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Author: Thomas Aiello
Publisher: Univ. Press of Mississippi
ISBN: 1496835409
Category : Social Science
Languages : en
Pages : 287
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Book Description
In 1963, at the height of the southern civil rights movement, Cecil Brathwaite (1936–2014), under the pseudonym Cecil Elombe Brath, published a satire of Black leaders entitled Color Us Cullud! The American Negro Leadership Official Coloring Book. The book pillories a variety of Black leaders—from political figures like Adam Clayton Powell and Whitney Young to civil rights activists like Martin Luther King, Bayard Rustin, and John Lewis, and even entertainers like Sammy Davis Jr., Lena Horne, and Dick Gregory—critiquing the inauthenticity of movement leaders while urging a more radical approach to Black activism. Despite the strong illustrations and unique commentary presented in the coloring book, it has virtually disappeared from histories of the movement. The Artistic Activism of Elombe Brath restores the coloring book and its creator to a place of prominence in the historiography of the Black left. It begins with an analysis of Brath’s influences, describing his life and work including his development as a Black nationalist thinker and Black satirist. This volume includes Brath’s early works—illustrations for DownBeat magazine and Beat Jokes, Bop Humor, & Cool Cartoons—as well as the full run of his comic strip “Congressman Carter and Beat Nick Jackson” from the New York Citizen-Call and a complete edition of Color Us Cullud! itself. These illustrations are followed by annotations that frame and contextualize each of the coloring book’s entries. The book closes with selections from Brath’s art and political thinking via archival material and samples of his written work. Ultimately, this volume captures and restores a unique perspective on the civil rights movement often omitted from the historiography but vital to understanding its full scope.
Author: Thomas Aiello
Publisher: Univ. Press of Mississippi
ISBN: 1496835409
Category : Social Science
Languages : en
Pages : 287
Get Book Here
Book Description
In 1963, at the height of the southern civil rights movement, Cecil Brathwaite (1936–2014), under the pseudonym Cecil Elombe Brath, published a satire of Black leaders entitled Color Us Cullud! The American Negro Leadership Official Coloring Book. The book pillories a variety of Black leaders—from political figures like Adam Clayton Powell and Whitney Young to civil rights activists like Martin Luther King, Bayard Rustin, and John Lewis, and even entertainers like Sammy Davis Jr., Lena Horne, and Dick Gregory—critiquing the inauthenticity of movement leaders while urging a more radical approach to Black activism. Despite the strong illustrations and unique commentary presented in the coloring book, it has virtually disappeared from histories of the movement. The Artistic Activism of Elombe Brath restores the coloring book and its creator to a place of prominence in the historiography of the Black left. It begins with an analysis of Brath’s influences, describing his life and work including his development as a Black nationalist thinker and Black satirist. This volume includes Brath’s early works—illustrations for DownBeat magazine and Beat Jokes, Bop Humor, & Cool Cartoons—as well as the full run of his comic strip “Congressman Carter and Beat Nick Jackson” from the New York Citizen-Call and a complete edition of Color Us Cullud! itself. These illustrations are followed by annotations that frame and contextualize each of the coloring book’s entries. The book closes with selections from Brath’s art and political thinking via archival material and samples of his written work. Ultimately, this volume captures and restores a unique perspective on the civil rights movement often omitted from the historiography but vital to understanding its full scope.
Author: Thomas Aiello
Publisher: Univ. Press of Mississippi
ISBN: 1496835387
Category : Social Science
Languages : en
Pages : 329
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Book Description
In 1963, at the height of the southern civil rights movement, Cecil Brathwaite (1936–2014), under the pseudonym Cecil Elombe Brath, published a satire of Black leaders entitled Color Us Cullud! The American Negro Leadership Official Coloring Book. The book pillories a variety of Black leaders—from political figures like Adam Clayton Powell and Whitney Young to civil rights activists like Martin Luther King, Bayard Rustin, and John Lewis, and even entertainers like Sammy Davis Jr., Lena Horne, and Dick Gregory—critiquing the inauthenticity of movement leaders while urging a more radical approach to Black activism. Despite the strong illustrations and unique commentary presented in the coloring book, it has virtually disappeared from histories of the movement. The Artistic Activism of Elombe Brath restores the coloring book and its creator to a place of prominence in the historiography of the Black left. It begins with an analysis of Brath’s influences, describing his life and work including his development as a Black nationalist thinker and Black satirist. This volume includes Brath’s early works—illustrations for DownBeat magazine and Beat Jokes, Bop Humor, & Cool Cartoons—as well as the full run of his comic strip “Congressman Carter and Beat Nick Jackson” from the New York Citizen-Call and a complete edition of Color Us Cullud! itself. These illustrations are followed by annotations that frame and contextualize each of the coloring book’s entries. The book closes with selections from Brath’s art and political thinking via archival material and samples of his written work. Ultimately, this volume captures and restores a unique perspective on the civil rights movement often omitted from the historiography but vital to understanding its full scope.
