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Author: Masakazu Yamazaki
Publisher: Princeton University Press
ISBN: 0691213305
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
This annotated translation is the first systematic rendering into any Western language of the nine major treatises on the art of the Japanese No theater by Zeami Motokivo (1363-1443). Zeami, who transformed the No from a country entertainment into a vehicle for profound theatrical and philosophical experience, was a brilliant actor himself, and his treatises touch on every aspect of the theater of his time. His theories, mixing philosophical and practical insights, often seem strikingly contemporary. Since their discovery early in this century. these secret treatises have been considered among the most valuable and representative documents in the history of Japanese aesthetics. They discuss subjects from the art of the playwright to the reciprocal nature of the relationship between performer and audience.
Author: Masakazu Yamazaki
Publisher: Princeton University Press
ISBN: 0691213305
Category : Performing Arts
Languages : en
Pages : 356
Get Book Here
Book Description
This annotated translation is the first systematic rendering into any Western language of the nine major treatises on the art of the Japanese No theater by Zeami Motokivo (1363-1443). Zeami, who transformed the No from a country entertainment into a vehicle for profound theatrical and philosophical experience, was a brilliant actor himself, and his treatises touch on every aspect of the theater of his time. His theories, mixing philosophical and practical insights, often seem strikingly contemporary. Since their discovery early in this century. these secret treatises have been considered among the most valuable and representative documents in the history of Japanese aesthetics. They discuss subjects from the art of the playwright to the reciprocal nature of the relationship between performer and audience.
Author: Marsh Cassady
Publisher: Meriwether Publishing
ISBN:
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
Offers a comprehensive overview to the art of theatre, exploring every aspect of theatre history, production, role in cultures around the world, business aspects, major eras, and future potential.
Author: John O'Toole
Publisher: Routledge
ISBN: 1134891008
Category : Art
Languages : en
Pages : 269
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Book Description
An original and invaluable model of the elements of drama in context. O'Toole demonstrates how dramatic meaning emerges, shaped by its multiple contexts, and illuminates the importance of all participants to the dramatic process.
Author: Richard F. Dietrich
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 706
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Book Description
Author: Mike Fleming
Publisher: Routledge
ISBN: 1134094108
Category : Education
Languages : en
Pages : 194
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Book Description
This book provides a multitude of practical ideas for teachers and student teachers of drama and for those who are interested in using drama to teach other subjects. It takes the form of a detailed discussion of twenty-five drama techniques, each accompanied by practical examples of lessons and illustrated by an extract from a play.
Author: Ronald Peacock
Publisher:
ISBN: 9780758146304
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Fred B. Millett
Publisher: Forgotten Books
ISBN: 9781330253144
Category : Literary Collections
Languages : en
Pages : 269
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Book Description
Excerpt from Art of the Drama This book is not a history of the drama. Nor is it a manual for the multitudes who aspire to write plays and sell them. It is a tool for the use of those who wish to deepen their understanding and enhance their enjoyment of plays witnessed in the theater or read in the study. As a textbook, it may prove useful in the study of the history of the drama or of the drama as a literary type, or in such a course as the Introduction to the Study of Drama as given at the University of Chicago. The book is divided into three parts, each of which emphasizes a particular aspect of the drama. Part I is mainly devoted to the historical aspect of the drama, the spirit of the age, the nature of the theater and audience in each of the major periods in dramatic history. It also contains a general discussion of the major forms or types of drama - tragedy, comedy, melodrama, and farce - and a more detailed consideration of the types of drama and comedy characteristic of each period. Part II considers the major modes of drama - classicism, romanticism, realism, sentimentalism, symbolism, and expressionism. Part III concerns the major problems of dramatic technique and the characteristic solutions of those problems in the various types and modes and periods of drama. There is no question that it would have been more logical to consider first the technical, second the æsthetic, and third the historical approach to the study of drama, and students of a logical turn of mind will have no difficulty in using the text in that order. But we have come to feel that it will, in general, be preferable for the student to master the facts in Part I before he ventures upon the more theoretical considerations of Parts II and III. Both teacher and student will observe that this book makes no attempt to treat comprehensively any particular plays or the work of any particular playwrights, although many plays and many playwrights are drawn on for illustrative material. Rather is the book intended for use in connection with the reading and study of any series of plays in which the teacher or student may be interested. Inevitably, the plays, playwrights, and movements of each major period in the drama are discussed in each of the three parts of the book. But the very full index will make it easy for the reader to turn rapidly to our consideration, under various heads, of a particular play, playwright, or period. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Russ M. Herman
Publisher:
ISBN:
Category : Forensic oratory
Languages : en
Pages : 434
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Book Description
Author: Francis Fergusson
Publisher: Princeton University Press
ISBN: 1400875137
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
An original and beautifully written book on changing perspectives in the art of theater. Through a study of nine plays—Oedipus Rex, Bérénice, Tristan und Isolde, Hamlet, Ghosts, The Cherry Orchard, Six Characters in Search of an Author, Noah, Murder in the Cathedral—the author shows how all playwrights seek to "hold the mirror up to nature" and how in this respect the art of drama is always the same, varying only with the philosophical and aesthetic concepts of each age. The Idea of a Theater will delight both readers with a special interest in drama and those who read drama as a source of insight into man's nature and man’s changing ideas of himself. Originally published in 1949. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Amy Holzapfel
Publisher: Routledge
ISBN: 1136768432
Category : Performing Arts
Languages : en
Pages : 275
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Book Description
Realism in theatre is traditionally defined as a mere seed of modernism, a crude attempt to reproduce an exact copy of reality on stage. Art, Vision & Nineteenth-Century Realist Drama redefines realism as a complex and under-examined form of visual modernism, one that positioned theatre at the crux of the encounter between consciousness and the visible world. Tracing a historical continuum of "acts of seeing" on the realist stage, Holzapfel demonstrates how theatre participated in modernity’s aggressive interrogation of vision’s residence in the human body. New findings by scientists and philosophers—such as Diderot, Goethe, Müller, Helmholtz, and Galton—exposed how the visible world is experienced and framed by the unstable relativism of the physiological body rather than the fixed idealism of the mind. Realist artists across media paradoxically embraced this paradigm shift by focusing on the embodied observer. Drawing from extensive archival research, Holzapfel conducts close readings of iconic dramas and their productions—including Scribe’s The Glass of Water, Zola’s Thérèse Raquin, Ibsen’s A Doll House, Strindberg’s The Father, and Hauptmann’s Before Sunrise—alongside analyses of artwork by major painters and photographers—such as Chardin, Nadar, Millais, Rejlander, and Liebermann. In a radical challenge to existing criticism, Holzapfel argues that realism in theatre was never the attempt to reproduce an exact copy of the seen world but rather the struggle to make visible the act of seeing.
