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Author: John Harvey
Publisher: Sheffield Phoenix Press Limited
ISBN: 9781909697089
Category : Religion
Languages : en
Pages : 213
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Book Description
This is an interdisciplinary study of the Bible and visuality. It is the first to be written by a historian of visual culture (that is, aspects of culture mediated by visual images) rather than a biblical scholar, and unlike some previous studies, it makes equal partners of image and text. The Bible as Visual Culture also bridges a longstanding gulf between the interpretative traditions, languages, and reading conventions of the two disciplines. The book's central question is: What happens when text becomes an image? In response, the study explores how biblical ideas are articulated in and through visual mediums, and examines ways in which visual culture actively shapes biblical and religious concepts. Using original research material, Harvey's approach develops a variety of new and adaptable hermeneutics to exegete artifacts. The book applies theoretical and methodological approaches-native to fine art, art history, and visual cultural studies but new to biblical studies-to examine the significance of images for biblical exegesis and how images exposit the biblical text. John Harvey draws upon a breadth of fine art, craft, and ephemeral objects made, modified or adopted for worship, teaching, commemoration and propaganda, including painting, print, photography, sculpture, installations, kitsch and websites. These artifacts are studied chiefly in the context of the late-modern period in the West, from a Protestant Christian perspective for the most part. The Bible as Visual Culture is directed to academics and students of biblical studies, theology, religious studies, ecclesiastical history, art history, visual culture and art practice. It provides an accessible introduction to the field, informing newcomers of existing scholarship and introducing new concepts and theories to those already in the field.
Author: John Harvey
Publisher: Sheffield Phoenix Press Limited
ISBN: 9781909697089
Category : Religion
Languages : en
Pages : 213
Get Book Here
Book Description
This is an interdisciplinary study of the Bible and visuality. It is the first to be written by a historian of visual culture (that is, aspects of culture mediated by visual images) rather than a biblical scholar, and unlike some previous studies, it makes equal partners of image and text. The Bible as Visual Culture also bridges a longstanding gulf between the interpretative traditions, languages, and reading conventions of the two disciplines. The book's central question is: What happens when text becomes an image? In response, the study explores how biblical ideas are articulated in and through visual mediums, and examines ways in which visual culture actively shapes biblical and religious concepts. Using original research material, Harvey's approach develops a variety of new and adaptable hermeneutics to exegete artifacts. The book applies theoretical and methodological approaches-native to fine art, art history, and visual cultural studies but new to biblical studies-to examine the significance of images for biblical exegesis and how images exposit the biblical text. John Harvey draws upon a breadth of fine art, craft, and ephemeral objects made, modified or adopted for worship, teaching, commemoration and propaganda, including painting, print, photography, sculpture, installations, kitsch and websites. These artifacts are studied chiefly in the context of the late-modern period in the West, from a Protestant Christian perspective for the most part. The Bible as Visual Culture is directed to academics and students of biblical studies, theology, religious studies, ecclesiastical history, art history, visual culture and art practice. It provides an accessible introduction to the field, informing newcomers of existing scholarship and introducing new concepts and theories to those already in the field.
Author: Suzanna Ivanic
Publisher: National Geographic Books
ISBN: 0500252548
Category : Art
Languages : en
Pages : 0
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Book Description
This richly illustrated book provides the visual keys for any art lover to decode and understand the iconography, tenets, sites, and rituals of the Catholic faith through accessible analysis of its visual and material culture. Focusing on a carefully curated selection of Catholic art and artifacts, this volume explores the influence of iconography and the mystic power of a range of ritual objects. Expert Suzanna Ivanic identifies hidden visual symbols in paintings and examines them close-up, building a catalog of key symbols for readers to use to interpret Catholic art and culture. Catholica is organized into three sections—”Tenet,” “Locus,” and “Spiritus”—each with three themed subdivisions. Part one introduces the centerpieces of the faith, surveying symbolism in the artistic representation of the holy family, apostles, and saints in stories from scripture. The second part examines places of worship, identifying the essential elements of the cathedral and presenting evocative images of roadside shrines. The third part explores celebrations and traditions, in addition to personal devotional tools and jewelry. For each of the nine central themes of the faith, introductory text is followed by pages that look in-depth at paintings and artifacts, identifying and explaining the symbolism and stories depicted. As the book progresses, readers build up their knowledge of the entire Catholic visual code—the symbols that define Catholic practice, the attributes of the saints, the parts of the cathedral—allowing them to interpret all Catholic imagery and objects wherever they find them and consequently to better understand the tenets, sites, and rituals of this faith.
