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Author: Frances Spalding
Publisher: Random House
ISBN: 1409029417
Category : Art
Languages : en
Pages : 458
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Book Description
'The best of these Darwins is that they are cut out of rock - three taps is enough to convince one how immense is their solidarity.' So wrote Virginia Woolf affectionately of Gwen Raverat, the granddaughter of Charles Darwin. In this first full biography, Frances Spalding looks beyond the artist Gwen Raverat's childhood memoir; Period Piece, and creates a fascinating and moving portrait of Charles Darwin's granddaughter. She explores her Darwin inheritance; her conflicts when she moves beyond her home environment to enter the Slade School of Art; her encounter with post-Impressionism; and her friendships with Stanley Spencer, Rupert Brooke and members of the Bloomsbury set. At each stage, Gwen's artistic creativity is interwoven with her relationships and circumstances. She helps revive the medium of wood-engraving and with her husband, Jacques Raverat, celebrates the South of France in the art they produce while living in Venice. Drawing on a huge cache of unpublished papers, Spalding brings us a life lived with bravery, humour; realism and integrity, surrounded by a remarkable cast of relatives, friends and associates.
Author: Frances Spalding
Publisher: Random House
ISBN: 1409029417
Category : Art
Languages : en
Pages : 458
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Book Description
'The best of these Darwins is that they are cut out of rock - three taps is enough to convince one how immense is their solidarity.' So wrote Virginia Woolf affectionately of Gwen Raverat, the granddaughter of Charles Darwin. In this first full biography, Frances Spalding looks beyond the artist Gwen Raverat's childhood memoir; Period Piece, and creates a fascinating and moving portrait of Charles Darwin's granddaughter. She explores her Darwin inheritance; her conflicts when she moves beyond her home environment to enter the Slade School of Art; her encounter with post-Impressionism; and her friendships with Stanley Spencer, Rupert Brooke and members of the Bloomsbury set. At each stage, Gwen's artistic creativity is interwoven with her relationships and circumstances. She helps revive the medium of wood-engraving and with her husband, Jacques Raverat, celebrates the South of France in the art they produce while living in Venice. Drawing on a huge cache of unpublished papers, Spalding brings us a life lived with bravery, humour; realism and integrity, surrounded by a remarkable cast of relatives, friends and associates.
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 576
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1138
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Book Description
Author: Gwen Raverat
Publisher:
ISBN:
Category : Women artists
Languages : en
Pages : 144
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Book Description
Author: Bloomsbury Book Auctions (Firm)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 394
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Book Description
Author: Gwen Raverat
Publisher:
ISBN:
Category : Cambridge (England)
Languages : en
Pages : 104
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Book Description
Author: Julie Vandivere
Publisher: Liverpool University Press
ISBN: 1942954093
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
Virginia Woolf and Her Female Contemporaries helps us comprehend the ways that women writers and artists contributed to and complicated modernism by contextualizing them alongside Woolf's work.
Author: Joanna Selborne
Publisher: Oxford University Press, USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 472
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Book Description
Twentieth-century British wood-engraved book illustration up to the beginning of the Second World War was among the most versatile and inventive of the graphic arts. In a climate of typographical renaissance, various wood-engravers made a significant impact on the appearance of the printedpage, transforming good books into works of art and influencing modern standards of book production. This book reveals the methods by which these pioneering artists broke with nineteenth-century illustrative practices. The author surveys the subject in relation to the cultural and historicalbackground, and within the context of mainstream developments in the visual arts, placing emphasis on the working relationship of illustrators with both private presses and commercial publishers. Detailed study of unpublished material, including art school records, publishers' and print societies'archives, and artists' correspondence, throws new light on the work and practices of the more innovative wood engravers.
Author: David Bland
Publisher:
ISBN:
Category : Illumination of books and manuscripts
Languages : en
Pages : 496
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Book Description
Author:
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 972
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Book Description
