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Author: Barna William Donovan
Publisher: McFarland
ISBN:
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
"This history showcases the influence of Eastern popular culture on America cinema and the ways in which its storytelling and cinematic techniques have migrated from grainy, low-budget martial arts movies to box-office blockbusters. While special effects gained prominence in the industry, the raw and gritty power of live combat emerged as an audience favorite"--Provided by publisher.
Author: Barna William Donovan
Publisher: McFarland
ISBN:
Category : Performing Arts
Languages : en
Pages : 286
Get Book Here
Book Description
"This history showcases the influence of Eastern popular culture on America cinema and the ways in which its storytelling and cinematic techniques have migrated from grainy, low-budget martial arts movies to box-office blockbusters. While special effects gained prominence in the industry, the raw and gritty power of live combat emerged as an audience favorite"--Provided by publisher.
Author: Barna William Donovan
Publisher: McFarland
ISBN: 1476607702
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
Filmmakers of the Pacific Rim have been delivering punches and flying kicks to the Hollywood movie industry for years. This book explores the ways in which the storytelling and cinematic techniques of Asian popular culture have migrated from grainy, low-budget martial arts movies to box-office blockbusters such as The Magnificent Seven, Star Wars, The Matrix and Transformers. While special effects gained prominence, the raw and gritty power of live combat emerged as an audience favorite, spawning Asian stars Bruce Lee and Jackie Chan and martial arts-trained stars Chuck Norris and Steven Seagal. As well as capturing the sheer onscreen adrenaline rush that characterizes the films discussed, this work explores the impact of violent cinematic entertainment and why it is often misunderstood. Instructors considering this book for use in a course may request an examination copy here.
Author: James Kendrick
Publisher: John Wiley & Sons
ISBN: 1119100763
Category : Performing Arts
Languages : en
Pages : 593
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Book Description
An authoritative guide to the action-packed film genre With 24 incisive, cutting-edge contributions from esteemed scholars and critics, A Companion to the Action Filmprovides an authoritative and in-depth guide to this internationally popular and wide-ranging genre. As the first major anthology on the action film in more than a decade, the volume offers insights into the genre’s historical development, explores its production techniques and visual poetics, and provides reflections on the numerous social, cultural, and political issues it has and continues to embody. A Companion to the Action Film offers original research and critical analysis that examines the iconic characteristics of the genre, its visual aesthetics, and its narrative traits; considers the impact of major directors and stars on the genre’s evolution; puts the action film in dialogue with various technologies and other forms of media such as graphic novels and television; and maps out new avenues of critical study for the future. This important resource: Offers a definitive guide to the action film Contains insightful contributions from a wide range of international film experts and scholars Reviews the evolution of the genre from the silent era to today’s age of digital blockbusters Offers nuanced commentary and analysis of socio-cultural issues such as race, nationality, and gender in action films Written for scholars, teachers and students in film studies, film theory, film history, genre studies, and popular culture, A Companion to the Action Film is an essential guide to one of international cinema’s most important, popular, and influential genres.
Author: Gary G. Xu
Publisher: Rowman & Littlefield
ISBN: 9780742554504
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
Sinascape: Contemporary Chinese Cinema is a comprehensive study of Chinese-language films at the turn of the millennium. Emphasizing the transnational nature of contemporary Chinese cinema, it provides close readings of most of the important films of China, Taiwan, Hong Kong, and explores the interactions and transactions among these films and between Chinese cinema and Hollywood. General readers, film enthusiasts, and critics will all benefit from Gary Xu's discussion of popular films like Hero, House of Flying Daggers, Kung Fu Hustle, Devils on the Doorstep, Suzhou River, Beijing Bicycle, Millennium Mambo, Goodbye Dragon Inn, and Hollywood Hong Kong.
Author: Gina Marchetti
Publisher: Routledge
ISBN: 1134179162
Category : Performing Arts
Languages : en
Pages : 496
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Book Description
In recent years, with the establishment of the Hong Kong Film Archive and growing scholarly interest in the history of Hong Kong cinema, previously neglected historical documents and difficult-to-access films have offered new research materials. As Hong Kong film history comes into sharper focus, its inextricable links across the decades to Southeast Asia, Korea, Japan, the United States, and to the far reaches of the Chinese diaspora have also become more evident. Hong Kong’s connection with Hollywood involves ties that bring together art cinema and popular genres as well as film festivals and the media marketplace with popular transnational genres. Giving fresh and facsinating insights into the vibrant area of Hong Kong, this exciting new book links Hong Kong with world film culture both within and beyond the commercial Hollywood paradigm. It emphasizes Hong Kong film in relation to other cinema industries, including Hollywood, and demonstrates that Hong Kong film, throughout its history, has challenged, redefined, expanded, and exceeded its borders.