Author: Jonathan W. Thurston-Torres
Publisher: MSU Press
ISBN: 1628954833
Category : Social Science
Languages : en
Pages : 430
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Book Description
The intersection of race and species has a long and problematic history. Western thinking specifically has demonstrated a societal need to try to conceive of race as a purely biological fact rather than a social construct. This book is an academic-activist challenge to that instinct, prioritizing anti-racism in its observation of the animal–race intersection. Too often, as Bénédicte Boisseron has indicated, this intersection typically appears in the form of animal activists instrumentalizing racial discrimination as a vehicle to approach animal rights. But why does this intersection exist, and, perhaps more importantly, how can we challenge it moving forward? This volume examines those two critical questions, taking an interdisciplinary approach in moving across subjects including art history, film studies, American history, and digital media analysis. Our interpretation of animals has, for centuries, been fundamental in the development of Western race thinking. This collection of essays looks at how this perspective contributes to the construction of racial discrimination, prioritizing ways to read the animal in our culture as a means for working to dismantle this conception.
Author: Kwame Brathwaite
Publisher:
ISBN: 9781597114431
Category : African American
Languages : en
Pages : 0
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Book Description
Coincides with an exhibition of Brathwaite's work, 2019.
Author: Thomas Aiello
Publisher: iUniverse
ISBN: 0595206654
Category : Fiction
Languages : en
Pages : 226
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Book Description
In the late sixties, a rogue psychiatrist created a gated community of mental patients called Yesterday, utilizing some revolutionary mental health techniques. When Orson Littlefield is sent to the Yesterday mental facility, he is introduced to a new medication that makes his delusions come to life. His next door neighbor, who is actually just another part of his delusion, becomes enraged when Orson kicks yet another figment of his imagination into her yard. She then promptly murders him with a nuclear warhead. Meanwhile, the antichrist, a Louisiana bunny rabbit, rises to power and seduces the world. One testament later, a high school football star takes on the persona of savior for a sports starved small town. His life is naturally replete with miracles, disciples, a donkey, and plenty of sex. Interspersed throughout are the author’s own attempts to come to terms with the fact that all the characters in his story are just figments of his imagination. Newspapers come to life, girlfriends evaporate, and various characters throughout are stricken with stigmata. A social commentary, religious satire, and absurdist comedy that examines the fine line between imagination and reality: come look inside the womb of monsters.
Author: Thomas Aiello
Publisher: Bloomsbury Publishing USA
ISBN: 1440843589
Category : Social Science
Languages : en
Pages : 609
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Book Description
In the 20 years between 1895 and 1915, two key leaders—Booker T. Washington and W.E.B. Du Bois—shaped the struggle for African American rights. This book examines the impact of their fierce debate on America's response to Jim Crow and positions on civil rights throughout the 20th century—and evaluates the legacies of these two individuals even today. The debate between W.E.B. Du Bois and Booker T. Washington on how to further social and economic progress for African Americans lasted 20 years, from 1895 to Washington's death in 1915. Their ongoing conversation evolved over time, becoming fiercer and more personal as the years progressed. But despite its complexities and steadily accumulating bitterness, it was still, at its heart, a conversation—an impassioned contest at the turn of the century to capture the souls of black folk. This book focuses on the conversation between Washington and Du Bois in order to fully examine its contours. It serves as both a document reader and an authored text that enables readers to perceive how the back and forth between these two individuals produced a cacophony of ideas that made it anything but a bipolar debate, even though their expressed differences would ultimately shape the two dominant strains of activist strategy. The numerous chapters on specific topics and historical events follow a preface that presents an overview of both the conflict and its historiographical treatment; evaluates the legacies of both Washington and Du Bois, emphasizing the trajectories of their theories beyond 1915; and provides an explanation of the unique structure of the work.
