Author: Edward Groom
Publisher:
ISBN:
Category : Glass painting and staining
Languages : en
Pages : 108
Book Description
The Art of Transparent Painting on Glass ...
Author: Edward Groom
Publisher:
ISBN:
Category : Glass painting and staining
Languages : en
Pages : 108
Book Description
Publisher:
ISBN:
Category : Glass painting and staining
Languages : en
Pages : 108
Book Description
The Art of Transparent Painting on Glass ... With Illustrations by the Author, Engraved by Dalziel. Third Edition
Author: Edward GROOM
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
Book Description
The Art of Transparent Painting Upon Glass
Author: Edward GROOM
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
Book Description
The Art of Painting on Glass
Author: Albinas Elskus
Publisher:
ISBN: 9780962905308
Category : Glass painting and staining
Languages : en
Pages : 147
Book Description
The Bible of glass painting! Clearly written, illustrated reference on glass painting. Topics include: mixing colors, tools and equipment, tracing, matting, staining, enameling, etching, firing, and much, much more.
Publisher:
ISBN: 9780962905308
Category : Glass painting and staining
Languages : en
Pages : 147
Book Description
The Bible of glass painting! Clearly written, illustrated reference on glass painting. Topics include: mixing colors, tools and equipment, tracing, matting, staining, enameling, etching, firing, and much, much more.
Art of 3D Drawing
Author: Stefan Pabst
Publisher: Walter Foster Publishing
ISBN: 1633223450
Category : Art
Languages : en
Pages : 131
Book Description
Transform simple pencil sketches into jaw-dropping, photorealistic masterpieces with The Art of 3D Drawing. World-famous 3D artist Stefan Pabst shows you how to take your drawing and painting skills to the next level with techniques for creating lifelike three-dimensional art. Begin with an overview of tools and materials, color theory and color mixing, and drawing and painting techniques. Then follow along with 12 stunning, step-by-step demonstrations that teach fundamental principles of 3D art, such as perspective, shading, rendering textures, and building dimension. Also find tips on adding color with oil paints to add even greater dimension and realism to your artwork and complete your three-dimensional masterpieces. An inspiration gallery at the back offers even more ideas for creating 3D art. Whatever your skill level, you will learn something new as you draw and paint a range of subjects in realistic detail. The projects are: A cube that appears to pop up from the paper A floating sphere A hole that seems to dip below the surface of the paper A group of LEGO® blocks An airplane “flying” over the paper Planet Earth A glass of water A ladybug that looks like it might crawl off the page A shiny classic car The Mayan ruin of Chichen Itza The Leaning Tower of Pisa A child “jumping” off the page With The Art of 3D Drawing, friends and family won’t believe their eyes as they admire your amazing photorealistic artwork.
Publisher: Walter Foster Publishing
ISBN: 1633223450
Category : Art
Languages : en
Pages : 131
Book Description
Transform simple pencil sketches into jaw-dropping, photorealistic masterpieces with The Art of 3D Drawing. World-famous 3D artist Stefan Pabst shows you how to take your drawing and painting skills to the next level with techniques for creating lifelike three-dimensional art. Begin with an overview of tools and materials, color theory and color mixing, and drawing and painting techniques. Then follow along with 12 stunning, step-by-step demonstrations that teach fundamental principles of 3D art, such as perspective, shading, rendering textures, and building dimension. Also find tips on adding color with oil paints to add even greater dimension and realism to your artwork and complete your three-dimensional masterpieces. An inspiration gallery at the back offers even more ideas for creating 3D art. Whatever your skill level, you will learn something new as you draw and paint a range of subjects in realistic detail. The projects are: A cube that appears to pop up from the paper A floating sphere A hole that seems to dip below the surface of the paper A group of LEGO® blocks An airplane “flying” over the paper Planet Earth A glass of water A ladybug that looks like it might crawl off the page A shiny classic car The Mayan ruin of Chichen Itza The Leaning Tower of Pisa A child “jumping” off the page With The Art of 3D Drawing, friends and family won’t believe their eyes as they admire your amazing photorealistic artwork.
