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Author: David Kornhaber
Publisher: Northwestern University Press
ISBN: 0810132621
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
Nietzsche's love affair with the theater was among the most profound and prolonged intellectual engagements of his life, but his transformational role in the history of the modern stage has yet to be explored. In this pathbreaking account, David Kornhaber vividly shows how Nietzsche reimagined the theatrical event as a site of philosophical invention that is at once ancestor, antagonist, and handmaiden to the discipline of philosophy itself. August Strindberg, George Bernard Shaw, and Eugene O'Neill— seminal figures in the modern drama's evolution and avowed Nietzscheans all—came away from their encounters with Nietzsche's writings with an impassioned belief in the philosophical potential of the live theatrical event, coupled with a reestimation of the dramatist's power to shape that event in collaboration with the actor. In these playwrights' reactions to and adaptations of Nietzsche's radical rethinking of the stage lay the beginnings of a new direction in modern theater and dramatic literature.
Author: David Kornhaber
Publisher: Northwestern University Press
ISBN: 0810132621
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
Nietzsche's love affair with the theater was among the most profound and prolonged intellectual engagements of his life, but his transformational role in the history of the modern stage has yet to be explored. In this pathbreaking account, David Kornhaber vividly shows how Nietzsche reimagined the theatrical event as a site of philosophical invention that is at once ancestor, antagonist, and handmaiden to the discipline of philosophy itself. August Strindberg, George Bernard Shaw, and Eugene O'Neill— seminal figures in the modern drama's evolution and avowed Nietzscheans all—came away from their encounters with Nietzsche's writings with an impassioned belief in the philosophical potential of the live theatrical event, coupled with a reestimation of the dramatist's power to shape that event in collaboration with the actor. In these playwrights' reactions to and adaptations of Nietzsche's radical rethinking of the stage lay the beginnings of a new direction in modern theater and dramatic literature.
Author: David Kornhaber
Publisher: Bloomsbury Publishing
ISBN: 1350316016
Category : Performing Arts
Languages : en
Pages : 73
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Book Description
From Plato onwards, philosophers the world over have pondered the fraught relationship between the illusory practices of the stage and the rational pursuit of knowledge. In this engaging and accessible volume, David Kornhaber sheds new light on this ancient quarrel. Drawing on a global array of theatrical traditions and spanning millennia-from the Sanskrit dramas of classical India to Shakespeare and Greek tragedy, from the Noh drama of Japan to West End comedies and avant-grade performances.Theatre & Knowledge vividly demonstrates how questions of knowledge have long animated the theatre and continue to motivate some of its most innovative practices. As much as philosophy itself, the theatre has always been instrumental in probing the boundaries of what we can possibly know. Concise yet thought-provoking, this is essential reading for undergraduate and postgraduate students of Theatre and Philosophy.
Author: Tom Stern
Publisher: Rowman & Littlefield
ISBN: 1783486236
Category : Philosophy
Languages : en
Pages : 216
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Book Description
The Philosophy of Theatre, Drama and Acting is the ideal collection for students and scholars of aesthetics, theatre studies and the philosophy of art. Ever since the Greeks, philosophy and theatre have always enjoyed a close and often antagonistic relationship. Yet until recently relatively little scholarly attention has been paid to the relationship between philosophy and theatre, drama or acting. This book offers a collection of new essays by renowned scholars on important topics. It includes a clear account of different contemporary debates and discussions from across the field, and includes coverage of significant figures in the history of philosophy (such as Schlegel, Hegel and Nietzsche) and contemporary philosophical analysis of the nature of theatre, drama and acting, as well as theatre’s relation to philosophy and other arts.
Author: Friedrich Wilhelm Nietzsche
Publisher:
ISBN:
Category : Philosophy, German
Languages : en
Pages : 452
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Book Description
Author: Freddie Rokem
Publisher: Stanford University Press
ISBN: 080476350X
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
This book investigates the discursive practices of philosophy and theater/performance on the basis of actual encounters between representatives of these two fields.
Author: Rebecca Goldstein
Publisher: Pantheon
ISBN: 0307378195
Category : Philosophy
Languages : en
Pages : 481
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Book Description
Acclaimed philosopher and novelist Rebecca Newberger Goldstein provides a dazzlingly original plunge into the drama of philosophy, revealing its hidden role in today's debates on religion, morality, politics, and science.
Author: Robert H. Leonard
Publisher: New Village Press
ISBN: 0976605449
Category : Education
Languages : en
Pages : 240
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Book Description
Ensemble Theater is the hottest American performance medium today. It's more than art - it's a movement.
Author: Jane Gilmer
Publisher: BRILL
ISBN: 9004449426
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
The Alchemical Actor – Performing the Great Work: Imagining Alchemical Theatre offers an imagination for an alchemical theatre inspired by the directives of Antonin Artaud.
Author: Jostein Gaarder
Publisher: Farrar, Straus and Giroux
ISBN: 1466804270
Category : Fiction
Languages : en
Pages : 599
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Book Description
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.
Author: Julia Jarcho
Publisher: Cambridge University Press
ISBN: 1108165842
Category : Drama
Languages : en
Pages : 287
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Book Description
It is time to change the way we talk about writing in theater. This book offers a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage. While performance studies, German Theaterwissenschaft, and even text-based drama studies have commonly envisioned theatrical performance as something that must operate beyond the limits of the textual imagination, this book shows how a series of writers have actively shaped new conceptions of theater's radical potential. Engaging with a range of theorists, including Theodor Adorno, Jarcho reveals a modern tradition of 'negative theatrics,' whose artists undermine the here and now of performance in order to challenge the value and the power of the existing world. This vision emerges through surprising new readings of modernist classics - by Henry James, Gertrude Stein, and Samuel Beckett - as well as contemporary American works by Suzan-Lori Parks, Elevator Repair Service, and Mac Wellman.
