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Author: Nick Underwood
Publisher: Indiana University Press
ISBN: 025305981X
Category : History
Languages : en
Pages : 268
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Book Description
Yiddish Paris explores how Yiddish-speaking emigrants from Eastern Europe in Paris in the 1920s and 1930s created a Yiddish diaspora nation in Western Europe and how they presented that nation to themselves and to others in France. In this meticulously researched and first full-length study of interwar Yiddish culture in France, author Nicholas Underwood argues that the emergence of a Yiddish Paris was depended on "culture makers," mostly left-wing Jews from Socialist and Communist backgrounds who created cultural and scholarly organizations and institutions, including the French branch of YIVO (a research institution focused on East European Jews), theater troupes, choruses, and a pavilion at the Paris World's Fair of 1937. Yiddish Paris examines how these left-wing Yiddish-speaking Jews insisted that even in France, a country known for demanding the assimilation of immigrant and minority groups, they could remain a distinct group, part of a transnational Yiddish-speaking Jewish nation. Yet, in the process, they in fact created a French-inflected version of Jewish diaspora nationalism, finding allies among French intellectuals, largely on the left.
Author: Nick Underwood
Publisher: Indiana University Press
ISBN: 025305981X
Category : History
Languages : en
Pages : 268
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Book Description
Yiddish Paris explores how Yiddish-speaking emigrants from Eastern Europe in Paris in the 1920s and 1930s created a Yiddish diaspora nation in Western Europe and how they presented that nation to themselves and to others in France. In this meticulously researched and first full-length study of interwar Yiddish culture in France, author Nicholas Underwood argues that the emergence of a Yiddish Paris was depended on "culture makers," mostly left-wing Jews from Socialist and Communist backgrounds who created cultural and scholarly organizations and institutions, including the French branch of YIVO (a research institution focused on East European Jews), theater troupes, choruses, and a pavilion at the Paris World's Fair of 1937. Yiddish Paris examines how these left-wing Yiddish-speaking Jews insisted that even in France, a country known for demanding the assimilation of immigrant and minority groups, they could remain a distinct group, part of a transnational Yiddish-speaking Jewish nation. Yet, in the process, they in fact created a French-inflected version of Jewish diaspora nationalism, finding allies among French intellectuals, largely on the left.
Author: Tina Frühauf
Publisher: Oxford University Press
ISBN: 0199367493
Category : Music
Languages : en
Pages : 329
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Book Description
Winner of the 2015 Ruth A. Solie Award from the American Musicological Society The first volume of its kind, Dislocated Memories: Jews, Music, and Postwar German Culture draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music-a highly debated topic-encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even "German (Jewish) memory," which is not necessarily physically bound to Germany. In the context of these perspectives, the volume makes powerful arguments about the impact of the Holocaust and its aftermath in changing contexts of musical performance and composition. In doing so, the essays in Dislocated Memories cover a wide spectrum of topics from the immediate postwar period with music in the Displaced Persons camps to the later twentieth century with compositions conceived in response to the Holocaust and the klezmer revival at the turn of this century. Dislocated Memories builds on a wide range of recent and critical scholarship in Cold War studies, cultural history, German studies, Holocaust studies, Jewish studies, and memory studies. What binds these distinct fields tightly together are the contributors' specific theoretical inquiries that reflect separate yet interrelated themes such as displacement and memory. While these concepts link the multi-faceted essays on a micro-level, they are also largely connected in their conceptual query by focus, on the macro-level, on the presence and the absence of Jewish music in Germany after 1945. Filled with original research by scholars at the forefront of music, history, and Jewish studies, Dislocated Memories will prove an essential text for scholars and students alike.
