Author: Gillian Naylor
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
Book Description
... Their work and theory are described here with a new insight, as is the development of the school through all its vicissitudes, from its foundation in 1919 until its final dissolution under Hitler.
The Bauhaus Reassessed
Author: Gillian Naylor
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
Book Description
... Their work and theory are described here with a new insight, as is the development of the school through all its vicissitudes, from its foundation in 1919 until its final dissolution under Hitler.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
Book Description
... Their work and theory are described here with a new insight, as is the development of the school through all its vicissitudes, from its foundation in 1919 until its final dissolution under Hitler.
Twentieth Century Design
Author: Jonathan M. Woodham
Publisher: Oxford Paperbacks
ISBN: 9780192842046
Category : Art
Languages : en
Pages : 292
Book Description
A look at the wider issues of design and industrial culture throughout Europe, Scandinavia, North America, and the Far East. The book explores the way in which 20th-century designs such as the Coca-Cola bottle have affected our culture more than those considered true classics
Publisher: Oxford Paperbacks
ISBN: 9780192842046
Category : Art
Languages : en
Pages : 292
Book Description
A look at the wider issues of design and industrial culture throughout Europe, Scandinavia, North America, and the Far East. The book explores the way in which 20th-century designs such as the Coca-Cola bottle have affected our culture more than those considered true classics
Utility Reassessed
Author: Judy Attfield
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
This collection of essays both defines and reassesses the concept of utility. In considering the place of ethics in the recent history of art and design, the text offers a way into the issues which concern design decision-makers today.The text presents topics such as the investigation in to hitherto undiscovered designs for a utility vehicle, it gives a perspective on the philosophy behind the concept of utility as a design theory and offers a critique of the dangers of good design. The text approaches the subject as a continuing history that has attempted to improve the human condition, through a process of rational thought in the construction of the material world. Using the history of Utility as a design theory, the text suggests ways in which the past can teach us something of the present, and reveals why, on the cusp of the new millennium, Utility is important.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
This collection of essays both defines and reassesses the concept of utility. In considering the place of ethics in the recent history of art and design, the text offers a way into the issues which concern design decision-makers today.The text presents topics such as the investigation in to hitherto undiscovered designs for a utility vehicle, it gives a perspective on the philosophy behind the concept of utility as a design theory and offers a critique of the dangers of good design. The text approaches the subject as a continuing history that has attempted to improve the human condition, through a process of rational thought in the construction of the material world. Using the history of Utility as a design theory, the text suggests ways in which the past can teach us something of the present, and reveals why, on the cusp of the new millennium, Utility is important.
The Bauhaus Reassessed
Author: Gillian Naylor
Publisher:
ISBN: 9780442268930
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 198
Book Description
Publisher:
ISBN: 9780442268930
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 198
Book Description
Exile and Social Thought
Author: Lee Congdon
Publisher: Princeton University Press
ISBN: 1400852900
Category : History
Languages : en
Pages : 393
Book Description
Embroiled in the political events surrounding World War I and the failed Hungarian revolutions of 1918-19, a number of intellectuals fled Hungary for Germany and Austria, where they essentially created Weimar culture. Among them were Georg Lukács, whose History and Class Consciousness recast Marxism and challenged even those who repudiated its politics; Bela Balázs, who pioneered film theory and collaborated with film-makers G. W. Pabst, Leni Riefenstahl, and Alexander Korda; László Moholy-Nagy, who codirected the Bauhaus during its heyday in the mid-1920s; and Karl Mannheim, whose Ideology and Utopia was the most widely discussed work of noncommunist social theory during the Weimar years. In this collective portrait combining intellectual history with biographical detail, Lee Congdon describes how Hungarian thinkers, each in a different way, passionately advocated the need for community in a Europe torn by war and revolution. Whether communist, avant-gardist, or Catholic convert, each thinker is examined within the vast tapestry of his works, his cultural and intellectual milieu, and his experience as an exile. Despite the ideological differences of these men, Congdon reveals how their personal destinies and social goals often merged. Since many were assimilated Jews, he argues that their thinking on society was inextricably intertwined with their youthful sensitivity to anti-Semitism in Hungary and with the isolating limitations of their lives in Germany and Austria. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400852900
