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Author: Paul Seydor
Publisher: Northwestern University Press
ISBN: 0810168200
Category : Performing Arts
Languages : en
Pages : 569
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Book Description
Long before Sam Peckinpah finished shooting his 1973 Western, Pat Garrett and Billy the Kid, there was open warfare between him and the studio. In this scrupulously researched new book Paul Seydor reconstructs the riveting history of a brilliant director fighting to preserve an artistic vision while wrestling with his own self‐destructive demons. Meticulously comparing the film five extant versions, Seydor documents why none is definitive, including the 2005 Special Edition, for which he served as consultant. Viewing Peckinpah’s last Western from a variety of fresh perspectives, Seydor establishes a nearly direct line from the book Garrett wrote after he killed Billy the Kid to Peckinpah’s film ninety-one years later and shows how, even with directors as singular as this one, filmmaking is a collaborative medium. Art, business, history, genius, and ego all collide in this story of a great director navigating the treacherous waters of collaboration, compromise, and commerce to create a flawed but enduringly powerful masterpiece.
Author: Paul Seydor
Publisher: Northwestern University Press
ISBN: 0810168200
Category : Performing Arts
Languages : en
Pages : 569
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Book Description
Long before Sam Peckinpah finished shooting his 1973 Western, Pat Garrett and Billy the Kid, there was open warfare between him and the studio. In this scrupulously researched new book Paul Seydor reconstructs the riveting history of a brilliant director fighting to preserve an artistic vision while wrestling with his own self‐destructive demons. Meticulously comparing the film five extant versions, Seydor documents why none is definitive, including the 2005 Special Edition, for which he served as consultant. Viewing Peckinpah’s last Western from a variety of fresh perspectives, Seydor establishes a nearly direct line from the book Garrett wrote after he killed Billy the Kid to Peckinpah’s film ninety-one years later and shows how, even with directors as singular as this one, filmmaking is a collaborative medium. Art, business, history, genius, and ego all collide in this story of a great director navigating the treacherous waters of collaboration, compromise, and commerce to create a flawed but enduringly powerful masterpiece.
Author: Pat Floyd Garrett
Publisher:
ISBN: 9780806138695
Category : Frontier and pioneer life
Languages : en
Pages : 0
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Book Description
This edition, complete with the original text, provides an introduction that reappraises the last fatal meeting of Billy the Kid and Pat Garrett. Frederick Nolan shows how the Garrett's book is responsible for misconceptions about the Kid's early life and his short, violent career.
Author: Keith Nainby
Publisher: Rowman & Littlefield
ISBN: 1498582648
Category : Music
Languages : en
Pages : 317
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Book Description
This study of Bob Dylan’s art employs a performance studies lens, exploring the distinctive ways he brings words and music to life on recordings, onstage, and onscreen. Chapters focus on the relationship of Dylan’s recorded performances to the historical bardic role, to the American popular song tradition, and to rock music culture. His uses of both stage and studio to shape his performances are explored, as are his forays into cinema. Special consideration is given to his vocal performances and to his use of particular personae as a performer. The full scope of Dylan’s body of work to date is situated in terms of the influences that have shaped his performances and the ways these performances have shaped contemporary popular music.
Author: Pat F. Garrett
Publisher: Sunstone Press
ISBN: 1611391180
Category : Biography & Autobiography
Languages : en
Pages : 314
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Book Description
When Lincoln County Sheriff Pat Garrett ended Billy the Kids life on the night of July 14, 1881, with a shot in the dark, he was catapulted at once into stardom in the annals of Western history. This edition is a facsimile of the 1927 text that Garrett wrote to counteract the negative image he gained after the shooting.
Author: Leon Claire Metz
Publisher: University of Oklahoma Press
ISBN: 9780806118383
Category : Biography & Autobiography
Languages : en
Pages : 340
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Book Description
Biography of the man who killed Billy the Kid, this thorough and well-written analysis deals effectively with almost every question that has been raised about the controversial life and death of Pat Garrett.
Author: Pat Garrett
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 112
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Book Description
'The Authentic Life of Billy, the Kid' is a biography and partly first-hand account written by Pat Garrett, sheriff of Lincoln County, New Mexico, in collaboration with a ghostwriter, Marshall Ashmun "Ash" Upson. During the summer of 1881 in a small New Mexican village, Garrett shot and killed the notorious outlaw, William H. Bonney, better known as Billy the Kid.
