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Author: Alyssa Palombo
Publisher: St. Martin's Griffin
ISBN: 1466882646
Category : Fiction
Languages : en
Pages : 320
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Book Description
"In the tradition of Tracy Chevalier’s Girl with a Pearl Earring, Palombo has married fine art with romantic historical fiction in this lush and sensual interpretation of Medici Florence, artist Sandro Botticelli, and the muse that inspired them all." - Booklist A girl as beautiful as Simonetta Cattaneo never wants for marriage proposals in 15th Century Italy, but she jumps at the chance to marry Marco Vespucci. Marco is young, handsome and well-educated. Not to mention he is one of the powerful Medici family’s favored circle. Even before her marriage with Marco is set, Simonetta is swept up into Lorenzo and Giuliano de’ Medici’s glittering circle of politicians, poets, artists, and philosophers. The men of Florence—most notably the rakish Giuliano de’ Medici—become enthralled with her beauty. That she is educated and an ardent reader of poetry makes her more desirable and fashionable still. But it is her acquaintance with a young painter, Sandro Botticelli, which strikes her heart most. Botticelli immediately invites Simonetta, newly proclaimed the most beautiful woman in Florence, to pose for him. As Simonetta learns to navigate her marriage, her place in Florentine society, and the politics of beauty and desire, she and Botticelli develop a passionate intimacy, one that leads to her immortalization in his masterpiece, The Birth of Venus. Alyssa Palombo’s The Most Beautiful Woman in Florence vividly captures the dangerous allure of the artist and muse bond with candor and unforgettable passion.
Author: Alyssa Palombo
Publisher: St. Martin's Griffin
ISBN: 1466882646
Category : Fiction
Languages : en
Pages : 320
Get Book Here
Book Description
"In the tradition of Tracy Chevalier’s Girl with a Pearl Earring, Palombo has married fine art with romantic historical fiction in this lush and sensual interpretation of Medici Florence, artist Sandro Botticelli, and the muse that inspired them all." - Booklist A girl as beautiful as Simonetta Cattaneo never wants for marriage proposals in 15th Century Italy, but she jumps at the chance to marry Marco Vespucci. Marco is young, handsome and well-educated. Not to mention he is one of the powerful Medici family’s favored circle. Even before her marriage with Marco is set, Simonetta is swept up into Lorenzo and Giuliano de’ Medici’s glittering circle of politicians, poets, artists, and philosophers. The men of Florence—most notably the rakish Giuliano de’ Medici—become enthralled with her beauty. That she is educated and an ardent reader of poetry makes her more desirable and fashionable still. But it is her acquaintance with a young painter, Sandro Botticelli, which strikes her heart most. Botticelli immediately invites Simonetta, newly proclaimed the most beautiful woman in Florence, to pose for him. As Simonetta learns to navigate her marriage, her place in Florentine society, and the politics of beauty and desire, she and Botticelli develop a passionate intimacy, one that leads to her immortalization in his masterpiece, The Birth of Venus. Alyssa Palombo’s The Most Beautiful Woman in Florence vividly captures the dangerous allure of the artist and muse bond with candor and unforgettable passion.
Author: Francesco Bocchi
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
The text presented here, Francesco Bocchi's Le Bellezze della citta di Fiorenza (The Beauties of the City of Florence), originally published in 1591, is one of the most remarkable of Renaissance writings on art and thus an especially valuable document of the culture within which and for which Renaissance art was made. It is not exactly the first guidebook, nor is it entirely an art guidebook in the modern sense of the word, but it marks an important step in the history of guidebook literature, perhaps the definitive step in the formation of the modern genre. It seeks to direct people's attention to outstanding objects, but also to offer instruction in how to look, what to think, and what to say. Scholars find it useful for purely archaeological reasons, as a record of numerous minor works of art and their locations, for instance, but its deepest source of interest is the lively discursive engagement with art to which it attests, and the passionate and eloquent way in which it makes the case that such engagement is a matter of the greatest urgency and importance. For this reason, the book has much to offer the non-specialist - anyone who visits Florence and gives any thought at all to what it means to look at art - and the desire to reach this kind of reader has been the real motivation behind the preparation of this translation. Enough of the city remains as Bocchi saw it to permit the book still to be used as a guide, held in the hand as one walks from place to place and read before the objects described. The notes and illustrations provided here are designed to facilitate that process. What Bocchi emphasises and what he ignores will sometimes surprise the modern reader, and what he says about individual works may occasionally prompt bewilderment or disagreement. His values and habits of thought are close enough to ours to seem familiar yet are not exactly our own; his way of looking, of thinking, and of speaking are foreign enough to remind us of the distance that separates us from the Renaissance, of the singularity of historical moments and individual points of view. In reading Bocchi, one begins to understand something of how his contemporaries thought about what they saw; one learns to see the works differently and, as a result, to develop a sharper sense of the presuppositions we bring to our encounters with art, to see our own way of looking and thinking more objectively. This translation is thus an invitation to enter into a dialogue with history; its deeper purpose is to stimulate modern visitors to Florence to objectify their own processes of looking, thinking, and speaking, and in so doing to develop a new degree of self-consciousness, a new, historical perspective on themselves. Thomas Frangenberg's main research interests concern European Art and Architecture (1500-1770), Italian Art Theory 1400-1800, the history of linear perspective and its relation to the theory of optics. He teaches at the University of Leicester. Robert Williams is a specialist in Italian sixteenth-century aesthetic theory. He is Professor of History of Art and Architecture at the University of California, Santa Barbara.
