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Author: University of Missouri--Columbia. Museum of Art and Archaeology
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 340
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Book Description
In the years between 1830 and 1848, the period know as the July Monarchy, French art underwent the major transformation from romanticism to realism. Yet, because of their transitional nature, the works of this period have often been ignored by art historians. By avoiding a concentration on either a single artist or a single ism, the book illuminates this 18 year period.
Author: University of Missouri--Columbia. Museum of Art and Archaeology
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 340
Get Book Here
Book Description
In the years between 1830 and 1848, the period know as the July Monarchy, French art underwent the major transformation from romanticism to realism. Yet, because of their transitional nature, the works of this period have often been ignored by art historians. By avoiding a concentration on either a single artist or a single ism, the book illuminates this 18 year period.
Author: Heta Aali
Publisher: Springer Nature
ISBN: 3030597547
Category : History
Languages : en
Pages : 265
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Book Description
This book examines public discussions around France's four most prominent royal women during the first and second Restoration and July Monarchy: the duchesse d’Angoulême, the duchesse de Berry, Queen of the French Marie-Amélie, and Adélaïde d’Orléans. These were the most powerful women of the last decades of the French monarchy, but the new roles women were assigned in post-revolutionary France did not permit them to openly exercise political influence. This book explores continuities and variations in narratives of royal legitimacy, and how historians, authors, and politicians used national history - particularly medieval and early modern history - to either legitimize or undermine the French monarchy, and to define women's social and political roles.
Author: Philip Mansel
Publisher: St. Martin's Press
ISBN: 146686690X
Category : History
Languages : en
Pages : 832
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Book Description
Paris between 1814 and 1852 was the capital of Europe, a city of power and pleasure, a magnet for people of all nationalities that exerted an influence far beyond the reaches of France. Paris was the stage where the great conflicts of the age, between nationalism and cosmopolitanism, revolution and royalism, socialism and capitalism, atheism and Catholicism, were fought out before the audience of Europe. As Prince Metternich said: When Paris sneezes, Europe catches cold. Not since imperial Rome has one city so dominated European life. Paris Between Empires tells the story of this golden age, from the entry of the allies into Paris on March 31, 1814, after the defeat of Napoleon I, to the proclamation of his nephew Louis-Napoleon, as Napoleon III in the Hôtel de Ville on December 2, 1852. During those years, Paris, the seat of a new parliamentary government, was a truly cosmopolitan capital, home to Rossini, Heine, and Princess Lieven, as well as Berlioz, Chateaubriand, and Madame Recamier. Its salons were crowded with artisans and aristocrats from across Europe, attracted by the freedom from the political, social, and sexual restrictions that they endured at home. This was a time, too, of political turbulence and dynastic intrigue, of violence on the streets, and women manipulating men and events from their salons. In describing it Philip Mansel draws on the unpublished letters and diaries of some of the city's leading figures and of the foreigners who flocked there, among them Lady Holland, two British ambassadors, Lords Stuart de Rothesay and Normanby, and Charles de Flahaut, lover of Napoleon's step-daughter Queen Hortense. This fascinating book shows that the European ideal was as alive in the nineteenth century as it is today.
Author: University of Missouri--Columbia. Museum of Art and Archaeology
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 340
Get Book Here
Book Description
In the years between 1830 and 1848, the period know as the July Monarchy, French art underwent the major transformation from romanticism to realism. Yet, because of their transitional nature, the works of this period have often been ignored by art historians. By avoiding a concentration on either a single artist or a single ism, the book illuminates this 18 year period.
Author: Sandy Petrey
Publisher: Cornell University Press
ISBN: 9780801443411
Category : Biography & Autobiography
Languages : en
Pages : 208
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Book Description
Sandy Petrey explores the factors accounting for such consequential innovations in so short a time, so restricted a space. In Petrey's view, these disparate events betoken a common recognition of society's capacity to make and unmake what it recognizes as real."--Jacket.