Category : History
Languages : en
Pages : 393
Book Description
Embroiled in the political events surrounding World War I and the failed Hungarian revolutions of 1918-19, a number of intellectuals fled Hungary for Germany and Austria, where they essentially created Weimar culture. Among them were Georg Lukács, whose History and Class Consciousness recast Marxism and challenged even those who repudiated its politics; Bela Balázs, who pioneered film theory and collaborated with film-makers G. W. Pabst, Leni Riefenstahl, and Alexander Korda; László Moholy-Nagy, who codirected the Bauhaus during its heyday in the mid-1920s; and Karl Mannheim, whose Ideology and Utopia was the most widely discussed work of noncommunist social theory during the Weimar years. In this collective portrait combining intellectual history with biographical detail, Lee Congdon describes how Hungarian thinkers, each in a different way, passionately advocated the need for community in a Europe torn by war and revolution. Whether communist, avant-gardist, or Catholic convert, each thinker is examined within the vast tapestry of his works, his cultural and intellectual milieu, and his experience as an exile. Despite the ideological differences of these men, Congdon reveals how their personal destinies and social goals often merged. Since many were assimilated Jews, he argues that their thinking on society was inextricably intertwined with their youthful sensitivity to anti-Semitism in Hungary and with the isolating limitations of their lives in Germany and Austria. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Graphic Design as Communication
Author: Malcolm Barnard
Publisher: Routledge
ISBN: 1136477292
Category : Design
Languages : en
Pages : 219
Book Description
What is the point of graphic design? Is it advertising or is it art? What purpose does it serve in our society and culture? Malcolm Barnard explores how meaning and identity are at the core of every graphic design project and argues that the role and function of graphic design is, and always has been, communication. Drawing on a range of theoretical approaches including those of Derrida, Saussure, Foucault, and Barthes, and taking examples from advertising, magazines, illustration, website design, comics, greetings cards and packaging, Graphic Design as Communication looks at how graphic design contributes to the formation of social and cultural identities. Malcolm Barnard discusses the ways in which racial/ethnic groups, age groups and gender groups are represented in graphic design, as well as how images and texts communicate with different cultural groups. He also explores how graphic design relates to both European and American modernism, and its relevance to postmodernism and globalisation in the twenty-first century and asks why, when graphic design is such an integral part of our society and culture, it is not acknowledged and understood in the same way that art is.
Publisher: Routledge
ISBN: 1136477292
Category : Design
Languages : en
Pages : 219
Book Description
What is the point of graphic design? Is it advertising or is it art? What purpose does it serve in our society and culture? Malcolm Barnard explores how meaning and identity are at the core of every graphic design project and argues that the role and function of graphic design is, and always has been, communication. Drawing on a range of theoretical approaches including those of Derrida, Saussure, Foucault, and Barthes, and taking examples from advertising, magazines, illustration, website design, comics, greetings cards and packaging, Graphic Design as Communication looks at how graphic design contributes to the formation of social and cultural identities. Malcolm Barnard discusses the ways in which racial/ethnic groups, age groups and gender groups are represented in graphic design, as well as how images and texts communicate with different cultural groups. He also explores how graphic design relates to both European and American modernism, and its relevance to postmodernism and globalisation in the twenty-first century and asks why, when graphic design is such an integral part of our society and culture, it is not acknowledged and understood in the same way that art is.
Design History
Author: Hazel Conway
Publisher: Routledge
ISBN: 1134887140
Category : Design
Languages : en
Pages : 244
Book Description
Hazel Conway introduces the student new to the subject to different areas of design history and shows some of the ways in which it can be studied and some of its delights and difficulties. No background knowledge of design history, art or architecture is assumed.
Publisher: Routledge
ISBN: 1134887140
Category : Design
Languages : en
Pages : 244
Book Description
Hazel Conway introduces the student new to the subject to different areas of design history and shows some of the ways in which it can be studied and some of its delights and difficulties. No background knowledge of design history, art or architecture is assumed.
Making and Breaking the Grid, Third Edition
Author: Timothy Samara
Publisher:
ISBN: 0760381933
Category : Computers
Languages : en
Pages : 258
Book Description
Making and Breaking the Grid: A Graphic Design Layout Workshop (Third Edition) is the ultimate resource for designers who want to understand the rules of the grid, so they can get better at breaking them.