Author: Alexandra Chiriac
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110765683
Category : Art
Languages : en
Pages : 232
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Book Description
This volume examines the reach of modernism in design and performance in interwar Romania. It follows the transnational trajectories of several remarkable Jewish avant-garde artists, actors, and directors based in Bucharest, the country’s capital, in the 1920s and 1930s. The first part of the book recovers the history of Bucharest’s first modern design institution and investigates its links with German design and the Bauhaus. The second half focuses on several innovative collaborations in the realm of Yiddish theatre, including the time spent in Romania by the world-renowned Vilna Troupe. Based on extensive original research, the book shows how Bucharest was connected to Berlin, Riga, and Chicago, highlighting the contribution of Jewish cultural production to avant-garde movements in Europe and beyond.
Author: Barbara McCloskey
Publisher: Univ of California Press
ISBN: 0520281942
Category : Art
Languages : en
Pages : 272
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Book Description
The Exile of George Grosz examines the life and work of George Grosz after he fled Nazi Germany in 1933 and sought to re-establish his artistic career under changed circumstances in New York. It situates GroszÕs American production specifically within the cultural politics of German exile in the United States during World War II and the Cold War. Basing her study on extensive archival research and using theories of exile, migrancy, and cosmopolitanism, McCloskey explores how GroszÕs art illuminates the changing cultural politics of exile. She also foregrounds the terms on which German exile helped to define both the limits and possibilities of American visions of a one world order under U.S. leadership that emerged during this period. This book presents GroszÕs work in relation to that of other prominent figures of the German emigration, including Thomas Mann and Bertolt Brecht, as the exile community agonized over its measure of responsibility for the Nazi atrocity German culture had become and debated what GermanyÕs postwar future should be. Important too at this time were GroszÕs interactions with the American art world. His historical allegories, self-portraits, and other works are analyzed as confrontational responses to the New York art worldÕs consolidating consensus around Surrealism and Abstract Expressionism during and after World War II. This nuanced study recounts the controversial repatriation of GroszÕs work, and the exile culture of which it was a part, to a German nation perilously divided between East and West in the Cold War.
Author: Gennady Estraikh
Publisher: Routledge
ISBN: 1351538659
Category : Foreign Language Study
Languages : en
Pages : 434
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Book Description
Sholem Aleichem, whose 150th anniversary was commemorated in March 2009, remains one of the most popular Yiddish authors. But few people today are able to read the original. Since the 1910s, however, Sholem Aleichem's works have been known to a wider international audience through numerous translations, and through film and theatre adaptations, most famouslyFiddler on the Roof. This volume examines those translations published in Europe, with the aim of investigating how the specific European contexts might have shaped translations of Yiddish literature. With the contributions: Olga Litvak- Found in Translation: Sholem Aleichem and the Myth of the Ideal Yiddish Reader Alexander Frenkel- Sholem Aleichem as a Self-Translator Eugenia Prokop-Janiec- Sholem Aleichem and the Polish-Jewish Literary Audience Gennady Estraikh- Soviet Sholem Aleichem Roland Gruschka- 'Du host zikh a denkmol af eybik geshtelt': The Sovietization and Heroization of Sholem Aleichem in the 1939 Jubilee Poems Mikhail Krutikov- A Man for All Seasons: Translating Sholem Aleichem into Soviet Ideological Idiom Gabriella Safran- Four English Pots and the Evolving Translatability of Sholem Aleichem Sabine Koller- On (Un)Translatability: Sholem Aleichem's Ayznban-geshikhtes (Railroad Stories) in German Translation Alexandra Hoffman- Laughing Matters: Translation and Irony in 'Der gliklekhster in Kodne' Kerstin Hoge- Lost in Marienbad: On the Literary Use of the Linguistic Openness of Yiddish Anna Verschik- Sholem Aleichem in Estonian: Creating a Tradition Jan Schwarz- Speaking Tevye der milkhiker in Translation: Performance, Humour, and World Literature
Author: Gennady Estraikh
Publisher: NYU Press
ISBN: 1479819468
Category : History
Languages : en
Pages : 442
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Book Description