Author: Robert Alexander
Publisher: Cambridge University Press
ISBN: 113943764X
Category : History
Languages : en
Pages : 404
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Book Description
This book examines the politics of the French Revolutionary tradition in the early nineteenth century. The author argues that political struggle was not confined to the elite, and that the Restoration Liberal Opposition developed a reform tradition which was far more effective than the revolutionary tradition of conspiracy and insurrection.
Author: Jillian Lerner
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773555145
Category : Art
Languages : en
Pages : 289
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Book Description
Nineteenth-century Paris is often celebrated as the capital of modernity. However, this story is about cultural producers who were among the first to popularize and profit from that idea. Graphic Culture investigates the graphic artists and publishers who positioned themselves as connoisseurs of Parisian modernity in order to market new print publications that would amplify their cultural authority while distributing their impressions to a broad public. Jillian Lerner's exploration of print culture illuminates the changing conditions of vision and social history in July Monarchy Paris. Analyzing a variety of caricatures, fashion plates, celebrity portraits, city guides, and advertising posters from the 1830s and 1840s, she shows how quotidian print imagery began to transform the material and symbolic dimensions of metropolitan life. The author's interdisciplinary approach situates the careers and visual strategies of illustrators such as Paul Gavarni and Achille Devéria in a broader context of urban entertainments and social practices; it brings to light a rich terrain of artistic collaboration and commercial experimentation that linked the worlds of art, literature, fashion, publicity, and the theatre. A timely historical meditation on the emergence of a commercial visual culture that prefigured our own, Graphic Culture traces the promotional power of artistic celebrities and the crucial perceptual and social transformations generated by new media.
Author: Jonathan Beecher
Publisher: Cambridge University Press
ISBN: 1108905234
Category : Political Science
Languages : en
Pages : 495
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Book Description
The revolution of 1848 has been described as the revolution of the intellectuals. In France, the revolution galvanised the energies of major romantic writers and intellectuals. This book follows nine writers through the revolution of 1848 and its aftermath: Alphonse de Lamartine, George Sand, Marie d'Agoult, Victor Hugo, Alexis de Tocqueville, Pierre-Joseph Proudhon, Alexander Herzen, Karl Marx, and Gustave Flaubert. Conveying a sense of the experience of 1848 as these writers lived it, this fresh and engaging study captures the sense of possibility at a time when it was not yet clear that the Second French Republic had no future. By looking closely at key texts in which each writer attempted to understand, judge, criticise, or intervene in the revolution, Jonathan Beecher shows how each endeavoured to answer the question posed explicitly by Tocqueville: Why, within the space of two generations, did democratic revolutions twice culminate in the dictatorship of a Napoleon?
Author: Peter G. Bietenholz
Publisher: BRILL
ISBN: 9789004100633
Category : History
Languages : en
Pages : 472
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Book Description
Examining a variety of texts ranging from the Ancient Near East to the nineteenth century, this book deals with the inevitable presence of both fact and fiction in historical thought and investigates when, where and to what degree they were distinguished.
Author: William G. Atwood
Publisher: Yale University Press
ISBN: 0300077734
Category : Music
Languages : en
Pages : 480
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Book Description
In 1831, Chopin stopped in Paris on his way to London, fleeing his native Warsaw after Russia's brutal repression of an insurrection there. Entranced by the lively social and artistic scene in the city, the musician remained there until his death in 1849. In this engaging book, William Atwood recreates the Paris that Chopin knew, providing vivid details about its places, people, and politics, and showing how these affected the sensitive musician during an enormously fruitful period in his career. Drawing on many contemporary sources, Atwood brings to life the musicians, writers, artists, courtesans, salon hostesses, politicians, doctors, businessmen, and messianic Polish emigres who lived in Paris. He describes the theaters, music halls, and salons of Paris as well as its less glamorous worlds filled with the political conflicts and economic fluctuations of the July Monarchy. He tells about the city's newly awakened social consciousness and the philosophers and writers (including George Sand) who fostered it. The book sheds brilliant new light on both Paris and Chopin and will be delightful reading for lovers of the city or the musician.
