Author: James L. McElhinney
Publisher: Watson-Guptill
ISBN: 0385345313
Category : Art
Languages : en
Pages : 574
Book Description
A New York Times Gift Pick: Coffee Table Books About New York A lushly illustrated, comprehensive guide to painting in all media from the prestigious visual arts education institution Art Students League of New York. The Art Students League of New York is America’s signature art school, run by artists for artists. Founded in 1875, it has nurtured students like Jackson Pollock and Georgia O’Keefe. Today, more than 2,500 students of all ages, backgrounds, and skill levels study there each month. This unique book brings you into the studio classrooms of some of the League’s most celebrated painters—including William Scharf, Mary Beth McKenzie, Henry Finkelstein, and Knox Martin—for lessons on a variety of fundamental topics, idiosyncratic approaches, and quirky philosophies. Scanning the table of contents is like flipping through a course catalog: do you want to take Naomi Campbell’s “Working Large in Watercolor,” James McElhinney’s “Journal Painting and Composition,” Sharon Sprung’s “Figure Painting from Life in Oil,” or Ellen Eagle’s “Poetic Realism in Pastel”? Now you can—from the comfort of your own home studio (or living room). Richly illustrated with artwork from the League’s considerable archives, its instructors, and its students, this guide will inspire painters across all mediums, subjects, and styles.
Art Students League of New York on Painting
Author: James L. McElhinney
Publisher: Watson-Guptill
ISBN: 0385345313
Category : Art
Languages : en
Pages : 574
Book Description
A New York Times Gift Pick: Coffee Table Books About New York A lushly illustrated, comprehensive guide to painting in all media from the prestigious visual arts education institution Art Students League of New York. The Art Students League of New York is America’s signature art school, run by artists for artists. Founded in 1875, it has nurtured students like Jackson Pollock and Georgia O’Keefe. Today, more than 2,500 students of all ages, backgrounds, and skill levels study there each month. This unique book brings you into the studio classrooms of some of the League’s most celebrated painters—including William Scharf, Mary Beth McKenzie, Henry Finkelstein, and Knox Martin—for lessons on a variety of fundamental topics, idiosyncratic approaches, and quirky philosophies. Scanning the table of contents is like flipping through a course catalog: do you want to take Naomi Campbell’s “Working Large in Watercolor,” James McElhinney’s “Journal Painting and Composition,” Sharon Sprung’s “Figure Painting from Life in Oil,” or Ellen Eagle’s “Poetic Realism in Pastel”? Now you can—from the comfort of your own home studio (or living room). Richly illustrated with artwork from the League’s considerable archives, its instructors, and its students, this guide will inspire painters across all mediums, subjects, and styles.
Publisher: Watson-Guptill
ISBN: 0385345313
Category : Art
Languages : en
Pages : 574
Book Description
A New York Times Gift Pick: Coffee Table Books About New York A lushly illustrated, comprehensive guide to painting in all media from the prestigious visual arts education institution Art Students League of New York. The Art Students League of New York is America’s signature art school, run by artists for artists. Founded in 1875, it has nurtured students like Jackson Pollock and Georgia O’Keefe. Today, more than 2,500 students of all ages, backgrounds, and skill levels study there each month. This unique book brings you into the studio classrooms of some of the League’s most celebrated painters—including William Scharf, Mary Beth McKenzie, Henry Finkelstein, and Knox Martin—for lessons on a variety of fundamental topics, idiosyncratic approaches, and quirky philosophies. Scanning the table of contents is like flipping through a course catalog: do you want to take Naomi Campbell’s “Working Large in Watercolor,” James McElhinney’s “Journal Painting and Composition,” Sharon Sprung’s “Figure Painting from Life in Oil,” or Ellen Eagle’s “Poetic Realism in Pastel”? Now you can—from the comfort of your own home studio (or living room). Richly illustrated with artwork from the League’s considerable archives, its instructors, and its students, this guide will inspire painters across all mediums, subjects, and styles.