Author: Jonathan Hodgers
Publisher: Taylor & Francis
ISBN: 0429997574
Category : Music
Languages : en
Pages : 237
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Book Description
In May 1967, during a discussion about his yet-to-be-released film Eat the Document, Bob Dylan cryptically remarked, ‘The film is finished. It’s different.’ It would not be the last time he could make this claim. Beyond his musical prowess, Dylan’s career encompasses a lesser-explored facet – that of a filmmaker creating works that defy convention. This book delves into these cinematic forays, unravelling the intriguing interplay of Dylan’s presence both behind and in front of the camera. Dylan’s cinematic experiments, ranging from the ground-breaking Dont Look Back (1967) to the enigmatic Masked and Anonymous (2003), stand as unique and thought-provoking additions to his artistic legacy. Unveiling an experimental and inquisitive sensibility, these films draw inspiration not only from cinematic predecessors but also from Dylan’s songcraft. Often residing in the periphery of Dylan studies, a closer examination of his cinematic oeuvre reveals an underrated auteur who fearlessly transcends the boundaries of the page, stage, and screen.
Author: Martin Kich
Publisher: Bloomsbury Publishing USA
ISBN: 1440876185
Category : Social Science
Languages : en
Pages : 521
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Book Description
Explore the enduring influence of the Western – the quintessential American film genre – and its essential role in US and world culture. Follow the entire history of the Western, from its roots in the pulp novels of the early 20th century, through the serials of the silent era and the mid-century classics of John Ford and John Wayne, to the recent award-winning revisionist works, like Unforgiven and No Country for Old Men, that provide a more complex and nuanced take on history of the West. Perhaps more than any other pop culture genre, the Western allows us to view how Americans have seen themselves over the last 150 years. Build a foundational understanding of the genre with 5 introductory essays, exploring the development of the Western Mythos in the traditional Western, the heyday of the traditional Western in the post-WWII period, revisionist Westerns and the counterculture, race and identify, and the Western outside of the USA. Close to 100 encyclopedia entries examine one or more movies or television programs and show how their creation and plots demonstrate the overall evolution of the genre. Easily compare films and TV programs – from early genre favorites such as Gunsmoke to more recent releases like Django Unchained – with essential facts boxes accompanying each entry, with information on the director, studio, key actors, and box office receipts.
Author: Richard W. Etulain
Publisher: University of Oklahoma Press
ISBN: 0806168080
Category : History
Languages : en
Pages : 255
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Book Description
A central character in legends and histories of the Old West, Billy the Kid rivals such western icons as Jesse James and General George Armstrong Custer for the number of books and movies his brief, violent life inspired. Billy the Kid: A Reader’s Guide introduces readers to the most significant of these written and filmed works. Compiled and written by a respected historian of the Old West and author of a masterful new biography of Billy the Kid, this reader’s guide includes summaries and evaluations of biographies, histories, novels, and movies, as well as archival sources and research collections. Surveying newspaper articles, books, pamphlets, essays, and book chapters, Richard W. Etulain traces the shifting views of Billy the Kid from his own era to the present. Etulain’s discussion of novels and movies reveals a similar shift, even as it points out both the historical inaccuracies and the literary and cinematic achievements of these works. A brief section on the authentic and supposed photographs of the Kid demonstrates the difficulties specialists and collectors have encountered in locating dependable photographic sources. This discerning overview will guide readers through the plethora of words and images generated by Billy the Kid’s life and legend over more than a century. It will prove invaluable to those interested in the demigods of the Old West—and in the ever-changing cultural landscape in which they appear to us.
Author: Tony Williams
Publisher: Liverpool University Press
ISBN: 1835532802
Category : Art
Languages : en
Pages : 139
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Book Description
This book argues for the importance of Gothic in understanding one of the key elements within the films of Sam Peckinpah (1925-1984). Although occasionally noted in the past, the Gothic has been generally overlooked when most critics consider the work of Sam Peckinpah with the exception of the Freudian based Crucified Heroes (1979) by Terence Butler. This work not only examines the films made after that date, especially the often dismissed The Osterman Weekend (1983) and the two music videos he made for Julian Lennon, but also places the director within the context of the developing work on Gothic that has since appeared. Peckinpah has been identified as the director of one undisputed masterpiece, The Wild Bunch (1969). By focussing on the key role Gothic plays in most of the director’s work, this book offers a way to see Peckinpah beyond The Wild Bunch and the Western, viewing him as a director who had the potential of evolving further, had circumstances permitted, to continue his critique of American life within the developing lens of the Gothic.
