Author: John Chapman
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 496
Book Description
The Best Plays of 1993-1994
Author: Otis L. Guernsey
Publisher: Hal Leonard Corporation
ISBN: 9780879101831
Category : Drama
Languages : en
Pages : 690
Book Description
"Featuring scenes from the ten best plays"--Jacket.
Publisher: Hal Leonard Corporation
ISBN: 9780879101831
Category : Drama
Languages : en
Pages : 690
Book Description
"Featuring scenes from the ten best plays"--Jacket.
Burns Mantle Best Plays and the Year Book of the Drama in America
Author: John Chapman
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 496
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 496
Book Description
Cora Witherspoon
Author: Axel Nissen
Publisher: McFarland
ISBN: 1476646619
Category : Biography & Autobiography
Languages : en
Pages : 225
Book Description
Born into an upper-crust family in New Orleans, Cora Bell Witherspoon (1890-1957) was an orphan by the age of 10 and a professional actress by 15. She was seen on Broadway from 1910 till 1946 in 36 productions and was a popular character actress in Hollywood between 1931 and 1954. On stage she played roles like Sallie McBride in Daddy Long Legs, Josephine Trent in The Awful Truth, Martha Culver in The Constant Wife, Prudence in Camille, and Mrs. Grant in The Front Page. Like many Hollywood supporting players, her screen time was limited. She made the most of it, whether as W.C. Fields's shrewish wife in The Bank Dick, Bette Davis's fair weather friend Carrie in Dark Victory, the earthy, amorous maid Patty in Quality Street, or the overbearing dowager Mrs. Williamson in The Mating Season. On both stage and screen, Witherspoon portrayed a range of stereotypes of older women. In the end, though, she created her own type, incarnating the fashionable, frivolous, flighty, and fawning society woman, often with a thinly veiled libidinous quality. In addition to a detailed account of Witherspoon's theater and film career, this groundbreaking biography reveals her upbringing and family background and discusses her struggle with substance abuse, which resulted in two highly publicized arrests and one conviction.
Publisher: McFarland
ISBN: 1476646619
Category : Biography & Autobiography
Languages : en
Pages : 225
Book Description
Born into an upper-crust family in New Orleans, Cora Bell Witherspoon (1890-1957) was an orphan by the age of 10 and a professional actress by 15. She was seen on Broadway from 1910 till 1946 in 36 productions and was a popular character actress in Hollywood between 1931 and 1954. On stage she played roles like Sallie McBride in Daddy Long Legs, Josephine Trent in The Awful Truth, Martha Culver in The Constant Wife, Prudence in Camille, and Mrs. Grant in The Front Page. Like many Hollywood supporting players, her screen time was limited. She made the most of it, whether as W.C. Fields's shrewish wife in The Bank Dick, Bette Davis's fair weather friend Carrie in Dark Victory, the earthy, amorous maid Patty in Quality Street, or the overbearing dowager Mrs. Williamson in The Mating Season. On both stage and screen, Witherspoon portrayed a range of stereotypes of older women. In the end, though, she created her own type, incarnating the fashionable, frivolous, flighty, and fawning society woman, often with a thinly veiled libidinous quality. In addition to a detailed account of Witherspoon's theater and film career, this groundbreaking biography reveals her upbringing and family background and discusses her struggle with substance abuse, which resulted in two highly publicized arrests and one conviction.
The London Stage 1930-1939
Author: J. P. Wearing
Publisher: Rowman & Littlefield
ISBN: 0810893045
Category : Performing Arts
Languages : en
Pages : 1133
Book Description
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Publisher: Rowman & Littlefield
ISBN: 0810893045
Category : Performing Arts
Languages : en
Pages : 1133
Book Description
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Peaceful Revolution
Author: Maxwell Bloomfield
Publisher: Harvard University Press
ISBN: 9780674003040
Category : History
Languages : en
Pages : 236
Book Description
Few Americans understand the Constitution’s workings. Its real importance for the average citizen is as an enduring reminder of the moral vision that shaped the nation's founding. Maxwell Bloomfield looks at the broader appeal that constitutional idealism has always made to the American imagination through publications and films.
