Author: Jaś Elsner
Publisher: Oxford University Press, USA
ISBN: 9780192842015
Category : Art
Languages : en
Pages : 344
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Book Description
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periodsof internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylisticchange, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron,Keble College, Oxford
Author: Jaś Elsner
Publisher: Oxford University Press
ISBN: 019876863X
Category : Art
Languages : en
Pages : 337
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Book Description
A beautifully illustrated, new edition of the best single-volume guide to Roman and early Christian art. Provides an introduction to the great diversity of artistic styles during the period, and their context.
Author: Ramsay MacMullen
Publisher: Princeton University Press
ISBN: 0691656665
Category : Philosophy
Languages : en
Pages : 413
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Book Description
Written by one of the foremost historians of the Roman Empire, this collection of both new and previously published essays forms a colorful picture of daily life in the Mediterranean world between A.D. 50 and 450. Here, for example, the author applies statistical analysis to broad groups of people on matters ranging from justice through medicine to language. In so doing he is able to substantiate general statements about routines in ordinary people's behavior and to detect within these routines the very changes that constitute history. Such analysis also shows how this era benefits from the same historiographical approaches that have so successfully elucidated sociocultural phenomena in other periods. Drawing from statistical analysis and many other historical approaches, these essays on popular mores in the Roman Empire cover such topics as language and art, acculturation, thought and religion, sex and gender, cruelty and slavery, and aspects of class and power relations. The author introduces the collection with several essays on historical method, as it pertains to the richness of documentation and variety to be found in the region and period chosen. Ramsay MacMullen is Dunham Professor of History and Classics at Yale University. The most recent of his many books include Corruption and the Decline of Rome and Christianizing the Roman Empire: A.D. 100-400, both published by Yale. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Eve D'Ambra
Publisher: Pearson
ISBN:
Category : Art
Languages : en
Pages : 260
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Book Description
This collection of scholarly, yet accessible articles focuses on themes encountered in the study of Roman art and architecture. It covers the forms and meanings of imperial propaganda, the role of art and architecture in conferring or enhancing status, the commemoration of ruler and citizen in portraiture and funerary art, the interpretation of mythological subjects, and the significance of sculptural displays in architectural settings. For Roman art historians and artists.
Author: Nancy H. Ramage
Publisher: Thames & Hudson
ISBN:
Category : Art
Languages : en
Pages : 322
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Book Description
"This book covers the 1300 years from the Villanovan and Etruscan forerunners of the Romans to the introduction of Christianity under the Emperor Constantine the Great. The text examines the Roman artistic output chronologically, showing how greatly it was influenced by the taste and patronage of the various emperors. Each chapter focuses on one historical period or dynasty, and explores the history, myth and literature behind the art."--BOOK COVER.
Author: Bart D. Ehrman
Publisher:
ISBN: 9780195154603
Category : Language Arts & Disciplines
Languages : en
Pages : 504
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Book Description
Christianity in Late Antiquity, 300-450 C.E: A Reader collects primary sources of the early Christian world, from the last "Great Persecution" under Emperor Diocletian to the Council of Chalcedon in the mid-fifth century. During this period Christianity rose to prominence in the Roman Empire, developed new notions of sanctity and heresy, and spread beyond the Mediterranean world. This reader incorporates standard texts--from authors such as Athanasius, Augustine, and Eusebius--in the most recent translations and also includes less familiar texts, some of which appear in English translation for the first time. Presented in their entirety or in long excerpts, the texts are arranged thematically and cover such topics as orthodoxy, conversion, asceticism, and art and architecture. The editors provide introductions for each chapter, text, and image, situating the selections historically, geographically, and intellectually. Christianity in Late Antiquity, 300-450 C.E.: A Reader highlights the ways in which religion and culture were mutually transformed during this crucial historical period. Ideal for courses in Early Christianity, Christianity in Late Antiquity, and History of Christianity, this reader is an excellent companion to Bart D. Ehrman's After the New Testament (OUP, 1998) and an exceptional
Author: John Henderson
Publisher: Oxford University Press, USA
ISBN: 9780192842374
Category : Art
Languages : en
Pages : 298
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Book Description
'The book is part of a series of introductory studies intended to bring the latest developments in art history to students and general readers. But it offers something new to the specialist reader too [...] the quantity of illustrations is impressive for such a slim and inexpensive book ...Classical Art is illuminating, playful, provocative, and often (literally) iconoclastic' -Times Higher Education Supplement
Author: Robert Eric Mortimer Wheeler
Publisher:
ISBN:
Category : Architecture, Roman
Languages : en
Pages : 0
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Book Description
Author: Robin Osborne
Publisher: Oxford University Press, USA
ISBN: 9780192842022
Category : Art
Languages : en
Pages : 270
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Book Description
Explores the art of ancient Greece and its relationship to the world in which it was produced.
Author: Paul Zanker
Publisher: Getty Publications
ISBN: 1606061011
Category : Art
Languages : en
Pages : 61
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Book Description
Traditional studies of Roman art have sought to identify an indigenous style distinct from Greek art and in the process have neglected the large body of Roman work that creatively recycled Greek artworks. Now available in paperback, this fresh reassessment offers instead a cultural history of the functions of the visual arts, the messages that these images carried, and the values that they affirmed in late Republican Rome and the Empire. The analysis begins at the point at which the characteristic features of Roman art started to emerge, when the Romans were exposed to Hellenistic culture through their conquest of Greek lands in the third century B.C. As a result, the values and social and political structure of Roman society changed, as did the functions and character of the images it generated. This volume, presented in very clear and accessible language, offers new and fascinating insights into the evolution of the forms and meanings of Roman art. "Zanker, one of the foremost ancient Roman art historians, has produced an excellent general study of Roman art and its reception. . . . This book would be ideal for students at all levels interested in Roman art, history, and culture."—Choice
