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Author: Martin Kallich
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111392732
Category : Language Arts & Disciplines
Languages : en
Pages : 284
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Book Description
Author: Martin Kallich
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111392732
Category : Language Arts & Disciplines
Languages : en
Pages : 284
Get Book Here
Book Description
Author: Maria Semi
Publisher: Routledge
ISBN: 1317092201
Category : Music
Languages : en
Pages : 197
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Book Description
Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. From the field of natural philosophy, involving the science of sounds and acoustics, to the realm of imagination, involving resounding music and art, the branches of modern culture that were involved in the intellectual tradition of the science of music proved to be variously appealing to men of letters. Among these, a particularly rich field of investigation was the British philosophy of the mind and of human understanding, developed between the seventeenth and eighteenth centuries, which looked at music and found in its realm a way of understanding human experience. Focussing on the world of sensation - trying to describe how the human mind could develop ideas and emotions by its means - philosophers and physicians often took their cases from art's products, be it music (sounds), painting (colours) or poetry (words as signs of sound conveying a meaning), thus looking at art from a particular point of view: that of the perceiving mind. The relationship between music and the philosophies of mind is presented here as a significant part of the construction of a Science of Man: a huge and impressive 'project' involving both the study of man's nature, to which - in David Hume's words - 'all sciences have a relation', and the creation of an ideal of what Man should be. Maria Semi sheds light on how these reflections moved towards a Science of Music: a complex and articulated vision of the discipline that was later to be known as 'musicology'; or Musikwissenschaft.
Author: David Spadafora
Publisher: Yale University Press
ISBN: 9780300046717
Category : Social Science
Languages : en
Pages : 488
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Book Description
The idea of progress stood at the very center of the intellectual world of eighteenth-century Britain, closely linked to every major facet of the British Enlightenment as well as to the economic revolutions of the period. Drawing on hundreds of eighteenth-century books and pamphlets, David Spadafora here provides the most extensive discussion ever written of this prevailing sense of historical optimism.
Author: James Sambrook
Publisher: Routledge
ISBN: 1317893247
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
This is an impressive and lucid survey of eighteenth-century intellectual life, providing a real sense of the complexity of the age and of the cultural and intellectual climate in which imaginative literature flourished. It reflects on some of the dominant themes of the period, arguing against such labels as 'Augustan Age', 'Age of Enlightenment' and 'Age of Reason', which have been attached to the eighteenth-century by critics and historians.
Author: Robert W. Jones
Publisher: Cambridge University Press
ISBN: 9780521593267
Category : Art
Languages : en
Pages : 290
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Book Description
Beauty is one of the most important and intriguing ideas in eighteenth-century culture. In Gender and the Formation of Taste in Eighteenth-Century Britain Robert Jones provides a fresh understanding of how emergent critical discourses negotiated with earlier accounts of taste and beauty in order to redefine culture in line with the polite virtues of the urban middle classes. Crucially, the ability to form opinions on questions of beauty, and the capacity to enter into debates on its nature, was thought to characterise those able to participate in cultural discourse. Furthermore, the term 'beauty' was frequently invoked, in various and contradictory ways, to determine acceptable behaviour for women. In his book, Jones discusses a wide range of material, including philosophical texts by William Hogarth and Edmund Burke and Joshua Reynolds, novels by Charlotte Lennox and Sarah Scott, and the many representations of the celebrated beauty Elizabeth Gunning.
Author: William Walker
Publisher: Cambridge University Press
ISBN: 0521451051
Category : Literary Collections
Languages : en
Pages : 252
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Book Description
Bridges the gap between philosophical and literary-critical discussions of Locke's Essay concerning Human Understanding.
Author: Eve Tavor Bannet
Publisher: Cambridge University Press
ISBN: 1108317774
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
The market for print steadily expanded throughout the eighteenth-century Atlantic world thanks to printers' efforts to ensure that ordinary people knew how to read and use printed matter. Reading is and was a collection of practices, performed in diverse but always very specific ways. These practices were spread down the social hierarchy through printed guides. Eve Tavor Bannet explores guides to six manners or methods of reading, each with its own social, economic, commercial, intellectual and pedagogical functions, and each promoting a variety of fragmentary and discontinuous reading practices. The increasingly widespread production of periodicals, pamphlets, prefaces, conduct books, conversation-pieces and fictions, together with schoolbooks designed for adults and children, disseminated all that people of all ages and ranks might need or wish to know about reading, and prepared them for new jobs and roles both in Britain and America.