The Glass Painter's Method
Author: David Williams
Publisher:
ISBN: 9781999618933
Category :
Languages : en
Pages : 242
Book Description
This book will serve you well if: You're new to traditional stained glass painting and are uncertain which brushes, paints and tools to buy - this book will tell you what you want to know. The accompanying 12 free videos will also introduce you to the key techniques. You've painted stained glass for a while but still worry "Is it my lack of skill which is the problem, or is it my brushes, paints and tools which stop me achieving the results I want?" - this book will guide you to the answer. And the 23 free designs will give you an excellent resource with which to practise. You're a teacher who wants your students to experience the joy of mastering this wonderful craft - this book will show you the smallest, most effective set of brushes, paints and tools to place before them so they can triumph. From designers and painters Williams & Byrne, and featuring entries from the journal of the forgotten Victorian craftsman Nathaniel Somers, this book will demonstrate how few possessions you really need to paint stained glass. This is Book 1 of The Glass Painter's Method.
Publisher:
ISBN: 9781999618933
Category :
Languages : en
Pages : 242
Book Description
This book will serve you well if: You're new to traditional stained glass painting and are uncertain which brushes, paints and tools to buy - this book will tell you what you want to know. The accompanying 12 free videos will also introduce you to the key techniques. You've painted stained glass for a while but still worry "Is it my lack of skill which is the problem, or is it my brushes, paints and tools which stop me achieving the results I want?" - this book will guide you to the answer. And the 23 free designs will give you an excellent resource with which to practise. You're a teacher who wants your students to experience the joy of mastering this wonderful craft - this book will show you the smallest, most effective set of brushes, paints and tools to place before them so they can triumph. From designers and painters Williams & Byrne, and featuring entries from the journal of the forgotten Victorian craftsman Nathaniel Somers, this book will demonstrate how few possessions you really need to paint stained glass. This is Book 1 of The Glass Painter's Method.
Josef Albers Glass, Color, and Light
Author: Josef Albers
Publisher: Solomon R Guggenheim Museum
ISBN: 9780810968646
Category : Art
Languages : en
Pages : 150
Book Description
Josef Albers (1888-1976), famous as a master at Germany's Bauhaus until 1933, and then a professor in American schools such as Yale University, influenced many young artists. His Homage to the Square series of paintings remains an important example of 20th-century art. Yet Albers's first great works - the glass pictures that he made in Germany beginning in 1921 - remain little known. Starting with found fragments of colored glass, and later employing a sophisticated sandblasting process, Albers created a new art form.
Publisher: Solomon R Guggenheim Museum
ISBN: 9780810968646
Category : Art
Languages : en
Pages : 150
Book Description
Josef Albers (1888-1976), famous as a master at Germany's Bauhaus until 1933, and then a professor in American schools such as Yale University, influenced many young artists. His Homage to the Square series of paintings remains an important example of 20th-century art. Yet Albers's first great works - the glass pictures that he made in Germany beginning in 1921 - remain little known. Starting with found fragments of colored glass, and later employing a sophisticated sandblasting process, Albers created a new art form.
Sargent, Whistler, and Venetian Glass
Author: Sheldon Barr
Publisher: Princeton University Press
ISBN: 0691222673
Category : Art
Languages : en
Pages : 336
Book Description
Murano Glass and its Collectors in Aesthetic America / Melody Barnett Deusner -- Venetian Mosaics and Glass in the United States, 1860-1917 / Sheldon Barr -- "Where Have Titian's Beauties Gone?" : Sargent and Whistler on the Streets of Venice / Stephanie Mayer Heydt -- Interweaving Worlds : Antique and Revival Lace in Italy and in the United States, 1872-1927 / Diana Jocelyn Greenwold -- Sparks of Genius : American Art and the Appeal of Modern Venetian Glass / Crawford Alexander Mann III -- Biographies / Brittany Emens Strupp, Crawford Alexander Mann III.
