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Author: Mary M. Lane
Publisher: PublicAffairs
ISBN: 1610397371
Category : History
Languages : en
Pages : 231
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Book Description
Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.
Author: Mary M. Lane
Publisher: PublicAffairs
ISBN: 1610397371
Category : History
Languages : en
Pages : 231
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Book Description
Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.
Author: Florence Jean Ansell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 570
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Book Description
Author: Florence Jean Ansell
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 448
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Author: Florence Jean Ansell
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 562
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Olaf Peters
Publisher: Prestel Publishing
ISBN: 9783791353678
Category : Art, Modern
Languages : en
Pages : 320
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Book Description
This book accompanies the first major museum exhibition devoted to a reconstruction of the infamous Nazi display of modern art since the presentation originated by the Los Angeles County Museum of Art in 1991. The book contains reflections on the genesis and evolution of the term "degenerate art" and details of the National Socialist policy on art. Art works from the exhibition Degenerate Art are compared to works of art from The Great German Art Exhibition, which was held at the same time and displayed the works of officially approved artists. The book also presents the after-effects of the attack on modernism that are felt even today.
Author: Florence Jean Ansell
Publisher:
ISBN:
Category :
Languages : de
Pages : 0
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Author: Florence Jean Ansell
Publisher: Forgotten Books
ISBN: 9781330057254
Category : Art
Languages : en
Pages : 558
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Book Description
Excerpt from The Art of the Munich Galleries: Being a History of the Progress of the Art of Painting Illuminated and Demonstrated by Critical Descriptions of the Great Paintings in the Old Pinakothek, the New Pinakothek and the Schack Gallery in Munich Munich has long enjoyed a high reputation as a place of study and training for painters. Many masters of many lands owe thanks to the city for some of the knowledge which has brought them glory. This is due in great part to the excellent opportunities for study of the old masters afforded by the magnificent gallery, the old Pinakothek, which in some respects is unrivalled by any gallery of Europe. There exists in the world for example no such opportunity for the study of Rubens as in this gallery; nowhere will one find such a judiciously selected wealth of pictures covering so wide a range of schools and styles. But the Old Pinakothek is not all. The modern galleries contain superb collections, even though these are not to be compared in power with the older collection. The authors of the present volume do not lay claim to the preparation of a revolutionary treatise. The opinions expressed will be found to follow in the main accepted judgments, necessarily tempered by personal likes and preferences. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Staatliche Graphische Sammlung München
Publisher: Hirmer Verlag GmbH
ISBN: 9783777451718
Category : Drawing
Languages : en
Pages : 0
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Book Description
The Staatliche Graphische Sammlung in Munich houses one of the finest and most famous collections of drawings and prints in Germany, with holdings of around 400,000 works ranging from the fifteenth century to modernity. Published to accompany an exhibition at the Morgan Library and Museum in New York, 100 Master Drawings from Munich comprises lush full-color illustrations of over one hundred of the museum's works of art. Demonstrating the impressive depth and breadth of works owned by the Staatliche Graphische Sammlung, the works in this volume range from rough preparatory sketches to meticulously executed studies and encompass a variety of media, including silverpoint, chalk, ink, and aquarelle. Among the many extraordinary pieces are Old Dutch and German prints, nineteenth-century German drawings, and works by Dürer and Rembrandt. But equally not to be missed are the many compelling works of contemporary graphic art for which the museum is best known.
Author: Kurt Martin
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 80
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