The Art Students League of New York
Author: Raymond J. Steiner
Publisher: C S S Publications, Incorporated
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
Traces the history since 1875 of an institution that has played an enormous role in the cultivation of American artists and art. The author, a founder and editor/art critic for "Art Times," provides a history enriched with anecdotes that portray the flavor of this unusual school as well as information about the school's social and cultural context over time. Annotation copyrighted by Book News Inc., Portland, OR
Publisher: C S S Publications, Incorporated
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
Traces the history since 1875 of an institution that has played an enormous role in the cultivation of American artists and art. The author, a founder and editor/art critic for "Art Times," provides a history enriched with anecdotes that portray the flavor of this unusual school as well as information about the school's social and cultural context over time. Annotation copyrighted by Book News Inc., Portland, OR
Painting Below Zero
Author: James Rosenquist
Publisher: Knopf
ISBN: 0307263428
Category : Biography & Autobiography
Languages : en
Pages : 421
Book Description
From James Rosenquist, one of our most iconic pop artists—along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein—comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting. Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns. Rosenquist writes about his shows with the dealers Richard Bellamy, Ileana Sonnabend, and Leo Castelli, and about colorful collectors like Robert and Ethel Scull. We learn about the 1971 car crash that left his wife and son in a coma and his own life and work in shambles, his lobbying—along with Rauschenberg—for artists’ rights in Washington D.C., and how he got his work back on track. With his distinct voice, Roseqnuist writes about the ideas behind some of his major paintings, from the startling revelation that led to his first pop painting, Zone, to his masterpiece, F-III, a stunning critique of war and consumerism, to the cosmic reverie of Star Thief. This is James Rosenquist’s story in his own words—captivating and unexpected, a unique look inside the contemporary art world in the company of one of its most important painters.
Publisher: Knopf
ISBN: 0307263428
Category : Biography & Autobiography
Languages : en
Pages : 421
Book Description
From James Rosenquist, one of our most iconic pop artists—along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein—comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting. Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns. Rosenquist writes about his shows with the dealers Richard Bellamy, Ileana Sonnabend, and Leo Castelli, and about colorful collectors like Robert and Ethel Scull. We learn about the 1971 car crash that left his wife and son in a coma and his own life and work in shambles, his lobbying—along with Rauschenberg—for artists’ rights in Washington D.C., and how he got his work back on track. With his distinct voice, Roseqnuist writes about the ideas behind some of his major paintings, from the startling revelation that led to his first pop painting, Zone, to his masterpiece, F-III, a stunning critique of war and consumerism, to the cosmic reverie of Star Thief. This is James Rosenquist’s story in his own words—captivating and unexpected, a unique look inside the contemporary art world in the company of one of its most important painters.
Classical Life Drawing Studio
Author: James Lancel McElhinney
Publisher:
ISBN: 9781402762291
Category : Drawing
Languages : en
Pages : 0
Book Description
Classical drawing is staging a comeback. The author presents a unique celebration of this revival: a gallery of never-before-published 19th- and 20th-century drawings and invaluable insight from teachers along with exemplary works by them and their select students.
Publisher:
ISBN: 9781402762291
Category : Drawing
Languages : en
Pages : 0
Book Description
Classical drawing is staging a comeback. The author presents a unique celebration of this revival: a gallery of never-before-published 19th- and 20th-century drawings and invaluable insight from teachers along with exemplary works by them and their select students.
Culture Strike
Author: Laura Raicovich
Publisher: Verso Books
ISBN: 1839760524
Category : Art
Languages : en
Pages : 225
Book Description
A leading activist museum director explains why museums are at the center of a political storm In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to resign at the Whitney. That is to say nothing of demonstrations against exhibitions and artworks. Protests have roiled institutions across the world, from the Abu Dhabi Guggenheim to the Akron Art Museum. A popular expectation has grown that galleries and museums should work for social change. As Director of the Queens Museum, Laura Raicovich helped turn that New York muni- cipal institution into a public commons for art and activism, organizing high-powered exhibitions that doubled as political protests. Then in January 2018, she resigned, after a dispute with the Queens Museum board and city officials. This public controversy followed the museum’s responses to Donald Trump’s election, including her objections to the Israeli government using the museum for an event featuring Vice President Mike Pence. In this lucid and accessible book, Raicovich examines some of the key museum flashpoints and provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding conservative, capitalist values. And she suggests ways museums can be reinvented to serve better, public ends.