Publisher: Princeton University Press
ISBN: 0691222673
Category : Art
Languages : en
Pages : 336
Book Description
Murano Glass and its Collectors in Aesthetic America / Melody Barnett Deusner -- Venetian Mosaics and Glass in the United States, 1860-1917 / Sheldon Barr -- "Where Have Titian's Beauties Gone?" : Sargent and Whistler on the Streets of Venice / Stephanie Mayer Heydt -- Interweaving Worlds : Antique and Revival Lace in Italy and in the United States, 1872-1927 / Diana Jocelyn Greenwold -- Sparks of Genius : American Art and the Appeal of Modern Venetian Glass / Crawford Alexander Mann III -- Biographies / Brittany Emens Strupp, Crawford Alexander Mann III.
Gold Leaf, Paint & Glass
Author: Frances Federer
Publisher: Gatekeeper Press
ISBN: 1662910894
Category : Crafts & Hobbies
Languages : en
Pages : 253
Book Description
This pioneering book is the first publication in English to devote itself to the methods, techniques and history of reverse painting and gilding on glass, often known as 'verre eglomise'. Since the Renaissance the practice has passed in and out of fashion but today it is enjoying a resurgence in popularity. Discerning designers commission decorated glass for wall and ceiling panelling and for furniture inserts, while artists are increasingly exploring the medium, pushing at its boundaries. This book is written for students, artists, conservators, curators, interested amateurs, teachers and designers, many of whom will have been patiently waiting to learn more on this topic. The history of unfired decoration on glass is recounted in depth, illustrated with hitherto unpublished pictures. In the practical section clear step-by-step projects, suitable for a beginner as well as for a more experienced artist, serve as a singular introduction to an elegant, sophisticated art. Book Review 1: This is probably the most condensed (and refreshingly so), yet comprehensive book to date on gilded and painted glass. Concise and easy to read it mainly covers the most widely used cold process of gold and painted decoration on glass. Frances wastes no time in pointing out and clearing up the true meaning of the term verre eglomise, now commonly used as a general title for any type of decoration applied to glass, but let's not give too much away. This is all covered, including both cold and hot methods, in the opening paragraphs and under the Terminology section. There are many old books from medieval manuscripts to un-translated documentation, so this book is very welcomed. There has been a long gap in the market for gilded glass, but now the art of glass decoration is enjoying such a revival, and with so many new and varied designs, this couldn't really be better timed. The book moves from techniques (ancient to modern day) to origins and the development of glass decoration throughout the world. Fabulous examples of historic and important pieces are illustrated, each with a brief description of techniques and materials used. Some of these examples show a real diversity in design and methods used. The step by step approach for the entire gilding process is also explained and shown in great detail, covering initial design process for geometric and free hand patterns, the process of laying the leaf, engraving and colouring. Recipes, materials & tools, suppliers and useful references to websites make it easy for even a complete beginner or an amateur who has never laid a single leaf, but may wish to try their hand. Even for the professional there is nothing comparable to this book. It is up to date, an excellent concise reference manual with a wealth of useful information, in essence it is a book that can teach even the most experienced restorer or gilder something new. -- Dominic Schuster for The BAFRA, British Antique Furniture Restorers Association. Book Review 2: ...This book... brings together the results of years of research by the author... time-tested arcane formulae have been thoroughly modernized; intricate order-sensitive processes are thoroughly explained. Anyone practicing today has to get many things 'right' if they expect their work to last really long-term: that is why this book is so very important. -- William Gudenrath, Resident Advisor at The Studio of The Corning Museum of Glass, NY, USA. Book Review 3: I started reading your book and I think that it is great - it contains amazing amounts of information and yet it doesn't beat about the bush. -- Nina Binnington, mirror specialist, Germany. Book Review 4: Have now read four times, ever more slowly and with increasing understanding of the variables. Your experience and comments about what can be laid on top of what have in particular