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Author:
Publisher:
ISBN:
Category : Barberini Psalter
Languages : en
Pages : 168
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Book Description
Author:
Publisher:
ISBN:
Category : Barberini Psalter
Languages : en
Pages : 168
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Book Description
Author: Anthony Cutler
Publisher: BRILL
ISBN: 9004162860
Category : History
Languages : en
Pages : 303
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Book Description
The volume ranges from the close examination of specific objects to larger questions of their signification for the medieval societies that fashioned them and the ways in which they have been, and are currently, interpreted.
Author: Iohannis Spatharakis
Publisher: BRILL
ISBN: 9004624740
Category : History
Languages : en
Pages : 440
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Book Description
Author: Mati Meyer
Publisher: Pindar Press
ISBN: 1915837227
Category : Art
Languages : en
Pages : 571
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Book Description
Recent discussions on Byzantine art have been dominated by the question of representing realia. Among these, however, the way works of art reflect the daily life of women have not received much space or attention. The present book studies various images representing women's status and her performative tasks, and their significance from the fourth century to the fall of the Empire, through analysis of archaeological evidence and works of art. It addresses a wide range of questions, some pertaining both to pictorial traditions and to their late antique antecedents, others peculiar to changing and evolving Byzantine culture and mentality. The first chapter deals with the imagery of childbearing, starting with conception and concluding with the care given to the new born and the mother. The second chapter investigates motherhood imagery (breastfeeding, child care, and child-mother intimacy) and the portrayal of women as caretakers and managers of the household (preparing food, bringing water, carding and weaving, or working side by side with their husbands). The third chapter is dedicated to representations of women holding positions outside the house: midwives, maidservants, wet nurses, and mourners. Images of women engaged in disreputable occupations-dancers, musicians, prostitutes and courtesans - complete this chapter. The fourth chapter discusses images of women portrayed in the metaphorical margins - looking out from the gynaikon (the women's apartments), or at their private toilette; it also deals with representations of women who stray from the societal mainstream - concubines; adulteresses, women consenting to sexual acts or being coerced into them - considered symbolically as belonging to the margins of society. The book concludes with a discussion of the degree to which the visual material reliably reflects reality and changing attitudes toward women between Late Antiquity and late Byzantium; and further, to what extent it reveals embedded perceptions and conceptions of women, constructed by canonic regulations and imperial law, popular beliefs and accepted customs. The book aims to lift a veil from known and less known works of art and to present the rarely described picture of the daily life of women in Byzantine art over a very wide chronological span of time, in an effort to expand our knowledge of women in Byzantium and their realia.
Author: Erik Thunø
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 9788882652173
Category : Art
Languages : en
Pages : 302
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Book Description
Revision of the author's thesis (Johns Hopkins University, 1999).
Author: Paul Magdalino
Publisher: Harvard University Press
ISBN: 9780884023487
Category : History
Languages : en
Pages : 354
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Book Description
The Old Testament in Byzantium contains papers from a Dumbarton Oaks symposium based on an exhibition of early Bible manuscripts titled "In the Beginning: Bibles before the Year 1000." Topics include manifestations of the holy books in Byzantine manuscript illustration, architecture, and government, as well as in Jewish Bible translations.
Author:
Publisher: Oxford University Press, USA
ISBN:
Category : Bibles
Languages : en
Pages : 198
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Book Description
Only two English translations of the Septuagint have ever been published, both more than 150 years ago. Since that time, significant advances have been made in Greek lexicography, numerous ancient manuscripts have come to light, and important steps have been taken in recovering the pristine text of each Septuagint book. Therefore, a new translation of the Septuagint into English is not only much needed, but long overdue. The goal of A New English Translation of the Septuagint (NETS) is to provide readers with an Old Testament freshly translated from the ancient Greek text. This volume of the Psalms of the Septuagint (the first part of the project) includes footnotes calling attention to relevant textual issues. In addition, the committee of translators has provided an extensive introduction to the project as a whole and to the particular issues involved in the rendering of the Psalms into English.
Author: Eugen J. Pentiuc
Publisher: Oxford University Press, USA
ISBN: 0195331230
Category : Religion
Languages : en
Pages : 440
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Book Description
This book examines the receipt, transmission, and interpretation of the Old Testament in the Eastern Orthodox tradition. Looking at the various ways Orthodox Christians sought to assimilate the Old Testament in the spiritual, liturgical, and doctrinal fabric of their faith community, Pentiuc pays special attention to: liturgy, iconography, monastic rules and canons, conciliar resolutions, and patristic works in Greek, Syriac and Coptic.
Author: Kathleen Maxwell
Publisher: Routledge
ISBN: 1351955845
Category : Art
Languages : en
Pages : 294
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Book Description
This is a study of the artistic and political context that led to the production of a truly exceptional Byzantine illustrated manuscript. Paris, Bibliothèque Nationale de France, codex grec 54 is one of the most ambitious and complex manuscripts produced during the Byzantine era. This thirteenth-century Greek and Latin Gospel book features full-page evangelist portraits, an extensive narrative cycle, and unique polychromatic texts. However, it has never been the subject of a comprehensive study and the circumstances of its commission are unknown. In this book Kathleen Maxwell addresses the following questions: what circumstances led to the creation of Paris 54? Who commissioned it and for what purpose? How was a deluxe manuscript such as this produced? Why was it left unfinished? How does it relate to other Byzantine illustrated Gospel books? Paris 54's innovations are a testament to the extraordinary circumstances of its commission. Maxwell's multi-disciplinary approach includes codicological and paleographical evidence together with New Testament textual criticism, artistic and historical analysis. She concludes that Paris 54 was never intended to copy any other manuscript. Rather, it was designed to eclipse its contemporaries and to physically embody a new relationship between Constantinople and the Latin West, as envisioned by its patron. Analysis of Paris 54's texts and miniature cycle indicates that it was created at the behest of a Byzantine emperor as a gift to a pope, in conjunction with imperial efforts to unify the Latin and Orthodox churches. As such, Paris 54 is a unique witness to early Palaeologan attempts to achieve church union with Rome.
Author: Victoria George
Publisher: Pindar Press
ISBN: 1915837138
Category : Architecture
Languages : en
Pages : 506
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Book Description
This book is a reconsideration of the practice of whitewashing church interiors during the Protestant Reformation in the sixteenth and seventeenth centuries. It is the first detailed study of its kind which challenges the view that whitewash was always only a 'cheap coat of paint'. Victoria George pulls together several histories: of the colour white from the biblical period to the present, and ideas about the colour white in philosophy, theology, art, and architecture from antiquity to the present. She links them to case studies of the ways in which reformers Huldrych Zwingli and John Calvin thought about colour in a careful analysis of the role of colour-thinking in their theological writings. The social meanings embodied in the word, 'whitewash' as it entered the printed media in the 17th century is explored as part of a chapter on the history of whitewashing itself. The long-term symbolic and aesthetic implications of the practice of whitewashing are examined in the larger context of material culture; in terms of their value as a metaphor, for both the Reformed Protestant and the Catholic in opposition to them; and for the uses to which whitewash has been put over time. George proposes that the practice was not only visually transformative but held importance for religious aesthetics as an agent of change, and for an aesthetics of minimalism generally, especially evident in the twentieth and twenty-first centuries. Victoria George received an MFA from the Royal College of Art (London), an MA from The Architectural Association, and a Ph.D. from Cambridge. She has taught religion and the arts at the University of Richmond in Virginia.
