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Author: P. Guha-Thakurta
Publisher: Routledge
ISBN: 1136385533
Category : Social Science
Languages : en
Pages : 254
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Book Description
This is Volume V out of eleven that form a collection on India, its History, Economy and Society. First published in 1930, this book looks at the origin and development of Bengali Drama and contains matter for historians, as well as direct criticism of what the author considers to be genuinely dramatic in the literature of Bengal, past or present.
Author: P. Guha-Thakurta
Publisher: Routledge
ISBN: 1136385533
Category : Social Science
Languages : en
Pages : 254
Get Book Here
Book Description
This is Volume V out of eleven that form a collection on India, its History, Economy and Society. First published in 1930, this book looks at the origin and development of Bengali Drama and contains matter for historians, as well as direct criticism of what the author considers to be genuinely dramatic in the literature of Bengal, past or present.
Author: P. Guha-Thakurta
Publisher: Routledge
ISBN: 1136385606
Category : Social Science
Languages : en
Pages : 262
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Book Description
This is Volume V out of eleven that form a collection on India, its History, Economy and Society. First published in 1930, this book looks at the origin and development of Bengali Drama and contains matter for historians, as well as direct criticism of what the author considers to be genuinely dramatic in the literature of Bengal, past or present.
Author: Prabhucharan Guha-Thakurta
Publisher:
ISBN:
Category : Bengali drama
Languages : en
Pages : 264
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Book Description
Author: Dinabandhu Mitra
Publisher: Read Books Ltd
ISBN: 1528797434
Category : Drama
Languages : en
Pages : 110
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Book Description
Nil Darpan; Or, the Indigo Planting Mirror: A Drama is a Bengali play depicting the plight of the farmers in Bengal during the Indigo Revolt of 1859. Written by Dinabandhu Mitra in real-time and published a year later, the drama reflects the realities of Bengali peasantry under the rule of the East India Trading Company. It recounts how the farmers were manipulated into a violent cycle of economic dependence by the indigo planters, the exploitation the people and the land, and the subsequent revolt. They were forced to plant indigo due to the demand for textiles, despite it degrading the soil. The drama was a critical text that shone a light on the horrific treatment many in Bengal experienced. It was translated into English by Reverend John Long in 1861, who also added an introduction and dispatched 500 copies in Official Government envelopes. This caused an uproar amongst many indigo planters and subsequently led to Long's arrest and short imprisonment. This edition by Read & Co. Classics features Bengali poet and playwright, Michael Madhusudan Dutt's translation and introduction, as well as a preface by the author himself. Also including a biographical sketch by Bankimchandra Chattopadhaya. It continues to be an interesting read for anyone interested in the cultural history of Bengal, especially whilst under the Company’s rule.
Author: Michael Madhusudan Dutt
Publisher:
ISBN:
Category : Bengali drama
Languages : en
Pages : 94
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Book Description
Author: Ananda Lal
Publisher: Jadavpur University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
The three plays collected in the volume are ‘The Persecuted’ by Krishna Mohan Banerjee, ‘Rizia’ by Michael Madhusudan Dutt, and ‘Kaminee’ (anon.) From the beginning, Indian dramatists who chose to write in English made sociopolitical statements that resonate even today. The unavailability of their plays has resulted in little or no analysis other than secondary references, often inaccurate. For the first time, three of these texts have been unearthed and reprinted in this volume, enhanced by a general introduction, separate introductions to each play, and explanatory notes. Krishna Mohana Banerjea based ‘The Persecuted, or Dramatic Scenes Illustrative of the Present State of Hindoo Society in Calcutta’ (1831), the first Indian drama in English, on his own experience of ostracism after his “Young Bengal” friends flouted the conservative codes at his home. Michael Madhusudan Dutt composed in Madras his first play, ‘Rizia: Empress of Inde’ (1855), a tragedy about the 13th-century Sultana of Delhi who loved her Abyssinian slave. It has been reconstructed with the aid of a recently-discovered manuscript in Dutt’s hand. The anonymously-published ‘Kaminee: The Virgin Widow’ (1874) relates the fate of an accomplished teenage widow in Calcutta when the Hindu Widows’ Remarriage Act has become law yet most people pay no heed to it.
Author: Rabindranath Tagore
Publisher:
ISBN:
Category : Bengali drama
Languages : en
Pages : 164
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Book Description
"The greater part of the introductory portion of this drama was translated from the original Bengali by Mr. C.F. Andrews and Prof. Nishikanta Sen and revised by the author."--p. [8].
Author: Nājamula Āhsāna
Publisher:
ISBN:
Category : Bengali drama
Languages : en
Pages : 84
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Book Description
Author: Abhijit Sen
Publisher: Routledge
ISBN: 1000433315
Category : Performing Arts
Languages : en
Pages : 291
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Book Description
This book analyses Rabindranath Tagore’s contribution to Bengali drama and theatre. Throughout this book, Abhijit Sen locates and studies Rabindranath’s experiments with drama/theatre in the context of the theatre available in nineteenth-century Bengal, and explores the innovative strategies he adopted to promote his ‘brand’ of theatre. This approach finds validation in the fact that Rabindranath combined in himself the roles of author-actor-producer, who always felt that, without performance, his dramatic compositions fell short of the desired completeness. Various facets of his plays as theatre and his own role as a theatre-practitioner are the prime focus of this book. This book will be of great interest to students and scholars in Theatre and Performance Studies and most notably, those focusing on Indian Theatre and Postcolonial Theatre.
Author: Mala Renganathan
Publisher: Anthem Press
ISBN: 1785273957
Category : Drama
Languages : en
Pages : 198
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Book Description
‘Rabindranath Tagore's Drama in the Perspective of Indian Theatre’ maps Tagore’s place in the Indian dramatic/performance traditions by examining unexplored critical perspectives on his drama such as his texts as performance texts; their exploration in multimedia; reflections of Indian culture in his plays; comparison with playwrights; theatrical links to his world of music and performance genres; his plays in the context of cross-cultural, intercultural theatre; the playwright as a poet-performer-composer and their interconnections and his drama on the Indian stage.