been very handy indeed for working out some potential snags ....I do so agree about repeating basic instructions in each separate context - from the reader's point of view, this is a blessing. Not to have to dash back and forth to re-establish an idea from a previous chapter, keeping a thumb in the page, is genuinely sensible.... I have put pencil marks all over the pages to remind me of small important details in the text. For me, that is clear proof that this is a book... genuinely useful workaday... to learn from and work with, not just to gawp at... -- Richard Byrne, UK. Book Review 5: It's a work of gilded art! This book will encourage and teach students for years to come. -- David Smith, ornamental glass artist, UK. Book Review 6: ...I want to say how much I am enjoying the book! Its such a fantastic resource and so inspiring - a real gift to the glass world. -- Lucy Batt, glass artist, UK. Book Review 7: ... after so much time, research and careful thought, it is truly an inspiration. I am very keen to explore this use of gold and colour in what I hope eventually will be my own personal expression. -- Christopher Ainslie, glass engraver, UK. Book Review 8: ...I just got the book in the post. It's lovely! Really well done, so easy to follow and beautifully illustrated. -- Lynne Rutter, decorative artist, San Francisco, USA. Book Review 9: ...Such a handsome book, and so filled with fascinating photos and text. It is beautifully organized, and will provide many worthwhile hours for readers of all levels. Congratulations, and thank you from all of us in the gilding community. -- Ina and Allen Marx, conservators and decorative artists, USA.
Publisher: Gatekeeper Press
ISBN: 1662910894
Category : Crafts & Hobbies
Languages : en
Pages : 253
Book Description
This pioneering book is the first publication in English to devote itself to the methods, techniques and history of reverse painting and gilding on glass, often known as 'verre eglomise'. Since the Renaissance the practice has passed in and out of fashion but today it is enjoying a resurgence in popularity. Discerning designers commission decorated glass for wall and ceiling panelling and for furniture inserts, while artists are increasingly exploring the medium, pushing at its boundaries. This book is written for students, artists, conservators, curators, interested amateurs, teachers and designers, many of whom will have been patiently waiting to learn more on this topic. The history of unfired decoration on glass is recounted in depth, illustrated with hitherto unpublished pictures. In the practical section clear step-by-step projects, suitable for a beginner as well as for a more experienced artist, serve as a singular introduction to an elegant, sophisticated art. Book Review 1: This is probably the most condensed (and refreshingly so), yet comprehensive book to date on gilded and painted glass. Concise and easy to read it mainly covers the most widely used cold process of gold and painted decoration on glass. Frances wastes no time in pointing out and clearing up the true meaning of the term verre eglomise, now commonly used as a general title for any type of decoration applied to glass, but let's not give too much away. This is all covered, including both cold and hot methods, in the opening paragraphs and under the Terminology section. There are many old books from medieval manuscripts to un-translated documentation, so this book is very welcomed. There has been a long gap in the market for gilded glass, but now the art of glass decoration is enjoying such a revival, and with so many new and varied designs, this couldn't really be better timed. The book moves from techniques (ancient to modern day) to origins and the development of glass decoration throughout the world. Fabulous examples of historic and important pieces are illustrated, each with a brief description of techniques and materials used. Some of these examples show a real diversity in design and methods used. The step by step approach for the entire gilding process is also explained and shown in great detail, covering initial design process for geometric and free hand patterns, the process of laying the leaf, engraving and colouring. Recipes, materials & tools, suppliers and useful references to websites make it easy for even a complete beginner or an amateur who has never laid a single leaf, but may wish to try their hand. Even for the professional there is nothing comparable to this book. It is up to date, an excellent concise reference manual with a wealth of useful information, in essence it is a book that can teach even the most experienced restorer or gilder something new. -- Dominic