The Artist and the Camera

The Artist and the Camera PDF Author: Dorothy M. Kosinski
Publisher: Yale University Press
ISBN: 9780300081688
Category : Art
Languages : en
Pages : 335

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Book Description
A catalog accompanying an exhibtion organized by the Dallas Museum of Art describes how artists at the turn of the century used photography in their paintings and sculpture

The Artist and the Camera

The Artist and the Camera PDF Author: Dorothy M. Kosinski
Publisher: Yale University Press
ISBN: 9780300081688
Category : Art
Languages : en
Pages : 335

Get Book Here

Book Description
A catalog accompanying an exhibtion organized by the Dallas Museum of Art describes how artists at the turn of the century used photography in their paintings and sculpture

The artist and the camera, Degas to Picasso

The artist and the camera, Degas to Picasso PDF Author: Dorothy Kosinski
Publisher:
ISBN:
Category :
Languages : en
Pages : 335

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Book Description


The Artist and the Camera- Degas to Picasso

The Artist and the Camera- Degas to Picasso PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 335

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Book Description


The artist and the camera, Degas to Picasso

The artist and the camera, Degas to Picasso PDF Author: Dorothy Kosinski
Publisher:
ISBN:
Category :
Languages : de
Pages : 335

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Book Description


Edgar Degas, Photographer

Edgar Degas, Photographer PDF Author: Malcolm R. Daniel
Publisher: Metropolitan Museum of Art
ISBN: 0870998838
Category : Photography
Languages : en
Pages : 145

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Book Description
Degas's major surviving photographs, little known even among devotees of the artist's paintings and pastels, are analyzed and reproduced for the first time in this volume, which accompanies an exhibition at The Metropolitan Muscum of Art, The J. Paul Getty Museum, and the Bibliotheque Nationale de France.

Picasso Looks at Degas

Picasso Looks at Degas PDF Author: Elizabeth Cowling
Publisher: Sterling and Francine Clark Art Museum
ISBN:
Category : Art
Languages : en
Pages : 376

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Book Description
"This book is published on the occasion of the exhibition Picasso Looks at Degas, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 13 June-12 September 2010, Museu Picasso, Barcelona, 14 October 2010-16 January 2011."--T.p. verso.

Francis Bacon – In the Mirror of Photography

Francis Bacon – In the Mirror of Photography PDF Author: Katharina Günther
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110720647
Category : Art
Languages : en
Pages : 446

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Book Description
The British painter Francis Bacon (1909–1992) is famed for his idiosyncratic mode of depicting the human figure. Thirty years after his death, his working methods remain underexplored. New research on the Francis Bacon Studio Archive at Hugh Lane Gallery, Dublin, sheds light on the genesis of his works, namely the photographic source material he collected in his studios, on which he consistently based his paintings. The book brings together the artist’s pictorial springboards for the first time, delineating and interpreting recurring patterns and methods in his preparatory work and adoption of photographic material. In addition, it correctly locates ‘chance’ as a driving force in Bacon’s working method and qualifies the significance of photography for the painter.

Picasso

Picasso PDF Author: Jeffrey S. Weiss
Publisher: Princeton University Press
ISBN: 9780691117416
Category : Architecture
Languages : en
Pages : 228

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Book Description
Between spring and winter 1909, Picasso executed more than sixty portraits of his companion, Fernande Olivier. These works--produced in a variety of formats and mediums--exhibit a range of artistic approaches dedicated to a single subject that stands out in the history of portraiture. Even more significant, this series of works coincided with the invention of Cubism. Published to accompany a major exhibition originating at the National Gallery of Art, Washington, this richly illustrated volume illuminates Picasso's radical reformulation of human physiognomy. Containing eighty-two color illustrations and sixty-eight duotones, the catalogue explores the Fernande portraits and related works as a single oeuvre culminating in the magnificent Head of a Woman (Fernande)--one of Picasso's rare pre-1912 excursions into sculpture. By so doing, it allows us to examine Picasso's process in an unprecedented fashion. What emerges is a new picture of the artist pursuing his subject with obsessive repetition and struggling to resolve artistic problems during a time of crisis in his work. Also included are previously unpublished studio photographs that offer further insight into the conceptual nature of the artist's process. The text narrates the internal development of the Fernande portrait series, situates it within the broader history of representation, and considers the powerful impact of Cézanne on Picasso's work during this period. Seizing a single extended moment in the early history of Cubism, this catalogue reveals Cubism's great achievement--its startling invention, its remarkable expressive power, and its profound formal and psychological implications for modern art. EXHIBITION SCHEDULE: National Gallery of Art, Washington October 1, 2003 - January 18, 2004 Nasher Sculpture Garden, Dallas February 15 - May 9, 2004

ARTIST AND CAMERA.

ARTIST AND CAMERA. PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 60

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Book Description


Encyclopedia of Nineteenth-Century Photography

Encyclopedia of Nineteenth-Century Photography PDF Author: John Hannavy
Publisher: Routledge
ISBN: 1135873275
Category : Photography
Languages : en
Pages : 1629

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Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.