The Artist's Touch, the Craftsman's Hand PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Artist's Touch, the Craftsman's Hand PDF full book. Access full book title The Artist's Touch, the Craftsman's Hand by Portland Art Museum (Or.). Download full books in PDF and EPUB format.
Author: Portland Art Museum (Or.)
Publisher:
ISBN: 9781883124328
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Published on the occasion of an exhibition held at the Portland Art Museum, Portland, Or., Oct. 1, 2011-Jan. 22, 2012.
Author: Portland Art Museum (Or.)
Publisher:
ISBN: 9781883124328
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Published on the occasion of an exhibition held at the Portland Art Museum, Portland, Or., Oct. 1, 2011-Jan. 22, 2012.
Author: Julie Appel
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781402735677
Category : Juvenile Nonfiction
Languages : en
Pages : 48
Get Book Here
Book Description
Invites young readers to touch Impressionist and other nineteenth-century paintings, including Van Gogh's "Starry Night," Degas' "L'Etoile," and Morisot's "The Cradle." On board pages.
Author: E.J. Russell
Publisher: Reality Optional Press
ISBN: 1947033832
Category : Fiction
Languages : en
Pages : 114
Get Book Here
Book Description
A destitute artist. His art investigator ex-lover. Two men haunted by more than the past. Painter Stefan Cobbe was homeless and debt-ridden after the death of his wealthy partner, but the worst loss of all was his artistic inspiration. After two years of nothing, he’s offered patronage by an eccentric gallery owner and starts to produce again, canvas after canvas. The only problem? He can’t remember painting any of them—not one single brushstroke. Luke Morganstern’s reputation as an art-fraud investigator is in tatters. He can’t afford to turn down any job, even a lousy one for an anonymous client who sends him after an unidentified forger in a remote cabin in Oregon. When the alleged forger turns out to be Stefan, the man he never stopped loving, Luke’s professional ethics are stretched beyond the breaking point. As the two men take tentative steps toward reconciliation, evidence begins to mount that they’re not alone in the woods. Someone—or something—is watching. Something with sinister plans for them both. To escape, Luke must overcome his suspicions and Stefan must trust Luke with his deepest fears. Otherwise they could forfeit their relationship, their sanity—and their lives. NOTE: This is a heavily revised and significantly expanded reprint of the author's Northern Light, however the text does not differ from the first edition of The Artist’s Touch.
Author: Chris Unwin
Publisher: Penguin
ISBN: 1440324549
Category : Art
Languages : en
Pages : 202
Get Book Here
Book Description
You'll Love This Watercolor Painting Book If: • You love getting inspiration from fellow watercolor artists • You want the feeling of peeking inside an artists' studio • You love watercolor & want to improve your skills See great completed watercolor art pieces from more than 100 artists in The Artistic Touch 5. Hear from them as they discuss how & why they paint like they do and why they love working in watercolor. Learn from fellow watercolor artists as they share their favorite pieces, and find inspiration in this curated edition of The Artistic Touch. Get great watercolor painting techniques & creative tips in The Artistic Touch 5. Perfect for beginning watercolorists & advanced artists looking for new inspiration. With The Artistic Touch 5 You'll Get: • More than 100 artists sharing watercolor painting techniques & inspirations • Contributors helping readers discover original and creative ways to paint with watercolor • Tips & completed works great for beginner & advanced watercolorists
Author: Alison Mairi Syme
Publisher: Penn State Press
ISBN: 9780271036229
Category : Art
Languages : en
Pages : 348
Get Book Here
Book Description
"Explores the art of John Singer Sargent in the context of nineteenth-century botany, gynecology, literature, and visual culture. Argues that the artist was elaborating both a period poetics of homosexuality and a new sense of subjectivity, anticipating certain aspects of artistic modernism"--Provided by publisher.
Author: Peter Dent
Publisher: Routledge
ISBN: 1351549456
Category : Art
Languages : en
Pages : 239
Get Book Here
Book Description
Since the Renaissance, at least, the medium of sculpture has been associated explicitly with the sense of touch. Sculptors, philosophers and art historians have all linked the two, often in strikingly different ways. In spite of this long running interest in touch and tactility, it is vision and visuality which have tended to dominate art historical research in recent decades. This book introduces a new impetus to the discussion of the relationship between touch and sculpture by setting up a dialogue between art historians and individuals with fresh insights who are working in disciplines beyond art history. The collection brings together a rich and diverse set of approaches, with essays tackling subjects from prehistoric figurines to the work of contemporary artists, from pre-modern ideas about the physiology of touch to tactile interaction in the museum environment, and from the phenomenology of touch in recent philosophy to the experimental findings of scientific study. It is the first volume on this subject to take such a broad approach and, as such, seeks to set the agenda for future research and collaboration in this area.