Publisher:
ISBN: 0760381933
Category : Computers
Languages : en
Pages : 258
Book Description
Making and Breaking the Grid: A Graphic Design Layout Workshop (Third Edition) is the ultimate resource for designers who want to understand the rules of the grid, so they can get better at breaking them.
Making and Breaking the Grid
Author: Timothy Samara
Publisher: Rockport Publishers
ISBN: 1616736313
Category : Design
Languages : en
Pages : 210
Book Description
For designers working in every medium, layout is arguable the most basic, and most important, element. Effective layout is essential to communication and enables the end user to not only be drawn in with an innovative design but to digest information easily. Making and Breaking the Grid is a comprehensive layout design workshop that assumes that in order to effectively break the rules of grid-based design, one must first understand those rules and see them applies to real-world projects. Text reveals top designersÆ work in process and rationale. Projects with similar characteristics are linked through a simple notational system that encourages exploration and comparison of structure ideas. Also included are historical overviews that summarize the development of layout concepts, both grid-based and non-grid based, in modern design practice.
Publisher: Rockport Publishers
ISBN: 1616736313
Category : Design
Languages : en
Pages : 210
Book Description
For designers working in every medium, layout is arguable the most basic, and most important, element. Effective layout is essential to communication and enables the end user to not only be drawn in with an innovative design but to digest information easily. Making and Breaking the Grid is a comprehensive layout design workshop that assumes that in order to effectively break the rules of grid-based design, one must first understand those rules and see them applies to real-world projects. Text reveals top designersÆ work in process and rationale. Projects with similar characteristics are linked through a simple notational system that encourages exploration and comparison of structure ideas. Also included are historical overviews that summarize the development of layout concepts, both grid-based and non-grid based, in modern design practice.
Designing Modern Germany
Author: Jeremy Aynsley
Publisher: Reaktion Books
ISBN: 1861897448
Category : History
Languages : en
Pages : 258
Book Description
German design and architecture reflects the country’s rich and fraught political history in its structure and aesthetic philosophy. Jeremy Aynsley now offers an in-depth study of this relationship between German history and design since 1870 and the complex principles underlying it. Designing Modern Germany reveals how German attitudes toward national identity, modernity and technology are crucial to understanding German design. Aynsley traces the historical development of German design, beginning in the 1870s with the first dedicated Arts and Crafts schools and stretching through to the famous institutions of the Bauhaus and the Ulm Hochschule für Gestaltung. He analyses the works of leading figures such as Peter Behrens and Hannes Meyer, through to Ingo Maurer and Jil Sander, and many others in design specialties including graphics, industrial and furniture design, fashion and architecture. He also offers the first consideration of the contrasting design traditions of East and West Germany between 1949 and 1989. Whether examining the pre-First World War department store, the National Socialist fashion system or East Germany’s official design culture, Designing Modern Germany reveals that German design significantly affected citizens’ daily lives. An essential read for designers and scholars of German design and history, Designing Modern Germany is a key text for understanding Germany’s major contribution to twentieth-century design.
Publisher: Reaktion Books
ISBN: 1861897448
Category : History
Languages : en
Pages : 258
Book Description
German design and architecture reflects the country’s rich and fraught political history in its structure and aesthetic philosophy. Jeremy Aynsley now offers an in-depth study of this relationship between German history and design since 1870 and the complex principles underlying it. Designing Modern Germany reveals how German attitudes toward national identity, modernity and technology are crucial to understanding German design. Aynsley traces the historical development of German design, beginning in the 1870s with the first dedicated Arts and Crafts schools and stretching through to the famous institutions of the Bauhaus and the Ulm Hochschule für Gestaltung. He analyses the works of leading figures such as Peter Behrens and Hannes Meyer, through to Ingo Maurer and Jil Sander, and many others in design specialties including graphics, industrial and furniture design, fashion and architecture. He also offers the first consideration of the contrasting design traditions of East and West Germany between 1949 and 1989. Whether examining the pre-First World War department store, the National Socialist fashion system or East Germany’s official design culture, Designing Modern Germany reveals that German design significantly affected citizens’ daily lives. An essential read for designers and scholars of German design and history, Designing Modern Germany is a key text for understanding Germany’s major contribution to twentieth-century design.