Author: Charles A. Cramer
Publisher: Associated University Presse
ISBN: 9780874139358
Category : Art
Languages : en
Pages : 196
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Book Description
This study traces an important but largely overlooked conception of abstraction in art from its roots in eighteenth-century empirical epistemology to its application in the pursuit of ideal form from Joshua Reynolds to Piet Mondrian. Theorized by Enlightenment philosophy as a means of discovering ideal essence by purging natural form of its accidental and contingent qualities abstraction was a major focus of philosophical, scientific, and aesthetic discourse for more than one hundred fifty years, serving as the nucleus of fundamental debates about the philosophy of mind, the relationship between the Ancients and the Moderns, the nature of human racial and functional variety, the nature of God's creative ideas, the use of brushwork in painting, the validity of abstraction in art, and the visual appearance of ideal truth and beauty.
Author: Jerome Christensen
Publisher: Cornell University Press
ISBN: 1501741632
Category : Biography & Autobiography
Languages : en
Pages : 285
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Book Description
Samuel Taylor Coleridge's prose has long confounded its critics. In Coleridge's Blessed Machine of Language, Jerome Christensen offers a reading of the prose which captures its pious, perverse vitality and characterizes its rhetorical form. Coleridge sought "to expose the folly and legerdemain of those who have... abused the blessed machine of language." Christensen develops a framework for reading Coleridge's language by first exploring Coleridge's critique of David Hartley's philosophy of associationism. Although Coleridge discredited Hartley's system, he failed to devise a coherent alternative. Lacking a firm grounding for his philosophical method, Coleridge wrought a mobile, fragmentary discourse which, Christensen asserts, is important to the Romantic tradition not because it is central, but because it is brilliantly eccentric. Christensen navigates the complexities of Coleridge's language in prefaces, guides, marginalia, notebooks, letters, essays, and manuals, but chiefly in the Biographia Literaria and The Friend, his major works in prose. The Biographia, he argues, is best conceived of as marginal discourse—a category that subsumes not only Coleridge's criticism of association but also the mix of deference and dominance in his engagement with Wordsworth's genius. In The Friend, Coleridge appears as the figure of the Friend, mediator between the extremes of principle and prudence. These extremes do meet in Coleridge's prose, but the moral force of the encounter is vitiated by Coleridge's purely rhetorical resolution in the figure of chiasmus. The chiasmus, Christensen concludes, is the trope that both shapes The Friend and propels the blessed machine of Coleridge's language.
Author: Mark Salber Phillips
Publisher: Princeton University Press
ISBN: 1400823625
Category : History
Languages : en
Pages : 390
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Book Description
A deepening interest in both social and interior experience was a distinguishing feature of the cultural life of eighteenth-century Britain, influencing writers in all genres from fiction to philosophy. Focusing on this interplay of ideas and genres, Mark Phillips explores the ways in which writers and readers of history, memoir, biography and related literatures responded to the social and sentimental concerns of a modern, commercial society. He shows that the writing of history, which once concentrated exclusively on political events, widened its horizons in ways that often paralleled better-known developments in the contemporary novel. Ultimately, Phillips proposes a new model for the study of historiographical narrative. Countering tropological readings identified with Hayden White, he offers a more historically nuanced approach that stresses questions of genre and reception as a guide to understanding how narratives were reshaped by new audiences and new social needs. Drawing inspiration from both the social analysis of the Scottish Enlightenment and the sentimental aesthetics of the contemporary novel, historical writing began to explore the areas of social experience and private life for which there was no place in classical historiography. The consequence, Phillips argues, was a significant reframing of historical thought that expressed itself through new themes, including the histories of commerce, manners, literature, and women, and through some lively experiments in narrative form. This book offers a rich picture of historiography that will interest students of history and fiction alike.