Schuster for The BAFRA, British Antique Furniture Restorers Association. Book Review 2: ...This book... brings together the results of years of research by the author... time-tested arcane formulae have been thoroughly modernized; intricate order-sensitive processes are thoroughly explained. Anyone practicing today has to get many things 'right' if they expect their work to last really long-term: that is why this book is so very important. -- William Gudenrath, Resident Advisor at The Studio of The Corning Museum of Glass, NY, USA. Book Review 3: I started reading your book and I think that it is great - it contains amazing amounts of information and yet it doesn't beat about the bush. -- Nina Binnington, mirror specialist, Germany. Book Review 4: Have now read four times, ever more slowly and with increasing understanding of the variables. Your experience and comments about what can be laid on top of what have in particular been very handy indeed for working out some potential snags ....I do so agree about repeating basic instructions in each separate context - from the reader's point of view, this is a blessing. Not to have to dash back and forth to re-establish an idea from a previous chapter, keeping a thumb in the page, is genuinely sensible.... I have put pencil marks all over the pages to remind me of small important details in the text. For me, that is clear proof that this is a book... genuinely useful workaday... to learn from and work with, not just to gawp at... -- Richard Byrne, UK. Book Review 5: It's a work of gilded art! This book will encourage and teach students for years to come. -- David Smith, ornamental glass artist, UK. Book Review 6: ...I want to say how much I am enjoying the book! Its such a fantastic resource and so inspiring - a real gift to the glass world. -- Lucy Batt, glass artist, UK. Book Review 7: ... after so much time, research and careful thought, it is truly an inspiration. I am very keen to explore this use of gold and colour in what I hope eventually will be my own personal expression. -- Christopher Ainslie, glass engraver, UK. Book Review 8: ...I just got the book in the post. It's lovely! Really well done, so easy to follow and beautifully illustrated. -- Lynne Rutter, decorative artist, San Francisco, USA. Book Review 9: ...Such a handsome book, and so filled with fascinating photos and text. It is beautifully organized, and will provide many worthwhile hours for readers of all levels. Congratulations, and thank you from all of us in the gilding community. -- Ina and Allen Marx, conservators and decorative artists, USA.
The Invisible Art
Author: Mark Cotta Vaz
Publisher: Chronicle Books
ISBN: 9780811845151
Category : Body, Mind & Spirit
Languages : en
Pages : 0
Book Description
Now available in paperback, The Invisible Art provides an unprecedented retrospective of matte art painting -- the unsung hero in the fast-paced world of cinematic visual effects. Until recently, matte-painting techniques were closely guarded secrets kept locked up on studio lots. The Invisible Art flings open the gates to reveal the finest representations of matte paintings from rare examples seen in epics such as Gone with the Wind and Citizen Kane to prove that the brush is mightier than the computer, as seen in such blockbusters as Star Wars and Titanic. Lavishly illustrated, the book's tremendous scope unveils a century's worth of fascinating stories, legendary personalities, and cunning movie craft from the first pioneering "glass shots" to the dawn of digital technology. Including a foreword by George Lucas, The Invisible Art conjures a never-before-told story of film wizardry.
Publisher: Chronicle Books
ISBN: 9780811845151
Category : Body, Mind & Spirit
Languages : en
Pages : 0
Book Description
Now available in paperback, The Invisible Art provides an unprecedented retrospective of matte art painting -- the unsung hero in the fast-paced world of cinematic visual effects. Until recently, matte-painting techniques were closely guarded secrets kept locked up on studio lots. The Invisible Art flings open the gates to reveal the finest representations of matte paintings from rare examples seen in epics such as Gone with the Wind and Citizen Kane to prove that the brush is mightier than the computer, as seen in such blockbusters as Star Wars and Titanic. Lavishly illustrated, the book's tremendous scope unveils a century's worth of fascinating stories, legendary personalities, and cunning movie craft from the first pioneering "glass shots" to the dawn of digital technology. Including a foreword by George Lucas, The Invisible Art conjures a never-before-told story of film wizardry.