Author: Christopher Hibbert
Publisher: Penguin UK
ISBN: 0141926244
Category : History
Languages : en
Pages : 416
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Book Description
This book is as captivating as the city itself. Hibbert's gift is weaving political, social and art history into an elegantly readable and marvellously lively whole. The author's book on Florence will also be at once a history and a guide book and will be enhanced by splendid photographs and illustrations and line drawings which will describe all teh buildings and treasures of the city.
Author: Georg Simmel
Publisher: Pushkin Collection
ISBN: 1782274480
Category : Travel
Languages : en
Pages : 97
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Book Description
A quartet of essays on great European cities from the groundbreaking thinker Georg Simmel These brilliant essays, from one of Germany's greatest and most influential thinkers, are beautifully written and highly readable portraits of three Italian cities: Rome, Venice and Florence. Simmel saw the city as a work of art in itself, and taken together these pieces act as a powerful suite expounding that notion. A seminal work of psycho-geography, this collection has never been published together in English before.
Author: Jane Fortune
Publisher: B'gruppo
ISBN: 9788897696001
Category : Travel
Languages : en
Pages : 122
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Book Description
Author: Hannele Klemettilä
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 400
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Book Description
Hangmen were familiar characters from urban reality to people living in France and the Burgundian Netherlands in the late Middle Ages. These officers played an essential role in the new penal system. However, general attitudes towards public executioners were highly ambiguous, often hostile and disparaging. In past imagery, various hangman figures, real or fictitious, were closely linked to ideas of otherness, cruelty, sin and evil. They were identified with criminals, marginal people and demons. In the period of the late Middle Ages, the hangman's representations were actively exploited, shaped and modified for various reasons by different social and cultural groups in different products of culture, religious as well as secular. This study casts light on ways of perceiving the executioner in French and Burgundian culture and society from the fourteenth to the early sixteenth century. The primary sources used in this work consist of wide and varied printed and non-printed textual materials such as chronicles, writings by legal experts and theologians, drama and poetry. Significant role is also given to the testimony offered by pictorial art, both sacred and profane, especially miniatures and panel paintings.
Author: Dario Cestaro
Publisher: Marsilio Editori
ISBN: 9788831719216
Category : Architecture
Languages : en
Pages : 12
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Book Description
The first pop-up book on Florence. Dario Cestaro's spectacular drawings and paper architecture reveal Florence and its treasures in a pop-up book telling the city's history with straightforward texts and interesting facts. This fascinating journey in colored pages shaped into Florence's most celebrated landmarks will help even younger children to recognize the main buildings: the cathedral with its famous ogival dome; the Palazzo Vecchio with its great tower and crenellated walls; the Palazzo Pitti, once the Medicis' majestic ducal residence; the Ponte Vecchio, the iconic bridge over the Arno with its historic craft shops; the Church of Santa Croce, which contains tombs and monuments to many illustrious persons (Dante, Michelangelo, Galileo).
Author:
Publisher: Penn State Press
ISBN: 9780271048147
Category : Art
Languages : en
Pages : 304
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Book Description
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.
Author: John Henderson
Publisher: Yale University Press
ISBN: 0300196342
Category : Medical
Languages : en
Pages : 415
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Book Description
A vivid recreation of how the governors and governed of early seventeenth-century Florence confronted, suffered, and survived a major epidemic of plague Plague remains the paradigm against which reactions to many epidemics are often judged. Here, John Henderson examines how a major city fought, suffered, and survived the impact of plague. Going beyond traditional oppositions between rich and poor, this book provides a nuanced and more compassionate interpretation of government policies in practice, by recreating the very human reactions and survival strategies of families and individuals. From the evocation of the overcrowded conditions in isolation hospitals to the splendor of religious processions, Henderson analyzes Florentine reactions within a wider European context to assess the effect of state policies on the city, street, and family. Writing in a vivid and approachable way, this book unearths the forgotten stories of doctors and administrators struggling to cope with the sick and dying, and of those who were left bereft and confused by the sudden loss of relatives.
Author: Stefano Ugo Baldassarri
Publisher: Yale University Press
ISBN: 9780300080520
Category : History
Languages : en
Pages : 436
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Book Description
This anthology provides a panoramic view of fifteenth-century Florence in the words of the city's own citizens and visitors. The fifty-one selections offer glimpses into Renaissance thought. Together, the documents demonstrate the social, political, religious, and cultural impact Florence had in shaping the Italian and European Renaissance, and they reveal how Florence created, developed, and diffused the mythology of its own origins and glory. The documents point up the divergences in quattrocento accounts of the origins of Florence, and they reveal the importance of the city's economy, social life, and military success to the formation of its image. The book includes sources that elaborate on the city's accomplishments in literature and the visual arts, others that present major trends in Florentine religious life, and still others that attest to the acclaim and admiration that Florence evoked from foreign visitors. The editors also provide an informative introduction, a detailed chronology of fifteenth-century Italy, maps, photographs, an annotated bibliography, and a biographical sketch of the author of each document.
