The Big Ballet Show PDF Download
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Author: Geof Smith
Publisher: Golden Books
ISBN: 0307930947
Category : Juvenile Fiction
Languages : en
Pages : 26
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Book Description
"Dora the Explorer is ready to star in the big dance recital--but her slippers are missing"--Amazon.com.
Author: Geof Smith
Publisher: Golden Books
ISBN: 0307930947
Category : Juvenile Fiction
Languages : en
Pages : 26
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Book Description
"Dora the Explorer is ready to star in the big dance recital--but her slippers are missing"--Amazon.com.
Author: Nickelodeon Publishing
Publisher: Nickelodeon Publishing
ISBN: 1612635075
Category : Juvenile Fiction
Languages : en
Pages : 28
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Book Description
Nickelodeon's Dora the Explorer is ready to star in the big dance recital—but her slippers are missing! Kids will love this story that retells an adventure from the popular DVD Dora's Ballet Adventures.
Author: Robin Farley
Publisher: HarperCollins
ISBN: 0062101641
Category : Juvenile Fiction
Languages : en
Pages : 35
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Book Description
Mia the kitten who loves ballet is back in another sweet I Can Read story perfect for fans of Tallulah books and aspiring ballerinas everywhere. When Mia grows up, she wants to be just like her big sister, Ava! Ava is a ballerina in a real show, and Mia's class is taking a trip to visit her. Mia and her friends watch Ava dance in the ballet, and then Ava shows them how to do some new moves. Mia tries to dance her best so that Ava will watch, but Ava is too busy helping Mia's friends to notice. How can Mia show her big sister what a great ballerina she is? Mia and the Big Sister Ballet is Mia's fourth My First I Can Read book, perfect for shared reading with a child.
Author: Lisa Shulman
Publisher: G.P. Putnam's Sons Books for Young Readers
ISBN: 9780399242892
Category : Ballet
Languages : en
Pages : 0
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Book Description
A nervous little swan, a demanding teacher, and others work hard to prepare for a ballet recital.
Author: Nancy Ellison
Publisher: Universe Publishing(NY)
ISBN:
Category : Ballet
Languages : en
Pages : 280
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Book Description
Provides photographs of members of the American Ballet Theatre demonstrating positions and includes discussion and photographs of classwork, rehearsal, choreography, and major ballets.
Author: Bertrand M. Patenaude
Publisher: Stanford University Press
ISBN: 9780804744935
Category : History
Languages : en
Pages : 836
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Book Description
The author sheds light on a little-known chapter of U.S.-Soviet relations, using diaries, memoirs, and letters to recall the efforts of nearly 300 relief workers in easing the suffering of Russians during one of the country's worst famines.
Author: Kevin Winkler
Publisher: Oxford University Press
ISBN: 0199336792
Category : Music
Languages : en
Pages : 369
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Book Description
Bob Fosse is one of the most significant figures in the post-World War II American musical theater
Author: Joseph Volpe
Publisher: Vintage
ISBN: 0307498379
Category : Biography & Autobiography
Languages : en
Pages : 322
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Book Description
The Toughest Show on Earth is the ultimate behind-the-scenes chronicle of the divas and the dramas of New York’s Metropolitan Opera House, by the remarkable man who rose from apprentice carpenter to general manager. Joseph Volpe gives us an anecdote-filled tour of more than four decades at the Met, an institution full of vast egos and complicated politics. With stunning candor, he writes about the general managers he worked under, his embattled rise to the top, the maneuverings of the blue-chip board, and his masterful approach to making a family of such artist-stars as Luciano Pavarotti, Placido Domingo, Teresa Stratas, and Renee Fleming, and such visionary directors as Franco Zeffirelli, Robert Wilson, and Julie Taymor. Intimate and frank, The Toughest Show on Earth is not only essential for music lovers, but for anyone who wants to understand the inner workings of the culture business.
Author: Ethan Mordden
Publisher: Oxford University Press
ISBN: 0195351762
Category : Music
Languages : en
Pages : 289
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Book Description
"Music and girls are the soul of musical comedy," one critic wrote, early in the 1940s. But this was the age that wanted more than melody and kickline form its musical shows. The form had been running on empty for too long, as a formula for the assembly of spare parts--star comics, generic love songs, rumba dancers, Ethel Merman. If Rodgers and Hammerstein hadn't existed, Broadway would have had to invent them; and Oklahoma! and Carousel came along just in time to announce the New Formula for Writing Musicals: Don't have a formula. Instead, start with strong characters and atmosphere: Oklahoma!'s murderous romantic triangle set against a frontier society that has to learn what democracy is in order to deserve it; or Carousel's dysfunctional family seen in the context of class and gender war. With the vitality and occasionally outrageous humor that Ethan Mordden's readers take for granted, the author ranges through the decade's classics--Pal Joey, Lady in the Dark, On the Town, Annie Get Your Gun, Phinian's Rainbow, Brigadoon, Kiss Me, Kate, South Pacific. He also covers illuminating trivia--the spy thriller The Lady Comes Across, whose star got so into her role that she suffered paranoid hallucinations and had to be hospitalized; the smutty Follow the Girls, damned as "burlesque with a playbill" yet closing as the longest-run musical in Broadway history; Lute Song, in which Mary Martin and Nancy Reagan were Chinese; and the first "concept" musicals, Allegro and Love Life. Amid the fun, something revolutionary occurs. The 1920s created the musical and the 1930s gave it politics. In the 1940s, it found its soul.
Author: Ethan Mordden
Publisher: Oxford University Press
ISBN: 0199313571
Category : Music
Languages : en
Pages : 400
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Book Description
Ethan Mordden has been hailed as "a sharp-eared listener and a discerning critic," by Opera News, which compares his books to "dinner with a knowledgeable, garrulous companion." The "preeminent historian of the American musical" (New York Times), he "brings boundless energy and enthusiasm buttressed by an arsenal of smart anecdotes" (Wall Street Journal). Now Mordden offers an entirely fresh and infectiously delightful history of American musical theatre. Anything Goes stages a grand revue of the musical from the 1700s through to the present day, narrated in Mordden's famously witty, scholarly, and conversational style. He places us in a bare rehearsal room as the cast of Oklahoma! changes history by psychoanalyzing the plot in the greatest of the musical's many Dream Ballets. And he gives us tickets for orchestra seats on opening night-raising the curtain on the pleasures of Victor Herbert's The Red Mill and the thrill of Porgy and Bess. Mordden examines the music, of course, but also more neglected elements. Dance was once considered as crucial as song; he follows it from the nineteenth century's zany hoofing to tap "combinations" of the 1920s, from the injection of ballet and modern dance in the 1930s and '40s to the innovations of Bob Fosse. He also explores the changing structure of musical comedy and operetta, and the evolution of the role of the star. Fred Stone, the avuncular Scarecrow in the Wizard of Oz, seldom varied his acting from part to part; but the versatile Ethel Merman turned the headlining role inside out in Gypsy, playing a character who was selfish, fierce, and destructive. From "ballad opera" to burlesque, from Fiddler on the Roof to Rent, the history and lore of the musical unfolds here in a performance worthy of a standing ovation.
