Author: Henry Dugdale Sykes
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
The author contends that the plays were written by Samuel Rowley.
The Authorship of 'The Taming of a Shrew,' 'The Famous Victories of Henry V' and the Additions to Marlowe's 'Faustus,'
Author: Henry Dugdale Sykes
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
The author contends that the plays were written by Samuel Rowley.
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
The author contends that the plays were written by Samuel Rowley.
The Case for Shakespeare's Authorship of The Famous Victories, with the Complete Text of the Anonymous Play
Author: Seymour M. Pitcher
Publisher: State University of New York Press
ISBN: 1438416202
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
In the opinion of the author, the anonymous sixteenth-century playscript entitled "The Famous Victories of Henry the Fifth" is actually one of the first efforts by the young but spirited dramatist, William Shakespeare. Produced about 1586—when the still unknown playwright-actor was 22 years old—the play in question is neither poetic nor highly distinguished. But Professor Pitcher, an ardent Shakespearean scholar, here presents an interesting and ingenious argument for his belief that the unknown playwright was the Bard himself. The object of much critical disparagement and scholarly dispute, "The Famous Victories" covers approximately the same span of events as that in the playwright's famous trilogy immortalizing Henry of Monmouth. In its own time, it was considered exciting. "What a glorious thing it is," wrote Thomas Nash in 1592, "to have Henry the Fifth represented on the stage leading the French king prisoner and forcing him and the dolphin to swear fealty." Dr. Pitcher believes that Heming and Condell omitted "The Famous Victories" from their First Folio in 1623 because they felt it was not worthy of a place with the later, highly professional plays of Shakespeare, none of which contains such inexperienced writing. If Dr. Pitcher's line of reasoning is correct, his conclusion is of great value in dissipating some of the mystery surrounding Shakespeare's early years. For despite the play's slapstick and buffoonery, it shows that its 22-year-old author was no mere holder of horses at theatre doors, but was already well read enough among "rusty brass and wormeaten books" to piece together his story of "The Famous Victories" from the chronicles of Edward Hall, Raphael Holinshed, and John Stow. Certain to arouse violent discussion among Shakespearean scholars, Dr. Pitcher's book is the considered product of many years of thought and study. The text of the Elizabethan play concerned will in itself be of interest to students of the drama, and the possibility that Shakespeare himself penned its lines will lend an excitement to the reading of the scenes. The famous "Grafton portrait" of a youth believed to be the young Shakespeare appears as frontispiece.
Publisher: State University of New York Press
ISBN: 1438416202
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
In the opinion of the author, the anonymous sixteenth-century playscript entitled "The Famous Victories of Henry the Fifth" is actually one of the first efforts by the young but spirited dramatist, William Shakespeare. Produced about 1586—when the still unknown playwright-actor was 22 years old—the play in question is neither poetic nor highly distinguished. But Professor Pitcher, an ardent Shakespearean scholar, here presents an interesting and ingenious argument for his belief that the unknown playwright was the Bard himself. The object of much critical disparagement and scholarly dispute, "The Famous Victories" covers approximately the same span of events as that in the playwright's famous trilogy immortalizing Henry of Monmouth. In its own time, it was considered exciting. "What a glorious thing it is," wrote Thomas Nash in 1592, "to have Henry the Fifth represented on the stage leading the French king prisoner and forcing him and the dolphin to swear fealty." Dr. Pitcher believes that Heming and Condell omitted "The Famous Victories" from their First Folio in 1623 because they felt it was not worthy of a place with the later, highly professional plays of Shakespeare, none of which contains such inexperienced writing. If Dr. Pitcher's line of reasoning is correct, his conclusion is of great value in dissipating some of the mystery surrounding Shakespeare's early years. For despite the play's slapstick and buffoonery, it shows that its 22-year-old author was no mere holder of horses at theatre doors, but was already well read enough among "rusty brass and wormeaten books" to piece together his story of "The Famous Victories" from the chronicles of Edward Hall, Raphael Holinshed, and John Stow. Certain to arouse violent discussion among Shakespearean scholars, Dr. Pitcher's book is the considered product of many years of thought and study. The text of the Elizabethan play concerned will in itself be of interest to students of the drama, and the possibility that Shakespeare himself penned its lines will lend an excitement to the reading of the scenes. The famous "Grafton portrait" of a youth believed to be the young Shakespeare appears as frontispiece.