Author: Andrew R. Guffey
Publisher: Fortress Academic
ISBN: 9781978706576
Category : Bible
Languages : en
Pages : 276
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Book Description
Comparing the verbal images of the book of Revelation to the visual rhetoric and images of Asia Minor, Andrew R. Guffey argues that Revelation is to be "seen" and not just read. By engaging Revelation as a visual text, Guffey reinserts it into the visual culture of early Christianity.
Author: William A. Dyrness
Publisher: Cambridge University Press
ISBN: 9780521540735
Category : Art
Languages : en
Pages : 364
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Book Description
William Dyrness examines how particular theological themes of Reformed Protestants impacted on their surrounding visual culture.
Author: Francesca Dell’Acqua
Publisher: Springer Nature
ISBN: 3030247694
Category : History
Languages : en
Pages : 351
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Book Description
This book uses Pseudo-Dionysius and his mystic theology to explore attitudes and beliefs about images in the early medieval West and Byzantium. Composed in the early sixth century, the Corpus Dionysiacum, the collection of texts transmitted under the name of Dionysius the Areopagite, developed a number of themes which have a predominantly visual and spatial dimension. Pseudo-Dionysius’ contribution to the development of Christian visual culture, visual thinking and figural art-making are examined in this book to systematically investigate his long-lasting legacy and influence. The contributors embrace religious studies, philosophy, theology, art, and architectural history, to consider the depth of the interaction between the Corpus Dionysiacum and various aspects of contemporary Byzantine and western cultures, including ecclesiastical and lay power, politics, religion, and art.
Author: Jonathan Brant
Publisher: Oxford University Press
ISBN: 0199639345
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
This study explores the possibility that even films lacking religious subject matter might have a religious impact upon their viewers. It begins with a reading of Paul Tillich's theology of revelation through culture and continues with a qualitative research project assessing the experiences of filmgoers in Latin America.
Author: David Morgan
Publisher:
ISBN: 9780520225206
Category : Religion
Languages : en
Pages : 427
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Book Description
"At last, a book that overturns the long-standing assumption that there has been little or no visual culture in American religious practice. Editors Morgan and Promey, along with twelve other authors, prove their case brilliantly, beginning with a splendid introduction that presents their theoretical stance and a range of essays that examine the visual culture of Protestant Bible illustrations, the National Shrine in Washington, D. C., Jewish New Year postcards, Sioux Sun Dance painting, African-American images of rail travel, and many more. This book is a benchmark."--Elizabeth Johns, author of "American Genre Painting: The Politics of Everyday Life "(Yale, 1991) "These essays are unusually strong, sophisticated, mature, and insightful. They are remarkably readable, not merely for art historians but also for a broadly interested and intelligent audience. The result is a truly fascinating collection that touches on a wide range of important topics in the two-hundred-year experience of both American art and American religion."--Jon Butler, editor of "Religion in American History: A Reader"
Author: Stuart C. Devenish
Publisher: Wipf and Stock Publishers
ISBN: 1630870447
Category : Religion
Languages : en
Pages : 168
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Book Description
In a cinematic culture where multiple visions of reality "play" at the same time, it is critical that Christian believers know how to confidently identify and "discern," among other stories, the Jesus-story that defines their most important commitment in life. Using the optical metaphor of the "eye of faith," the author identifies the spiritual life as a "visual life." Through themes such as "looking through Jesus' eyes," the bible as a "visionary text," and the church as a "wide-eyed people," he builds a connecting bridge between the seeing-soul in Christian spirituality, and the twenty-first century as the "age of the eye." The key words for this exploration are spirituality, discipleship, insight, luminescence, and optical "therapy." The author proposes the need for a "catechism of the eye" that will lead to the renewal of Christian ministry, spirituality, discipleship, and identity.
Author: Tim Challies
Publisher:
ISBN: 0310577969
Category : Philosophy
Languages : en
Pages : 209
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Book Description
Capitalizing on the increasing popularity of infographics and a growing interest in accessible, understandable teaching on theology, Visual Theology Guide to the Bible by Tim Challies and Josh Byers teaches timeless, historic, biblical truth in a fresh and vibrant way that that will capture your interest and ignite your imagination.
Author: William A. Dyrness
Publisher: Baker Academic
ISBN: 0801022975
Category : Art
Languages : en
Pages : 196
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Book Description
An intriguing, substantive look into the relationship between the church and the world of art.