Publisher: Verso Books
ISBN: 1839760524
Category : Art
Languages : en
Pages : 225
Book Description
A leading activist museum director explains why museums are at the center of a political storm In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to resign at the Whitney. That is to say nothing of demonstrations against exhibitions and artworks. Protests have roiled institutions across the world, from the Abu Dhabi Guggenheim to the Akron Art Museum. A popular expectation has grown that galleries and museums should work for social change. As Director of the Queens Museum, Laura Raicovich helped turn that New York muni- cipal institution into a public commons for art and activism, organizing high-powered exhibitions that doubled as political protests. Then in January 2018, she resigned, after a dispute with the Queens Museum board and city officials. This public controversy followed the museum’s responses to Donald Trump’s election, including her objections to the Israeli government using the museum for an event featuring Vice President Mike Pence. In this lucid and accessible book, Raicovich examines some of the key museum flashpoints and provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding conservative, capitalist values. And she suggests ways museums can be reinvented to serve better, public ends.
The Women of Atelier 17
Author: Christina Weyl
Publisher: Yale University Press
ISBN: 0300238509
Category : Art
Languages : en
Pages : 297
Book Description
This timely reexamination of the experimental New York print studio Atelier 17 focuses on the women whose work defied gender norms through novel aesthetic forms and techniques.
Publisher: Yale University Press
ISBN: 0300238509
Category : Art
Languages : en
Pages : 297
Book Description
This timely reexamination of the experimental New York print studio Atelier 17 focuses on the women whose work defied gender norms through novel aesthetic forms and techniques.
Constructive Anatomy
Author: George Brant Bridgman
Publisher:
ISBN:
Category : Anatomy, Artistic
Languages : en
Pages : 238
Book Description
Publisher:
ISBN:
Category : Anatomy, Artistic
Languages : en
Pages : 238
Book Description
Universal Principles of Art
Author: John A Parks
Publisher: Rockport Publishers
ISBN: 1627885587
Category : Art
Languages : en
Pages : 211
Book Description
A follow-up to Rockport Publishers' best-selling Universal Principles of Design, a new volume will present one hundred principles, fundamental ideas and approaches to making art, that will guide, challenge and inspire any artist to make better, more focused art.Universal Principles of Art serves as a wealth of prompts, hints, insights and roadmaps that will open a world of possibilities and provide invaluable keys to both understanding art works and generating new ones. Respected artist John A. Parks will explore principles that involve both techniques and concepts in art-making, covering everything from the idea of beauty to glazing techniques to geometric ideas in composition to minimalist ideology. Techniques are simple, direct and easily followed by any artist at any level. This incredibly detailed reference book is the standard for artists, historians, educators, professionals and students who seek to broaden and improve their art expertise.
Publisher: Rockport Publishers
ISBN: 1627885587
Category : Art
Languages : en
Pages : 211
Book Description
A follow-up to Rockport Publishers' best-selling Universal Principles of Design, a new volume will present one hundred principles, fundamental ideas and approaches to making art, that will guide, challenge and inspire any artist to make better, more focused art.Universal Principles of Art serves as a wealth of prompts, hints, insights and roadmaps that will open a world of possibilities and provide invaluable keys to both understanding art works and generating new ones. Respected artist John A. Parks will explore principles that involve both techniques and concepts in art-making, covering everything from the idea of beauty to glazing techniques to geometric ideas in composition to minimalist ideology. Techniques are simple, direct and easily followed by any artist at any level. This incredibly detailed reference book is the standard for artists, historians, educators, professionals and students who seek to broaden and improve their art expertise.