Publisher: Harvard University Press
ISBN: 9780674003040
Category : History
Languages : en
Pages : 236
Book Description
Few Americans understand the Constitution’s workings. Its real importance for the average citizen is as an enduring reminder of the moral vision that shaped the nation's founding. Maxwell Bloomfield looks at the broader appeal that constitutional idealism has always made to the American imagination through publications and films.
The Best Plays Theater Yearbook
Author: Jeffrey Eric Jenkins
Publisher: Hal Leonard Corporation
ISBN: 9780879103460
Category : Performing Arts
Languages : en
Pages : 572
Book Description
Covers plays produced in New York, theater awards, details of productions, prizes, people, and publications, as well as the editors' choices of the ten best plays.
Publisher: Hal Leonard Corporation
ISBN: 9780879103460
Category : Performing Arts
Languages : en
Pages : 572
Book Description
Covers plays produced in New York, theater awards, details of productions, prizes, people, and publications, as well as the editors' choices of the ten best plays.
Drury's Guide to Best Plays
Author: Francis Keese Wynkoop Drury
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 498
Book Description
Carries on the dependable tradition of this standard work... --REFERENCE BOOKS BULLETIN
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 498
Book Description
Carries on the dependable tradition of this standard work... --REFERENCE BOOKS BULLETIN
A New Edition of the Pulitzer Prize Plays
Author: Kathryn Coe Cordell
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1116
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1116
Book Description
The Best Plays of 1989-1990
Author: Otis L. Guernsey
Publisher: Hal Leonard Corporation
ISBN: 9781557830906
Category : Music
Languages : en
Pages : 676
Book Description
Gathers highlights from the season's ten best plays and information on plays produced in the United States
Publisher: Hal Leonard Corporation
ISBN: 9781557830906
Category : Music
Languages : en
Pages : 676
Book Description
Gathers highlights from the season's ten best plays and information on plays produced in the United States
The Complete Book of 1930s Broadway Musicals
Author: Dan Dietz
Publisher: Rowman & Littlefield
ISBN: 1538102773
Category : Performing Arts
Languages : en
Pages : 713
Book Description
Despite the stock market crash of October 1929, thousands of theatregoers still flocked to the Great White Way throughout the country’s darkest years. In keeping with the Depression and the events leading up to World War II, 1930s Broadway was distinguished by numerous political revues and musicals, including three by George Gershwin (Strike Up the Band, Of Thee I Sing, and Let ’Em Eat Cake). The decade also saw the last musicals by Gershwin, Jerome Kern, and Vincent Youmans; found Richard Rodgers and Lorenz Hart in full flower; and introduced both Kurt Weill and Harold Arlen’s music to Broadway. In The Complete Book of 1930s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 1930 through 1939. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. It includes such shows as Anything Goes, As Thousands Cheer, Babes in Arms, The Boys from Syracuse, The Cradle Will Rock, The Green Pastures, Hellzapoppin, Hot Mikado, Porgy and Bess, Roberta, and various editions of Ziegfeld Follies. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and list of published scripts, as well as lists of black-themed and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1930s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Publisher: Rowman & Littlefield
ISBN: 1538102773
Category : Performing Arts
Languages : en
Pages : 713
Book Description
Despite the stock market crash of October 1929, thousands of theatregoers still flocked to the Great White Way throughout the country’s darkest years. In keeping with the Depression and the events leading up to World War II, 1930s Broadway was distinguished by numerous political revues and musicals, including three by George Gershwin (Strike Up the Band, Of Thee I Sing, and Let ’Em Eat Cake). The decade also saw the last musicals by Gershwin, Jerome Kern, and Vincent Youmans; found Richard Rodgers and Lorenz Hart in full flower; and introduced both Kurt Weill and Harold Arlen’s music to Broadway. In The Complete Book of 1930s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 1930 through 1939. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. It includes such shows as Anything Goes, As Thousands Cheer, Babes in Arms, The Boys from Syracuse, The Cradle Will Rock, The Green Pastures, Hellzapoppin, Hot Mikado, Porgy and Bess, Roberta, and various editions of Ziegfeld Follies. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and list of published scripts, as well as lists of black-themed and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1930s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.