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Author: Pantelis Michelakis
Publisher: Cambridge University Press
ISBN: 110701610X
Category : History
Languages : en
Pages : 403
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Book Description
The first systematic attempt to focus on the instrumental role of silent cinema in early twentieth-century conceptualizations of the ancient Mediterranean and Middle East. It is located at the intersection of film studies, classics, Bible studies and cultural studies.
Author: Pantelis Michelakis
Publisher: Cambridge University Press
ISBN: 110701610X
Category : History
Languages : en
Pages : 403
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Book Description
The first systematic attempt to focus on the instrumental role of silent cinema in early twentieth-century conceptualizations of the ancient Mediterranean and Middle East. It is located at the intersection of film studies, classics, Bible studies and cultural studies.
Author: Adele Reinhartz
Publisher: Routledge
ISBN: 1134627017
Category : Religion
Languages : en
Pages : 305
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Book Description
This is a comprehensive introduction to the ways in which the Bible has been used and represented in mainstream cinema. Adele Reinhartz considers the pervasive use of the Bible in feature films, and the medium of film as part of the Bible’s reception history. The book examines how films draw on the Old and New Testament and the figure of Jesus Christ in various direct and indirect ways to develop their plots, characters, and themes. As well as movies that set out explicitly to retell biblical stories in their ancient context, it explores the ways in which contemporary, fictional feature films make use of biblical narrative. Topics covered include: how filmmakers make use of scripture to address and reflect their own time and place. the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption. the role of the Bible as a source of ethics and morality, and how this connection is both perpetuated and undermined in a range of contemporary Hollywood films. films that create an experience of transcendence, and the ways in which the Bible figures in that experience. Reinhartz offers insightful analysis of numerous films including The Ten Commandments and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. Students will find this an invaluable guide to a growing field.
Author: Rhonda Burnette-Bletsch
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1614513260
Category : Religion
Languages : en
Pages : 940
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Book Description
This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament; considering issues of biblical reception across a wide array of film genres, ranging from noir to anime; featuring directors, from Lee Chang-dong to the Coen brothers, whose body of work reveals an enduring fascination with biblical texts and motifs; and offering topical essays on cinema’s treatment of selected biblical themes (e.g., lament, apocalyptic), particular interpretive lenses (e.g., feminist interpretation, queer theory), and windows into biblical reception in a variety of world cinemas (e.g., Indian, Israeli, and Third Cinema). This handbook is intended for scholars of the Bible, religion, and film as well as for a wider general audience.
Author: J. Stephen Lang
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 310
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Book Description
The Bible on the Big Screen gives movie buffs a comprehensive, chronological list of all biblical movies ever made, including interesting trivia and answers to intriguing questions.
Author: Golbarg Rekabtalaei
Publisher: Cambridge University Press
ISBN: 1108307981
Category : History
Languages : en
Pages : 322
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Book Description
From popular and 'New Wave' pre-revolutionary films of Fereydoon Goleh and Abbas Kiarostami to post-revolutionary films of Mohsen Makhmalbaf, the Iranian cinema has produced a range of films and directors that have garnered international fame and earned a global following. Golbarg Rekabtalaei takes a unique look at Iranian cosmopolitanism and how it transformed in the Iranian imagination through the cinematic lens. By examining the development of Iranian cinema from the early twentieth century to the revolution, Rekabtalaei locates discussions of modernity in Iranian cinema as rooted within local experiences, rather than being primarily concerned with Western ideals or industrialisation. Her research further illustrates how the ethnic, linguistic, and religious diversity of Iran's citizenry shaped a heterogeneous culture and a cosmopolitan cinema that was part and parcel of Iran's experience of modernity. In turn, this cosmopolitanism fed into an assertion of sovereignty and national identity in a modernising Iran in the decades leading up to the revolution.
Author: Peter E. Dans
Publisher: Rowman & Littlefield
ISBN: 9780742570306
Category : Performing Arts
Languages : en
Pages : 432
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Book Description
Contains summaries of nearly two hundred Christian-themed movies made between 1905 and 2008, each with commentary; arranged chronologically by decade to highlight the decline in positive portrayals.
Author: David Shepherd
Publisher: Routledge
ISBN: 1317806727
Category : Religion
Languages : en
Pages : 341
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Book Description
While Jesus has attracted the sporadic interest of film-makers since the epics of the Sixties, it is often forgotten that between the advent of motion pictures in the 1890s and the close of the "silent" era at the end of the 1920s, some of the longest, most expensive and most watched films on both sides of the Atlantic were focused on the Life and Passion of the Christ. Drawing upon rarely seen archival footage and the work of both the era’s most important directors (e.g. Alice Guy, Ferdinand Zecca, Sidney Olcott, D.W. Griffith, Carl Dreyer, and C.B. DeMille) and others who have been all but forgotten, this collection of essays offers a representative survey of the Silents of Jesus, illustrating the ways in which the earliest films and those which followed were influenced by a multiplicity of factors. Written by leading scholars in biblical and early film studies this collection explores the ways in which the Silents of Jesus were shaped not only by the performing and visual arts of the nineteenth century and the technological challenges and opportunities of a new medium and industry, but also by the artistic, theological and ideological predilections of studios and directors, and the expectations of audiences as the genre evolved. Taken together, the essays collected here offer a seminal treatment of the genesis and early evolution of the cinematic Jesus.
Author: Rick Altman
Publisher: Columbia University Press
ISBN: 9780231116633
Category : History
Languages : en
Pages : 492
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Book Description
Silent films were, of course, never silent at all. However, the sound that used to accompany the screen picture in the early days of cinema has been neglected as an area of study. Altman explores the various musical, narrative, and even synchronized sound systems that enriched cinema before Jolson spoke.
Author: David J. Shepherd
Publisher: Cambridge University Press
ISBN: 1107042607
Category : Bibles
Languages : en
Pages : 333
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Book Description
Discovers how the Bible was represented in cinema from the beginnings up until the end of the 'silent' era.
Author: Francis August Schaeffer
Publisher: Tyndale House Publishers, Inc.
ISBN: 9780842314138
Category : Philosophy
Languages : en
Pages : 132
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Book Description
Tyndale celebrates the thirtieth anniversary of this twentieth-century spiritual classic with a special commemorative edition featuring new foreword by Chuck Colson and introduction by Dr. Jerram Barrs, director of the Schaeffer Institute. He Is There and He Is Not Silent discusses fundamental questions about God, such as who he is and why he matters.