Doctor Faustus
Author: David Bevington
Publisher: Manchester University Press
ISBN: 9780719016431
Category : Drama
Languages : en
Pages : 324
Book Description
This volume in the "Revel Plays" series, offers reading editions, with modern spelling, of the 1604 and 1616 editions of Marlowe's play, arguing that the two cannot be conflated into one. Included are sources and commentary, literary criticism, style and staging/performance assessments.
Publisher: Manchester University Press
ISBN: 9780719016431
Category : Drama
Languages : en
Pages : 324
Book Description
This volume in the "Revel Plays" series, offers reading editions, with modern spelling, of the 1604 and 1616 editions of Marlowe's play, arguing that the two cannot be conflated into one. Included are sources and commentary, literary criticism, style and staging/performance assessments.
Two Elizabethan Stage Abridgements
Author: Walter Wilson Greg
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 394
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 394
Book Description
Malone Society Reprints
Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 396
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 396
Book Description
The Famous Victories of Henry the Fifth
Author: William Wells
Publisher:
ISBN:
Category :
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 304
Book Description
Sidelights on Elizabethan Drama
Author: Henry Dugdale Sykes
Publisher:
ISBN:
Category : Authorship, Disputed
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Authorship, Disputed
Languages : en
Pages : 248
Book Description
The Authorship of 'the Taming of a Shrew'
Author: H. Dugdale Sykes
Publisher: Forgotten Books
ISBN: 9781330445730
Category : Drama
Languages : en
Pages : 42
Book Description
Excerpt from The Authorship of 'the Taming of a Shrew': 'The Famous Victories of Henry V' and the Additions to Marlowe's 'Faustus' The Famous Victories of Henry V and The Taming of a Shrew were both published anonymously, and there is no record of the names of their authors either in Henslowe's diary or anywhere else. Nor has any effort to determine the authorship of either play on internal grounds proved successful. The Famous Victories has been conjecturally assigned to the actor Tarlton, but the conjecture is unsupported by any evidence. The Taming of a Shrew has been ascribed to Marlowe, to Greene, to Kyd, and even (wholly or in part) to Shakespeare himself, but there are good reasons for rejecting all these ascriptions. In the following pages I shall endeavour to throw light upon the authorship of both plays, and incidentally upon the authorship of other anonymous dramatic work of the period. I shall set forth my evidence exactly in the way and in the order in which it presented itself to me, beginning with my first clue and showing how it took me from one play to another until, with the aid of a small piece of external evidence, I was led to conned! these plays with a dramatist who has hitherto occupied only a very humble place in the annals of Elizabethan dramatic literature. On first reading The Taming of a Shrew, a year or two since, I was struck by the constant appearance of the exclamation 'souns!' in the prose parts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9781330445730
Category : Drama
Languages : en
Pages : 42
Book Description
Excerpt from The Authorship of 'the Taming of a Shrew': 'The Famous Victories of Henry V' and the Additions to Marlowe's 'Faustus' The Famous Victories of Henry V and The Taming of a Shrew were both published anonymously, and there is no record of the names of their authors either in Henslowe's diary or anywhere else. Nor has any effort to determine the authorship of either play on internal grounds proved successful. The Famous Victories has been conjecturally assigned to the actor Tarlton, but the conjecture is unsupported by any evidence. The Taming of a Shrew has been ascribed to Marlowe, to Greene, to Kyd, and even (wholly or in part) to Shakespeare himself, but there are good reasons for rejecting all these ascriptions. In the following pages I shall endeavour to throw light upon the authorship of both plays, and incidentally upon the authorship of other anonymous dramatic work of the period. I shall set forth my evidence exactly in the way and in the order in which it presented itself to me, beginning with my first clue and showing how it took me from one play to another until, with the aid of a small piece of external evidence, I was led to conned! these plays with a dramatist who has hitherto occupied only a very humble place in the annals of Elizabethan dramatic literature. On first reading The Taming of a Shrew, a year or two since, I was struck by the constant appearance of the exclamation 'souns!' in the prose parts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Seventeenth Century Accounts of the Masters of the Revels
Author: Charlotte Carmichael Stopes
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 118
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 118
Book Description
Some Problems of Shakespeare's 'Henry the Fourth'
Author: Arthur Eustace Morgan
Publisher:
ISBN:
Category : Kings and rulers in literature
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category : Kings and rulers in literature
Languages : en
Pages : 52
Book Description