"This book describes the joy and problems in life of the multilayered Soviet Jewish society during the years between Josef Stalin's demise in March 1953, and Moscow's breaking of diplomatic relations with Israel in June 1967"
Author: Nefeli Zygopoulou
Publisher: Cambridge Scholars Publishing
ISBN: 1527569608
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
This book presents a comparative study of Tristan Tzara (1896-1963) and Mário de Andrade (1893-1945), analysing their contributions to oral language traditions and to the body of criticism on modernism. This is the first work to offer an analysis of Tzara’s posthumously published prose Personnage d’insomnie, and the first in the English language that explores de Andrade’s libretto for the opera Café, as well as other examples of their poetry and prose. The Romanian Jewish poet and writer Tzara, later a naturalised French citizen, became a central figure in the European avant–garde from 1916 when he took part in the Dada Movement. Mario de Andrade, the Brazilian poet, writer and musicologist of mixed origins, was a contemporary of Tzara and a similarly central figure in the 1922 São Paulo Modern Art Week that defined Brazilian Modernism. Both emerged from very different backgrounds, but they followed a parallel creative path. This book discusses their research and adaptation of various language manifestations, ethnopoetics and folk traditions that led them to the creation of distinct and individual styles. The historical and socio-political events of the late 1930s would later prompt both authors to develop militant poetics. Through chronologically compatible case studies, the reader will discover that Tzara and de Andrade, alongside their playful language, actively criticised cultural imperialism and advocated against hate. Journeys can be physical and intellectual; they can crisscross, leave traces and overlap. This book takes the reader from two starting points, a small Romanian town in the foothills of the Carpathians, and a two-storey house in an unusually tranquil street in São Paulo, Brazil, to the heart of the twentieth-century avant-garde. As it shows, Tristan Tzara and Mário de Andrade traversed borders and geographical points, and their poetics meet in Mozambique, Parisian cafés and Bantu chants.
Author: Katerina Capková
Publisher: Rutgers University Press
ISBN: 1978830793
Category : HISTORY
Languages : en
Pages : 281
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Book Description
This volume provides new, groundbreaking views of Jewish life in the pro-Soviet bloc from the end of the Second World War until the collapse of Communism in late 1989 by recovering and analyzing the agency of Jews and their creativity in Communist Europe after the Holocaust.
Author: Jacob Weitzner
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636367
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
He never directed any of his plays, and was not given the opportunity to perfect them in the theater. This was left to subsequent directors who became paramount figures in the realization of his drama on stage.
Author: Tamar Novick
Publisher: MIT Press
ISBN: 0262039079
Category : Technology & Engineering
Languages : en
Pages : 280
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Book Description
An innovative historical analysis of the intersection of religion and technology in making the modern state, focusing on bodily production and reproduction across the human-animal divide. In Milk and Honey, Tamar Novick writes a revolutionary environmental history of the state that centers on the intersection of technology and religion in modern Israel/Palestine. Focusing on animals and the management of their production and reproduction across three political regimes—the late-Ottoman rule, British rule, and the early Israeli state—Novick draws attention to the ways in which settlers and state experts used agricultural technology to recreate a biblical idea of past plenitude, literally a “land flowing with milk and honey,” through the bodies of animals and people. Novick presents a series of case studies involving the management of water buffalo, bees, goats, sheep, cows, and peoplein Palestine/Israel. She traces the intimate forms of knowledge and bodily labor—production and reproduction—in which this process took place, and the intertwining of bodily, political, and environmental realms in the transformation of Palestine/Israel. Her wide-ranging approach shows technology never replaced religion as a colonial device. Rather, it merged with settler-colonial aspirations to salvage the land, bolstering the effort to seize control over territory and people. Fusing technology, religious fervor, bodily labor, and political ecology, Milk and Honey provides a novel account of the practices that defined and continue to shape settler-colonialism in the Palestine/Israel, revealing the ongoing entanglement of technoscience and religion in our time.
