Diego Velázquez's Early Paintings and the Culture of Seventeenth-century Seville PDF Download
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Author: Tanya J. Tiffany
Publisher: Penn State Press
ISBN: 0271053798
Category : Art
Languages : en
Pages : 255
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Book Description
"Explores the early works of seventeenth-century Spanish painter Diego Velâazquez. Focuses on works from 1617 to 1623, examining the painter's critical engagement with the artistic, religious, and social practices of his native Seville"--Provided by publisher.
Author: Tanya J. Tiffany
Publisher: Penn State Press
ISBN: 0271053798
Category : Art
Languages : en
Pages : 255
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Book Description
"Explores the early works of seventeenth-century Spanish painter Diego Velâazquez. Focuses on works from 1617 to 1623, examining the painter's critical engagement with the artistic, religious, and social practices of his native Seville"--Provided by publisher.
Author: Laura Cumming
Publisher:
ISBN: 9780701188443
Category : Biography
Languages : en
Pages : 0
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Book Description
In 1845, a Reading bookseller named John Snare came across the dirt-blackened portrait of a prince at a country house auction. Suspecting that it might be a long-lost Velazquez, he bought the picture and set out to discover its strange history. When Laura Cumming stumbled on a startling trial involving John Snare, it sent her on a search of her own. At first she was pursuing the picture, and the life and work of the elusive painter, but then she found herself following the bookseller's fortunes too - from London to Edinburgh to nineteenth-century New York, from fame to ruin and exile. An innovative fusion of detection and biography, this book shows how and why great works of art can affect us, even to the point of mania. And on the trail of John Snare, Cumming makes a surprising discovery of her own. But most movingly, The Vanishing Man is an eloquent and passionate homage to the Spanish master Velazquez, bringing us closer to the creation and appreciation of his works than ever before
Author: José López-Rey
Publisher: Taschen
ISBN: 9783836581790
Category :
Languages : en
Pages : 416
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Book Description
For so many champions of art history, the ultimate sounding board was--and remains--Diego Rodríguez de Silva y Velázquez. First available as an XXL volume, this accessible edition presents his complete works in beautiful reproductions, including enlarged details and photography of recently restored paintings.
Author: Gary Tinterow
Publisher: Metropolitan Museum of Art
ISBN: 1588390403
Category : Painting, French
Languages : en
Pages : 610
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Book Description
Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--BOOK JACKET.
Author: Michael Jacobs
Publisher: Granta Publications
ISBN: 1847088090
Category : Art
Languages : en
Pages : 125
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Book Description
A fascinating journey through a single painting’s history, meanings and associations by “one of the great non-fiction writers of this and the last century” (Simon Schama, Financial Times). Acclaimed travel author and art historian Michael Jacobs was haunted by Velázquez’s enigmatic masterpiece Las Meninas from first encountering it in the Prado as a teenager. In Everything is Happening Jacobs searches for the ultimate significance of the painting by following the many associations suggested by each of its characters, as well as his own relationship to the work. From Jacobs’ first trip to Spain to the politics of Golden Age Madrid, to his meeting with the man who saved Las Meninas during the Spanish Civil war, to his experiences in the sunless world of the art history academy, Jacobs delivers a brilliantly discursive meditation on art and life that dissolves the barriers between the past and the present, the real and the illusory. Cut short by Jacobs’ death in 2014, and completed with an introduction and coda by his friend and fellow art lover, the journalist Ed Vulliamy, this visionary and often very funny book is a passionate, personal manifesto for the liberation of how we look at painting.
Author: Andreas Prater
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 140
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Book Description
The 17th century saw a tremendous thematic and technical development in the realm of painting as artists experimented with realism and anatomical exactitude, and gave free expression to themes of sensuality. This is especially apparent in Velazquez' "Venus at Her Mirror", also known as "The Rokeby Venus". In this text Andreas Prater uses the much-studied and imitated painting to trace Venus's depiction in art through the centuries. Prater begins by offering a detailed examination of Velazquez' masterpiece. He delves into its numerous levels of meaning as well as its impact on the nude paintings of its day. He also looks at the painting's history, including its attempted destruction by a suffragette in 1919. Velazquez' self-admiring Venus is compared to her depictions in other well-known works by admiring artists, including da Vinci, Giorgione, and Titian, as well as in works by later artists such as Manet and Cabanel, and into the modern world of advertising. These comparisons provoke intriguing perspectives on the evolution of eroticism, feminism, and Christianity in art, and offer an understanding of the influence that one artist and one work can have on generations that follow.
Author: Robert Alan Mowbray Stevenson
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 324
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Book Description
Author: Sarah Schroth
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 360
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Book Description
Published in conjunction with an exhibition held at the Museum of Fine Arts, Boston, Apr. 20-July 27, 2008 and at the Nasher Museum of Art at Duke University, Aug. 21-Nov. 9, 2008.
Author: Svetlana Alpers
Publisher: Yale University Press
ISBN: 9780300126136
Category : Art
Languages : en
Pages : 312
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Book Description
Now available in paperback A major art historian reflects on a great tradition of European painting. "The Vexations of Art is an engrossing, passionate attempt to re-engage with painting as a mode of thought at a time when 'it is not clear in what form the resource of painting?for surely painting has been a singular resource of the greater European culture?will continue."?Jackie Wullschlager, Financial Times "[A] fascinating book that will surely generate discussion for some time to come."?Mindy Nancarrow, Renaissance Quarterly
Author: Giles Knox
Publisher: Routledge
ISBN: 1351543105
Category : Art
Languages : en
Pages : 208
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Book Description
The startling conclusion of The Late Paintings of Vel?uez is that Diego Vel?uez painted two of his most famous works, The Spinners and Las Meninas, as theoretically informed manifestos of painterly brushwork. As a pair, Giles Knox argues, the two paintings form a learned retort to the prevailing critical disdain for the painterly. Knox presents a Vel?uez who was much more aware of the art theory of his era than previously acknowledged, leading him to reinterpret Las Meninas and The Spinners as representing together a polemically charged celebration of the "handedness" of painting. Knox removes Vel?uez from his Iberian isolation and seeks to recover his highly self-conscious attempt to carve out a place for himself within the history of European painting as a whole. The Late Paintings of Vel?uez presents an artist who, like Annibale Carracci, Poussin, Rembrandt, and Vermeer was not only aware of contemporary theoretical writings on art, but also able to translate that knowledge and understanding into a distinctive and personal theory of painting. In Las Meninas and The Spinners, Vel?uez propounded this theory with paint, not words. Knox's rethinking of the dynamic relationship between text and image presents a case, not of writing influencing painting, or vice versa, but of the two realms being inextricably bound together. Painterly brushwork presented a challenge to writers on art not just because it was connected too intimately with the base actions of the hand; it was also devilishly hard to describe. By reading Vel?uez's painterly performance as text, Knox deciphers how Vel?uez was able to craft theoretical arguments more compelling and more vivid than any written counterparts.