An Artful Corpse
Author: Helen A. Harrison
Publisher: Sourcebooks, Inc.
ISBN: 1728214041
Category : Fiction
Languages : en
Pages : 237
Book Description
"A first-rate whodunnit set in the 1960s New York art world, a time and place Helen Harrison has recreated with a page-turning mix of history, gossip, and fun!"—Bob Colacello, author of Holy Terror: Andy Warhol Close Up One artist. One student. One deadly mystery. When Regionalist painter Thomas Hart Benton's corpse is discovered behind the easels of Manhattan's famed art school, whispers in the art community say he had it coming. As Benton's list of enemies lengthens to include the school's instructors, Vietnam War protesters, and members of Andy Warhol's entourage, one art student is ultimately painted as the murderer. The only problem: the suspect has vanished. Why would an art student murder Benton? And if he were innocent, why would he run? When TJ Fitzgerald, son of Detective Juanita Diaz and Captain Brian Fitzgerald of the NYPD, discovers his classmate is the prime suspect, he uses his own investigative skills to try and clear his name. But as TJ and his girlfriend work to unravel the clues to the art mystery, he begins to wonder if the police got it wrong and one secret may be the key to it all... Helen Harrison's An Artful Corpse is a clever mystery sure to please art enthusiasts and armchair detectives alike.
Publisher: Sourcebooks, Inc.
ISBN: 1728214041
Category : Fiction
Languages : en
Pages : 237
Book Description
"A first-rate whodunnit set in the 1960s New York art world, a time and place Helen Harrison has recreated with a page-turning mix of history, gossip, and fun!"—Bob Colacello, author of Holy Terror: Andy Warhol Close Up One artist. One student. One deadly mystery. When Regionalist painter Thomas Hart Benton's corpse is discovered behind the easels of Manhattan's famed art school, whispers in the art community say he had it coming. As Benton's list of enemies lengthens to include the school's instructors, Vietnam War protesters, and members of Andy Warhol's entourage, one art student is ultimately painted as the murderer. The only problem: the suspect has vanished. Why would an art student murder Benton? And if he were innocent, why would he run? When TJ Fitzgerald, son of Detective Juanita Diaz and Captain Brian Fitzgerald of the NYPD, discovers his classmate is the prime suspect, he uses his own investigative skills to try and clear his name. But as TJ and his girlfriend work to unravel the clues to the art mystery, he begins to wonder if the police got it wrong and one secret may be the key to it all... Helen Harrison's An Artful Corpse is a clever mystery sure to please art enthusiasts and armchair detectives alike.
The Visual Language of Drawing
Author: James Lancel McElhinney
Publisher:
ISBN: 9781402768484
Category : Art
Languages : en
Pages : 0
Book Description
Featuring the insights of 15 current and former Art Students League instructors, this stunning volume reassesses the art of drawing not as a technique, but as the essential grammar of all visual thinking. In an illuminating introductory essay, James Lancel McElhinney punctures the myth that learning to draw is something for experts only, and presents methods for making, appreciating, and teaching drawing. The 15 contributors then offer a broad range of stylistic approaches and methodologies, accompanied by examples of their own and their students' artwork. A final section of basic exercises, along with information on materials, techniques, and resources, completes this inspirational study.
Publisher:
ISBN: 9781402768484
Category : Art
Languages : en
Pages : 0
Book Description
Featuring the insights of 15 current and former Art Students League instructors, this stunning volume reassesses the art of drawing not as a technique, but as the essential grammar of all visual thinking. In an illuminating introductory essay, James Lancel McElhinney punctures the myth that learning to draw is something for experts only, and presents methods for making, appreciating, and teaching drawing. The 15 contributors then offer a broad range of stylistic approaches and methodologies, accompanied by examples of their own and their students' artwork. A final section of basic exercises, along with information on materials, techniques, and resources, completes this inspirational study.