings in the mid-seventeenth century; focuses on the work of important individual collectors and editors, such as William Chappell, Francis J. Child, and John Broadwood; examines the growth of regional collecting in various counties throughout England; and demonstrates the considerable efforts of two important Victorian institutions, the Percy Society and its successor, the Ballad Society. The appendixes contain discussions on interpreting songs, an assessment of relevant secondary sources, and a bibliography and alphabetical song list. Author E. David Gregory provides a solid foundation for the scholarly study of balladry and folksong, and makes a significant contribution to our understanding of Victorian intellectual and cultural life.
Music-Making in North-East England during the Eighteenth Century
Author: Roz Southey
Publisher: Routledge
ISBN: 1351556789
Category : Music
Languages : en
Pages : 272
Book Description
The north-east of England in the eighteenth century was a region where many different kinds of musical activity thrived and where a wide range of documentation survives. Such activities included concert-giving, teaching, tuning and composition, as well as music in the theatre and in church. Dr Roz Southey examines the impulses behind such activities and the meanings that local people found inherent in them. It is evident that music could be perceived or utilized for extremely diverse purposes; as entertainment, as a learned art, as an aid to piety, as a profession, a social facilitator and a support to patriotism and nationalism. Musical societies were established throughout the century, and Southey illustrates the social make-up of the members, as well as the role of Gentlemen Amateurs in the organizing of concerts, and the connections with London and other centres. The book draws upon a rich selection of source material, including local newspapers, council and ecclesiastical records, private papers and diaries and accounts of local tradesman, as well as surviving examples of music composed in the area by Charles Avison, Thomas Ebdon and John Garth of Durham, amongst many others. Charles Avison's importance is focused upon particularly, and his Essay on Musical Expression is considered alongside other contemporary writings of lesser fame. Southey provides a fascinating insight into the type and social class of audiences and their influence on the repertoire performed. The book moves from a consideration of music being used as a 'fashion item', evidenced by the patronage of 'big name' soloists from London and abroad, to fiddlers, ballad singers, music at weddings, funerals, public celebrations, and music for marking the events of the American War of Independence and the French Revolutionary Wars. It can be seen, therefore, that the north east was an area of important musical activity, and that the music was always interwoven into the political, economic, religious and commercial fabric of eighteenth-century life.
Publisher: Routledge
ISBN: 1351556789
Category : Music
Languages : en
Pages : 272
Book Description
The north-east of England in the eighteenth century was a region where many different kinds of musical activity thrived and where a wide range of documentation survives. Such activities included concert-giving, teaching, tuning and composition, as well as music in the theatre and in church. Dr Roz Southey examines the impulses behind such activities and the meanings that local people found inherent in them. It is evident that music could be perceived or utilized for extremely diverse purposes; as entertainment, as a learned art, as an aid to piety, as a profession, a social facilitator and a support to patriotism and nationalism. Musical societies were established throughout the century, and Southey illustrates the social make-up of the members, as well as the role of Gentlemen Amateurs in the organizing of concerts, and the connections with London and other centres. The book draws upon a rich selection of source material, including local newspapers, council and ecclesiastical records, private papers and diaries and accounts of local tradesman, as well as surviving examples of music composed in the area by Charles Avison, Thomas Ebdon and John Garth of Durham, amongst many others. Charles Avison's importance is focused upon particularly, and his Essay on Musical Expression is considered alongside other contemporary writings of lesser fame. Southey provides a fascinating insight into the type and social class of audiences and their influence on the repertoire performed. The book moves from a consideration of music being used as a 'fashion item', evidenced by the patronage of 'big name' soloists from London and abroad, to fiddlers, ballad singers, music at weddings, funerals, public celebrations, and music for marking the events of the American War of Independence and the French Revolutionary Wars. It can be seen, therefore, that the north east was an area of important musical activity, and that the music was always interwoven into the political, economic, religious and commercial fabric of eighteenth-century life.
The Materiality of the Horse
Author: Miriam A. Bibby
Publisher: Trivent Publishing
ISBN: 6158179337
Category : History
Languages : en
Pages : 311
Book Description
Inspired by our age-old fascination with equids, Materiality of the Horse brings the latest academic research in equine history to a wider readership. Themes examined within the book by specialist contributors include explorations of material culture relating to horses and what this discloses about the horse-human relationship; fresh observations on significant medieval horse-related texts from Europe and the Islamic world; and revealing insights into the effect of the introduction of horses into indigenous cultures in South America. Thought-provoking and original, Materiality of the Horse is the second volume in Trivent Publishing's innovative "Rewriting Equestrian History" series.
Publisher: Trivent Publishing
ISBN: 6158179337
Category : History
Languages : en
Pages : 311
Book Description
Inspired by our age-old fascination with equids, Materiality of the Horse brings the latest academic research in equine history to a wider readership. Themes examined within the book by specialist contributors include explorations of material culture relating to horses and what this discloses about the horse-human relationship; fresh observations on significant medieval horse-related texts from Europe and the Islamic world; and revealing insights into the effect of the introduction of horses into indigenous cultures in South America. Thought-provoking and original, Materiality of the Horse is the second volume in Trivent Publishing's innovative "Rewriting Equestrian History" series.
The English and Scottish Ballads
Author: Francis James Child
Publisher: BoD – Books on Demand
ISBN: 3368635573
Category : Fiction
Languages : en
Pages : 298
Book Description
Reprint of the original, first published in 1898.
Publisher: BoD – Books on Demand
ISBN: 3368635573
Category : Fiction
Languages : en
Pages : 298
Book Description
Reprint of the original, first published in 1898.