Author: Shival Jain
Publisher: JEC PUBLICATION
ISBN: 9358508450
Category : Fiction
Languages : en
Pages : 72
Get Book Here
Book Description
This book features a collection of artworks by various artists, accompanied by their respective biographies, providing a comprehensive showcase of their creative talents.
Author: Murray Moss
Publisher: Rizzoli Publications
ISBN: 0847861570
Category : Biography & Autobiography
Languages : en
Pages : 330
Get Book Here
Book Description
A witty and revealing memoir of the mid-1990s, when high design became art and there was no more exclusive club for high design than MOSS. For almost twenty years the SoHo design gallery MOSS was the place where design, art, money, and glamour mixed. Murray Moss, the impresario behind the shop, and his partner, Franklin Getchell, were the leading arbiters of good taste and the new—launching the careers of now-established designers such as Studio Job and Maarten Baas while bringing back into fashion eighteenth-century porcelain and Tupperware. By mixing high and low MOSS shifted the design conversation from the galleries of MoMA to a storefront in SoHo. Please Do Not Touch is their witty insider confessions of that exciting time. Natural storytellers, Moss and Getchell effortlessly weave entertaining and revealing tales that take the reader behind the scenes of MOSS’s famous opening night parties and spectacular projects and partnerships with never-before-seen photographs from their personal archives. A memoir by two legends of modern design, Please Do Not Touch is sure to become a “bible” for cognoscenti and students alike—transporting lovers of modern design back to the time when high design first broke all barriers.
Author: Ewa Lajer-Burcharth
Publisher: Princeton University Press
ISBN: 0691170126
Category : Art
Languages : en
Pages : 312
Get Book Here
Book Description
A new interpretation of the development of artistic modernity in eighteenth-century France What can be gained from considering a painting not only as an image but also a material object? How does the painter’s own experience of the process of making matter for our understanding of both the painting and its maker? The Painter’s Touch addresses these questions to offer a radical reinterpretation of three paradigmatic French painters of the eighteenth century. In this beautifully illustrated book, Ewa Lajer-Burcharth provides close readings of the works of François Boucher, Jean-Siméon Chardin, and Jean-Honoré Fragonard, entirely recasting our understanding of these painters’ practice. Using the notion of touch, she examines the implications of their strategic investment in materiality and sheds light on the distinct contribution of painting to the culture of the Enlightenment. Lajer-Burcharth traces how the distinct logic of these painters’ work—the operation of surface in Boucher, the deep materiality of Chardin, and the dynamic morphological structure in Fragonard—contributed to the formation of artistic identity. Through the notion of touch, she repositions these painters in the artistic culture of their time, shifting attention from institutions such as the academy and the Salon to the realms of the market, the medium, and the body. Lajer-Burcharth analyzes Boucher’s commercial tact, Chardin’s interiorized craft, and Fragonard’s materialization of eros. Foregrounding the question of experience—that of the painters and of the people they represent—she shows how painting as a medium contributed to the Enlightenment’s discourse on the self in both its individual and social functions. By examining what paintings actually “say” in brushstrokes, texture, and paint, The Painter’s Touch transforms our understanding of the role of painting in the emergence of modernity and provides new readings of some of the most important and beloved works of art of the era.
Author: Peter Dent
Publisher: Routledge
ISBN: 1351549464
Category : Art
Languages : en
Pages : 254
Get Book Here
Book Description
Since the Renaissance, at least, the medium of sculpture has been associated explicitly with the sense of touch. Sculptors, philosophers and art historians have all linked the two, often in strikingly different ways. In spite of this long running interest in touch and tactility, it is vision and visuality which have tended to dominate art historical research in recent decades. This book introduces a new impetus to the discussion of the relationship between touch and sculpture by setting up a dialogue between art historians and individuals with fresh insights who are working in disciplines beyond art history. The collection brings together a rich and diverse set of approaches, with essays tackling subjects from prehistoric figurines to the work of contemporary artists, from pre-modern ideas about the physiology of touch to tactile interaction in the museum environment, and from the phenomenology of touch in recent philosophy to the experimental findings of scientific study. It is the first volume on this subject to take such a broad approach and, as such, seeks to set the agenda for future research and collaboration in this area.