Author: Thomas Aiello
Publisher: LSU Press
ISBN: 0807172529
Category : History
Languages : en
Pages : 215
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Book Description
A remnant of the racist post-Reconstruction Redeemer sociopolitical agenda, Louisiana’s nonunanimous jury-verdict law permitted juries to convict criminal defendants with only nine, and later ten, out of twelve votes: a legal oddity. On the surface, it was meant to speed convictions. In practice, the law funneled many convicts—especially African Americans—into Louisiana’s burgeoning convict lease system. Although it faced multiple legal challenges through the years, the law endured well after convict leasing had ended. Few were aware of its existence, let alone its original purpose. In fact, the original publication of Jim Crow’s Last Stand was one of the first attempts to call attention to the historical injustice caused by this law. This updated edition of Jim Crow’s Last Stand unpacks the origins of the statute in Bourbon Louisiana, traces its survival through the civil rights era, and ends with the successful effort to overturn the nonunanimous jury practice, a policy that officially went into effect on January 1, 2019.
Author: Thomas Aiello
Publisher: University of Georgia Press
ISBN: 0820354473
Category : History
Languages : en
Pages : 311
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Book Description
In the summer of 1928, William Alexander Scott began a small four-page weekly with the help of his brother Cornelius. In 1930 his Atlanta World became a semiweekly, and the following year W. A. began to implement his vision for a massive newspaper chain based out of Atlanta: the Southern Newspaper Syndicate, later dubbed the Scott Newspaper Syndicate. In April 1931 the World had become a triweekly, and its reach began drifting beyond the South. With The Grapevine of the Black South, Thomas Aiello offers the first critical history of this influential newspaper syndicate, from its roots in the 1930s through its end in the 1950s. At its heyday, more than 240 papers were associated with the Syndicate, making it one of the biggest organs of the black press during the period leading up to the classic civil rights era (1955–68). In the generation that followed, the Syndicate helped formalize knowledge among the African American population in the South. As the civil rights movement exploded throughout the region, black southerners found a collective identity in that struggle built on the commonality of the news and the subsequent interpretation of that news. Or as Gunnar Myrdal explained, the press was “the chief agency of group control. It [told] the individual how he should think and feel as an American Negro and create[d] a tremendous power of suggestion by implying that all other Negroes think and feel in this manner.” It didn’t create a complete homogeneity in black southern thinking, but it gave thinkers a similar set of tools from which to draw.
Author: Thomas Aiello
Publisher: University of Alabama Press
ISBN: 0817317422
Category : Biography & Autobiography
Languages : en
Pages : 261
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Book Description
In the 1930s, Monroe, Louisiana, was a town of twenty-six thousand in the northeastern corner of the state, an area described by the New Orleans Item as the “lynch law center of Louisiana.” race relations were bad, and the Depression was pitiless for most, especially for the working class—a great many of whom had no work at all or seasonal work at best. Yet for a few years in the early 1930s, this unlikely spot was home to the Monarchs, a national-caliber Negro League baseball team. Crowds of black and white fans eagerly filled their segregated grandstand seats to see the players who would become the only World Series team Louisiana would ever generate, and the first from the American South. By 1932, the team had as good a claim to the national baseball championship of black America as any other. Partisans claim, with merit, that league officials awarded the National Championship to the Chicago American Giants in flagrant violation of the league’s own rules: times were hard and more people would pay to see a Chicago team than an outfit from the Louisiana back country. Black newspapers in the South rallied to support Monroe’s cause, railing against the league and the bias of black newspapers in the North, but the decision, unfair though it may have been, was also the only financially feasible option for the league’s besieged leadership, who were struggling to maintain a black baseball league in the midst of the Great Depression. Aiello addresses long-held misunderstandings and misinterpretations of the Monarchs’ 1932 season. He tells the almost-unknown story of the team—its time, its fortunes, its hometown—and positions black baseball in the context of American racial discrimination. He illuminates the culture-changing power of a baseball team and the importance of sport in cultural and social history.
Author: Thomas Aiello
Publisher: iUniverse
ISBN: 0595258522
Category : Fiction
Languages : en
Pages : 258
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Book Description
Ruth Messier had been sitting in a special care hospital strapped to a chair for twenty-five years. She couldn't see or hear. She couldn't smell or taste or feel. She had no arms and no legs. Ruth Messier was a bowling ball. Unbeknownst to the torso, a gun-toting teenager killed fourteen patrons of the Thrifty Mart, a gas station just across the street from Ruth's special care hospital. At the same time, a woman ran out on her alcoholic boyfriend and their two cats. Enter Saint Norman, the patron saint of bowling balls. Saint Norman, looking down on the Lanes of Life from his snack bar in the sky. From the author of Womb of Monsters comes a hilarious satirical novel where saints play poker, trees are used to communicate with the dead, and nurses have ninja ability. In this new work, Thomas Aiello takes on religious dogma, the judicial system, and the media as events quickly spiral to a dramatic conclusion. Saint Norman is tragicomedy at its finest.