Author: Luke White
Publisher: Reaktion Books
ISBN: 1789145341
Category : Performing Arts
Languages : en
Pages : 295
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Book Description
From classic Bruce Lee films to the comedies of Jackie Chan, a vibrant look at the enduring fascination with the kung fu cinema of Hong Kong. In the spring and summer of 1973, a wave of martial arts movies from Hong Kong—epitomized by Bruce Lee’s Enter the Dragon—smashed box-office records for foreign-language films in America and ignited a “kung fu craze” that swept the world. Fighting without Fighting explores this dramatic phenomenon, and it argues that, more than just a cinematic fad, the West’s sudden fascination with—and moral panic about—the Asian fighting arts left lasting legacies still present today. The book traces the background of the craze in the longer development of Hong Kong’s martial arts cinema. It discusses the key films in detail, as well as their popular reception and the debates they ignited, where kung fu challenged Western identities and raised anxieties about violence, both on and off-screen. And it examines the proliferation of ideas and images from these films in fields as diverse as popular music, superhero franchises, children’s cartoons, and contemporary art. Illuminating and accessible, Fighting without Fighting draws a vivid bridge between East and West.
Author: Lisa Funnell
Publisher: State University of New York Press
ISBN: 1438452500
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
Finalist for the 2014 ForeWord IndieFab Book of the Year Award in the Women's Studies Category Bronze Medalist, 2015 Independent Publisher Book Awards in the Women Issues Category Winnerof the 2015 Emily Toth Award presented by the Popular Culture Association & American Culture Association Warrior Women considers the significance of Chinese female action stars in martial arts films produced across a range of national and transnational contexts. Lisa Funnell examines the impact of the 1997 transfer of Hong Kong from British to Chinese rule on the representation of Chinese identities—Hong Kong Chinese, mainland Chinese, Chinese American, Chinese Canadian—in action films produced domestically in Hong Kong and, increasingly, in cooperation with mainland China and Hollywood. Hong Kong cinema has offered space for the development of transnational Chinese screen identities that challenge the racial stereotypes historically associated with the Asian female body in the West. The ethnic/national differentiation of transnational Chinese female stars—such as Pei Pei Cheng, Charlene Choi, Gong Li, Lucy Liu, Shu Qi, Michelle Yeoh, and Zhang Ziyi—is considered part of the ongoing negotiation of social, cultural, and geopolitical identities in the Chinese-speaking world.
Author: Daryl Joji Maeda
Publisher: NYU Press
ISBN: 1479812862
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
"Bruce Lee embodies the intermixture of cultures that results from transnational flows of people, ideas, and capital. Born in San Francisco and raised in Hong Kong, his life was one of constant shuttling across the Pacific. Rather than being a product of California or China, he was produced by transpacific currents impelled by colonialism, capitalism, and militarism. In his life, career, and films he faced and addressed racism and colonialism. He shattered national, racial, and cultural boundaries in his martial arts practice, personal life, and films. His philosophy of intermixture can be tracked by studying how his fighting style evolved, driven by his ethos of absorbing influences from around the globe. He defied US discrimination against interracial marriage by marrying a white woman and embraced cultural hybridity in raising their children. In Hollywood, he broke ground as an Asian American on television and when racism stymied his career, he revolutionized filmmaking by combining aesthetics and influences drawn from both Hong Kong and Hollywood. Nearly half a century after his tragic death at the age of 32, Bruce Lee continues to inspire people around the globe as a symbol of innovation, determination, and pursuit of justice"--
Author: Joseph Alberts
Publisher: Lulu.com
ISBN: 1304718077
Category :
Languages : en
Pages : 404
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Book Description
Author: Lisa Funnell
Publisher: Routledge
ISBN: 1317910257
Category : Art
Languages : en
Pages : 243
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Book Description
Critics frequently describe the influence of "America," through Hollywood and other cultural industries, as a form of cultural imperialism. This unidirectional model of interaction does not address, however, the counter-flows of Chinese-language films into the American film market or the influence of Chinese filmmakers, film stars, and aesthetics in Hollywood. The aim of this collection is to (re)consider the complex dynamics of transnational cultural flows between American and Chinese-language film industries. The goal is to bring a more historical perspective to the subject, focusing as much on the Hollywood influence on early Shanghai or postwar Hong Kong films as on the intensifying flows between American and Chinese-language cinemas in recent decades. Contributors emphasize the processes of appropriation and reception involved in transnational cultural practices, examining film production, distribution, and reception.
