The Art of the Franciscan Order in Italy PDF Download
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Author: William Robert Cook
Publisher: BRILL
ISBN: 9004131671
Category : Religion
Languages : en
Pages : 423
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Book Description
New studies of the Basilica in Assisi as well as innovative looks at early panel paintings and Franciscan stained glass are included.
Author: William Robert Cook
Publisher: BRILL
ISBN: 9004131671
Category : Religion
Languages : en
Pages : 423
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Book Description
New studies of the Basilica in Assisi as well as innovative looks at early panel paintings and Franciscan stained glass are included.
Author: Louise Bourdua
Publisher: Cambridge University Press
ISBN: 9780521281287
Category : Art
Languages : en
Pages : 0
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Book Description
Louise Bourdua examines how Franciscan church decoration developed between 1250 and 1400 by focusing on three important churches. She argues that local Franciscan friars were more interested in their personal conception of artistic programs than following models of decoration issued officially from the mother church at Assisi. Lay patrons also had considerable input into the decoration programs. Bourdua demonstrates how archival documentation and art can be combined to extend our understanding of the Franciscan art programs.
Author: Trinita Kennedy
Publisher: Philip Wilson Publishers
ISBN: 9781781300268
Category : Art
Languages : en
Pages : 256
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Book Description
Published in conjunction with the exhibition Sanctity Pictured: The Art of the Dominican and Franciscan Orders in Renaissance Italy (October 31, 2014-January 25, 2015) at the Frist Center for the Visual Arts, Nashville, Tennessee.
Author: Andrew Graham-Dixon
Publisher: Univ of California Press
ISBN: 9780520223752
Category : Architecture
Languages : en
Pages : 344
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Book Description
A history of Renaissance art, placing the time in its historical and political context and arguing that the Renaissance grew out of the achievements of the medieval period.
Author: Julian Gardner
Publisher: Harvard University Press
ISBN: 0674050800
Category : Art
Languages : en
Pages : 273
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Book Description
Political strife and religious faction lacerated fourteenth-century Italy. Giotto's commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto's path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi.
Author: Holly Flora
Publisher: Harvey Miller Publishers
ISBN:
Category : Art
Languages : en
Pages : 300
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Book Description
Cimabue and the Franciscans sheds new light on the legendary artist Cimabue, revealing his sophisticated engagement with complicated intellectual and theological ideas about materials, memory, beauty, and experience. This book offers a fresh look at the broader question of artistic change in the late thirteenth century by examining the intersection of two histories: that of the artist Cimabue (ca. 1240-1302), and that of the Franciscan Order. While focused on the work of a single artist, this study sheds new light on the religious motives and artistic means that fueled the period's visual and spiritual transformations. Flora's study reveals that Cimabue was not just a crucial figure in processes of stylistic change. He and his Franciscan patrons engaged with complicated intellectual and theological ideas about materials, memory, beauty, and experience, creating innovative works of art that celebrated the Order and enabled new modes of Christian devotion. Cimabue's contributions to the history of art thus can finally be recognized for their wide-ranging scope and impact within the rapidly-evolving religious culture of the late thirteenth century.
Author: Louise Bourdua
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754656555
Category : History
Languages : en
Pages : 258
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Book Description
Art and the Augustinian Order in Early Renaissance Italy views art in the formative period of the Augustinian Hermits, an order with a particularly difficult relation to art. As a first detailed study of visual culture in the Augustinian order, this book will be a basic resource, making available previously inaccessible material, discussing both well-known and more neglected artworks, and engaging with fundamental methodological questions for pre-modern art and church history, from the creation of religious iconographies to the role of gender in art.
Author: KatherineT. Brown
Publisher: Routledge
ISBN: 1351559060
Category : Art
Languages : en
Pages : 257
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Book Description
Mater Misericordiae?Mother of Mercy?emerged as one of the most prolific subjects in central Italian art from the late thirteenth through the sixteenth centuries. With iconographic origins in Marian cult relics brought from Palestine to Constantinople in the fifth century, the amalgam of attributes coalesced in Armenian Cilicia then morphed as it spread to Cyprus. An early concept of Mary of Mercy?the Virgin standing with outstretched arms and a wide mantle under which kneel or stand devotees?entered the Italian peninsula at the ports of Bari and Venice during the Crusades, eventually converging in central Italy. The mendicant orders adopted the image as an easily recognizable symbol for mercy and aided in its diffusion. In this study, the author?s primary goals are to explore the iconographic origins of the Madonna della Misericordia as a devotional image by identifying and analyzing key attributes; to consider circumstances for its eventual overlapping function as a secular symbol used by lay confraternities; and to discuss its diaspora throughout the Italian peninsula, Western Europe, and eastward into Russia and Ukraine. With over 100 illustrations, the book presents an array of works of art as examples, including altarpieces, frescoes, oil paintings, manuscript illuminations, metallurgy, glazed terracotta, stained glass, architectural relief sculpture, and processional banners.
Author: Livio Pestilli
Publisher: Routledge
ISBN: 1351554115
Category : Art
Languages : en
Pages : 229
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Book Description
The presence of the orthopedically impaired body in art is so pervasive that, paradoxically, it has failed to attract the attention of most art historians. In Picturing the Lame in Italian Art from Antiquity to the Modern Era, Livio Pestilli investigates the changing meaning that images of individuals with limited mobility acquired through the centuries. This study evinces that in distinct opposition to the practice of classical artists, who manifested a lack of interest in the subject of lameness since it was considered 'a defect or a deformity' and deformity a 'want of measure, which is always unsightly,' their Early Christian counterparts depicted them profusely, because images of the miraculous healing of the lame became the reassuring sign of universal acceptance and the promise of a more equitable existence in this life or the next. In the Middle Ages, instead, when voluntary poverty came to be associated with the necessary condition of faithfulness to Christ, the indigent lame, along with others who were forced to beg for a living, became the image of the alter Christus. This view was to change in the Renaissance and Baroque periods, when, with the resurgence of classical and Pauline ideals that condemned the idle, representations of the orthopedically impaired became associated with swindlers, freeloaders and parasites. This fascinating story came basically to an end in the Eighteenth century when, with the revival of the Greek ideal of the Beautiful, the lame gradually left center stage to be relegated again to the margins of the visual arts.
Author: Paroma Chatterjee
Publisher: Cambridge University Press
ISBN: 1107782961
Category : Art
Languages : en
Pages : 301
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Book Description
This is the first book to explore the emergence and function of a novel pictorial format in the Middle Ages, the vita icon, which displayed the magnified portrait of a saint framed by scenes from his or her life. The vita icon was used for depicting the most popular figures in the Orthodox calendar and, in the Latin West, was deployed most vigorously in the service of Francis of Assisi. This book offers a compelling account of how this type of image embodied and challenged the prevailing structures of vision, representation and sanctity in Byzantium and among the Franciscans in Italy between the eleventh and thirteenth centuries. Paroma Chatterjee uncovers the complexities of the philosophical and theological issues that had long engaged both the medieval East and West, such as the fraught relations between words and images, relics and icons, a representation and its subject, and the very nature of holy presence.
