Author: Eric Michaud
Publisher:
ISBN: 9780262355742
Category : Art
Languages : en
Pages : 288

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Author: Thomas J. Craughwell
Publisher: Fair Winds
ISBN: 9781616734329
Category : Middle Ages
Languages : en
Pages : 328

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Veteran author Thomas J. Craughwell reveals the fascinating tales of how the barbarian rampages across Europe, North Africa, and Asia -- killing, plundering, and destroying whole kingdoms and empires -- actually created the modern nations of England, France, Russia, and China.

Author: Hans Delbr_ck
Publisher: U of Nebraska Press
ISBN: 9780803292000
Category : History
Languages : en
Pages : 512

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Book Description
Translation of: Geschichte der Kriegskunst im Rahmen der politischen Geschichte.

Author: Pasquale Villari
Publisher:
ISBN:
Category : Italy
Languages : en
Pages : 248

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Author: Guy Halsall
Publisher: Cambridge University Press
ISBN: 1107393329
Category : History
Languages : en
Pages : 519

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This is a major survey of the barbarian migrations and their role in the fall of the Roman Empire and the creation of early medieval Europe, one of the key events in European history. Unlike previous studies it integrates historical and archaeological evidence and discusses Britain, Ireland, mainland Europe and North Africa, demonstrating that the Roman Empire and its neighbours were inextricably linked. A narrative account of the turbulent fifth and early sixth centuries is followed by a description of society and politics during the migration period and an analysis of the mechanisms of settlement and the changes of identity. Guy Halsall reveals that the creation and maintenance of kingdoms and empires was impossible without the active involvement of people in the communities of Europe and North Africa. He concludes that, contrary to most opinions, the fall of the Roman Empire produced the barbarian migrations, not vice versa.

Author: John Bagnell Bury
Publisher:
ISBN:
Category : Migrations of nations
Languages : en
Pages : 318

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Author: Ludwig Heinrich Dyck
Publisher: Pen and Sword
ISBN: 1473877881
Category : History
Languages : en
Pages : 253

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“A great book that summarizes pieces of Roman military history that are often not mentioned or difficult to find sources for . . . an entertaining read.”—War History Online As Rome grew from a small city state to the mightiest empire of the west, her dominion was contested not only by the civilizations of the Mediterranean, but also by the “barbarians”—the tribal peoples of Europe. The Celtic, the Spanish-Iberian and the Germanic tribes lacked the pomp and grandeur of Rome, but they were fiercely proud of their freedom and gave birth to some of Rome’s greatest adversaries. Romans and barbarians, iron legions and wild tribesmen clashed in dramatic battles on whose fate hinged the existence of entire peoples and, at times, the future of Rome. Far from reducing the legions and tribes to names and numbers, The Roman Barbarian Wars: The Era of Roman Conquest reveals how they fought and how they lived and what their world was like. Through his exhaustive research and lively text, Ludwig H. Dyck immerses the reader into the epic world of the Roman barbarian wars. “I was reminded, as I picked up this superb book, of that magnificent scene from Gladiator when they unleashed hell on the Barbarian hordes at the beginning of the film. Dyck has produced a book that celebrates the brilliance of the Roman commanders and of Rome itself from its foundation to its eventual demise.”—Books Monthly “Dyck’s details of ancient battles and the people involved provide as much sword-slashing excitement as any fictional account.”—Kirkus Reviews “His vivid prose makes for a gripping read.”—Military Heritage

Author: Andrê Loiselle
Publisher: University of Toronto Press
ISBN: 1442693320
Category : Performing Arts
Languages : en
Pages : 201

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The release of Denys Arcand's Le Déclin de l'empire américain (The Decline of the American Empire) in 1986 marked a major turning point in Quebec cinema. It was the first Québécois film that enjoyed huge critical and commercial success at home and abroad. Arcand's tragicomedy about eight intellectuals gathered around a dinner table relating sexy anecdotes became the top-grossing film of all time in Quebec and was the first Canadian feature to be nominated for an Oscar in the foreign-language category. Seventeen years later, Arcand won an Academy Award for the sequel, Les Invasions barbares (The Barbarian Invasions), where the amusing insouciance of the thirty-somethings talking dirty in Le Déclin is replaced by a sense of moral responsibility and serene resignation. In this engrossing study, André Loiselle presents the first in-depth analysis of both films within the context of Quebec culture. Through close readings and concise cultural analysis of two of the most important films in the history of Quebec cinema, Loiselle demonstrates the ways in which Arcand's work represents a snapshot of the evolution of the French Canadian film industry since 1980. The companion films trace the decline of Quebec's national dream and the Québécois' attempts to cling to their identity against the forces of barbaric globalization. The second title in the new Canadian Cinema series, Denys Arcand's "Le Déclin de l'empire américain" and "Les Invasions barbares" is essential reading for cinephiles, film critics, and anyone with an interest in cultural studies and Canadian and Quebec history.

Author: Ailise Bulfin
Publisher: University of Wales Press
ISBN: 1786832100
Category : Literary Criticism
Languages : en
Pages : 310

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What do tales of stalking vampires, restless Egyptian mummies, foreign master criminals, barbarian Eastern hordes and stomping Prussian soldiers have in common? As Gothic Invasions explains, they may all be seen as instances of invasion fiction, a paranoid fin-de-siècle popular literary phenomenon that responded to prevalent societal fears of the invasion of Britain by an array of hostile foreign forces in the period before the First World War. Gothic Invasions traces the roots of invasion anxiety to concerns about the downside of Britain’s continuing imperial expansion: fears of growing inter-European rivalry and colonial wars and rebellion. It explores how these fears circulated across the British empire and were expressed in fictional narratives drawing strongly upon and reciprocally transforming the conventions and themes of gothic writing. Gothic Invasions enhances our understanding of the interchange between popular culture and politics at this crucial historical juncture, and demonstrates the instrumentality of the ever-versatile and politically-charged gothic mode in this process.

Author:
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 210

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Book Description
This is already a cult book in certain circles. Although it's aimed at the average reader, it contains something characteristic of turning points in the history of philosophy. Like ancient Greek (Socrates) and modern philosophy (Descartes), Serbian contemporary philosophy gets its demon too. Apart from the appearance of the Daemon as the inspirer of this book, the theme itself is unusual. In fact, this work is like a multiple personality connected by a single thread that can be followed throughout the book - the theme of barbarians. The book deals with philosophical topics covered in the cult film Conan the Barbarian. Those are the ideas of Nietzsche, Schopenhauer, Hegel, which are presented in an artistically remarkably successful way by famous American director John Milius. The philosophical views presented in the film, when it comes to eternal life and philosophical issues are complemented by the author's attempt to synthesize Kant's ethical formalism and Nietzsche's dualistic immoralism. Like a real treat, the theory of human sexuality as the cause of barbarian invasions is left for the end. But we don't know whether this intriguing theory is a step back or forward for the civilization. Does a civilized man have to look up to Nietzsche's ideal of "overman" in order to avoid being replaced by a barbarian? It's perhaps the best to read this book and judge for yourself.